{"id":1224,"date":"2025-11-12T16:21:17","date_gmt":"2025-11-12T16:21:17","guid":{"rendered":"https:\/\/www.consmi.it\/?page_id=1224"},"modified":"2026-03-03T16:26:59","modified_gmt":"2026-03-03T15:26:59","slug":"dottorato","status":"publish","type":"page","link":"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/dottorato\/","title":{"rendered":"PhD"},"content":{"rendered":"<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhlwf2r7-207bb4a212c206ca35c9bef0d32b4437\">\n.avia-section.av-mhlwf2r7-207bb4a212c206ca35c9bef0d32b4437 .av-parallax .av-parallax-inner{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Dottorato.jpg);\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-mhlwf2r7-207bb4a212c206ca35c9bef0d32b4437 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  el_before_av_section  avia-builder-el-first  avia-full-stretch av-parallax-section avia-bg-style-parallax av-minimum-height av-minimum-height-50 av-height-50  container_wrap fullsize'  data-section-bg-repeat='stretch' data-av_minimum_height_pc='50' data-av_min_height_opt='50'><div class='av-parallax' data-avia-parallax-ratio='0.3' ><div class='av-parallax-inner main_color avia-full-stretch'><\/div><\/div><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1224'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7\">\n#top .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7{\npadding-bottom:10px;\ncolor:#ffffff;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-subheading{\nfont-size:15px;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-wrap:before{\nborder-color:#ffffff;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-wrap:after{\nborder-color:#ffffff;\n}\n\n@media only screen and (min-width: 990px){ \n#top #wrap_all .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag{\nfont-size:60px;\n}\n}\n<\/style>\n<div  class='av-special-heading av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 av-special-heading-h1 custom-color-heading blockquote classic-quote classic-quote-left  avia-builder-el-1  avia-builder-el-no-sibling'><h1 class='av-special-heading-tag'  itemprop=\"headline\"  >PhD<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><div id='av_section_2'  class='avia-section av-ur57-de7df907404d2912e663238955b7639e main_color avia-section-default avia-no-border-styling  avia-builder-el-2  el_after_av_section  el_before_av_tab_section  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1224'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-mtzmn-4bf69e8000ac63ffb5369738211571e8 av_one_full  avia-builder-el-3  avia-builder-el-no-sibling  first flex_column_div'     ><section  class='av_textblock_section av-mhp0ly0o-befd8a6dd019e2d208e5282c604d6070'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The <strong>PhD<\/strong> aims at an innovative dialogue between practice and research in music and the performing arts, implementing theoretical, methodological and critical training also in an interdisciplinary, multidisciplinary and transdisciplinary perspective. The <strong>MUSART Doctorate<\/strong> intende valorizzare e stimolare la ricerca negli ambiti della creazione, della performance e della riflessione teorica su e intorno alla musica e alle arti performative; si prefigge inoltre di accrescere l\u2019interazione e il dialogo di tali ambiti di ricerca con le scienze e in particolare con le discipline <strong>STEM<\/strong>, secondo una prospettiva trasversale e interdisciplinare. La trasversalit\u00e0 contribuisce all\u2019emergere di linee di pensiero e di pratiche innovative, producendo quindi nuove prospettive epistemologiche e artistiche.<\/p>\n<p>Il risultato della ricerca dovr\u00e0 configurarsi secondo una delle <strong>two types<\/strong>:<\/p>\n<ol>\n<li>La realizzazione di eventi performativi, la produzione di opere, oggetti o dispositivi artistici, in concomitanza con la scrittura di una tesi (in italiano o in inglese) che fornisca nuove conoscenze attingendo a una variet\u00e0 di campi teorici e scientifici.<\/li>\n<li>A written thesis (in Italian or English), possibly accompanied by multimedia.<\/li>\n<\/ol>\n<p>Engl:<\/p>\n<p>The <strong>PhD<\/strong> aims at an innovative dialogue between practice and research in music and performing arts, implementing theoretical, methodological and critical training also in an interdisciplinary, multidisciplinary and transdisciplinary perspective. The <strong>PhD MUSART<\/strong> fosters research in the fields of creation, performance and theoretical reflection on music and around music and the performing arts; moreover, it aims to relate them in a transversal and interdisciplinary way to the <strong>STEM<\/strong> disciplines. Transversality contributes to the emergence of innovative lines of thought and practices, thus producing new epistemological and artistic perspectives.<\/p>\n<p>The research results must be presented in one of the <strong>following two formats<\/strong>:<\/p>\n<p>a) The realisation of performative events, the production of works, objects or artistic devices, in conjunction with the writing of a thesis (in Italian or English) providing new knowledge drawing on a variety of theoretical and scientific fields.<\/p>\n<p>b) A written thesis (in Italian or English), possibly accompanied by multimedia support.<\/p>\n<h4><strong>Doctoral College:<\/strong><\/h4>\n<p><strong>Candida Felici<\/strong>, Conservatory of Milan, Coordinator<br \/>\n<strong>Elisabetta Andreani<\/strong>, Milan Conservatory<br \/>\n<strong>Livio Aragona<\/strong>, Milan Conservatory<br \/>\n<strong>James Danese<\/strong>, Florence Conservatory<br \/>\n<strong>Peter Dejans<\/strong>, Orpheus Instituut<br \/>\n<strong>Leonardo De Lisi<\/strong>, Florence Conservatory<br \/>\n<strong>Annamaria Fornasier<\/strong>, Florence Conservatory<br \/>\n<strong>Fabiola Gianotti<\/strong>, CERN Geneva | <a href=\"https:\/\/home.cern\/about\/who-we-are\/our-people\/biographies\/fabiola-gianotti\" target=\"_blank\" rel=\"noopener\">VIEW CV<\/a><br \/>\n<strong>Stefano Lombardi Vallauri<\/strong>, Universit\u00e0 IULM di Milano | <a href=\"https:\/\/www.iulm.it\/it\/iulm\/ateneo\/docenti-e-collaboratori\/lombardi-vallauri-stefano\" target=\"_blank\" rel=\"noopener\">VIEW CV<\/a><br \/>\n<strong>Gabriele Manca<\/strong>, Milan Conservatory<br \/>\n<strong>Roberto Perata<\/strong>, Milan Conservatory<br \/>\n<strong>Marco Rapetti Gasparrini<\/strong>, Florence Conservatory<br \/>\n<strong>Augusto Sarti<\/strong>, Politecnico di Milano | <a href=\"https:\/\/sarti.faculty.polimi.it\/Augusto_Sarti\/CV_and_publications.html\" target=\"_blank\" rel=\"noopener\">VIEW CV<\/a><br \/>\n<strong>Francesco Torrigiani<\/strong>, Florence Conservatory<\/p>\n<div class=\"editor-text\"><\/div>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-fxayhk-f9fbd3e437fff72b5549424e3654bb99\">\n.av-tab-section-outer-container.av-fxayhk-f9fbd3e437fff72b5549424e3654bb99 .av-tab-section-tab-title-container{\nbackground-color:#002657;\n}\n#top .av-tab-section-outer-container.av-fxayhk-f9fbd3e437fff72b5549424e3654bb99 .av-active-tab-title.av-section-tab-title{\ncolor:#ffffff;\n}\n#top .av-tab-section-outer-container.av-fxayhk-f9fbd3e437fff72b5549424e3654bb99 .av-section-tab-title:hover{\ncolor:#ffffff;\n}\n#top .av-tab-section-outer-container.av-fxayhk-f9fbd3e437fff72b5549424e3654bb99 .av-active-tab-title.av-section-tab-title:hover{\ncolor:#ffffff;\n}\n<\/style>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-tab-section-1'  class='av-tab-section-container entry-content-wrapper main_color av-tab-no-transition 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' target=\"_blank\"  rel=\"noopener noreferrer\"> Download the announcement <\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>198.7KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/20251013_NominaCommissioneValutatriceDottorato_8740_Con-nota-di-rettifica.pdf' title=' Decree appointing the Selection Board and list of applications received '  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mhw7c9h4-5-4720432776f053e173ee3a1d06fd610e avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-2' 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list of applications received &#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt; Decree appointing the Selection Board and list of applications received &lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/20251013_NominaCommissioneValutatriceDottorato_8740_Con-nota-di-rettifica.pdf' title=' Decree appointing the Selection Board and list of applications received ' target=\"_blank\"  rel=\"noopener noreferrer\"> Decree appointing the Selection Board and list of applications received <\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>148.5KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/20251014_RettificaDecretoCommissioneValutatriceDottorato_8763.pdf' title=' Decree of rectification due to material error in 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0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/2025-11-10_Decreto-graduatoria-finale-41-ciclo.pdf&#039; title=&#039;Final ranking decree &#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Final ranking decree &lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/2025-11-10_Decreto-graduatoria-finale-41-ciclo.pdf' title='Final ranking decree ' target=\"_blank\" 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el_before_av_textblock  avia-builder-el-first  first flex_column_div'     ><section  class='av_textblock_section av-mls4c9r9-bc9d4c5fb83ad58b7189a7437f67546a'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"card-title text-secondary font-600 font-30\">XL ciclo &#8211; A.A. 2024\/2025<\/h2>\n<\/div><\/section><\/div><section  class='av_textblock_section av-mls4em5a-3866cdb478fe2aa0d7e05761fe907e8d'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3><strong>Doctoral College<\/strong>:<\/h3>\n<p><strong>Candida Felici<\/strong>, Conservatory of Milan, Coordinator<br \/>\n<strong>Elisabetta Andreani<\/strong>, Milan Conservatory<br \/>\n<strong>Livio Aragona<\/strong>, Milan Conservatory<br \/>\n<strong>James Danese<\/strong>, Florence Conservatory<br \/>\n<strong>Peter Dejans<\/strong>, Orpheus Instituut<strong><br \/>\nLeonardo De Lisi<\/strong>, Florence Conservatory<br \/>\n<strong>Annamaria Fornasier<\/strong>, Florence Conservatory<br \/>\n<strong>Fabiola Gianotti<\/strong>, CERN Geneva | <a href=\"https:\/\/home.cern\/about\/who-we-are\/our-people\/biographies\/fabiola-gianotti\" target=\"_blank\" rel=\"noopener\">VIEW CV<\/a><br \/>\n<strong>Stefano Lombardi Vallauri<\/strong>, Universit\u00e0 IULM di Milano | <a href=\"https:\/\/www.iulm.it\/it\/iulm\/ateneo\/docenti-e-collaboratori\/lombardi-vallauri-stefano\" target=\"_blank\" rel=\"noopener\">VIEW CV<\/a><br \/>\n<strong>Gabriele Manca<\/strong>, Milan Conservatory<br \/>\n<strong>Roberto Perata<\/strong>, Milan Conservatory<br \/>\n<strong>Marco Rapetti Gasparrini<\/strong>, Florence Conservatory<br \/>\n<strong>Augusto Sarti<\/strong>, Politecnico di Milano | <a href=\"https:\/\/sarti.faculty.polimi.it\/Augusto_Sarti\/CV_and_publications.html\" target=\"_blank\" rel=\"noopener\">VIEW CV<\/a><br \/>\n<strong>Francesco Torrigiani<\/strong>, Florence Conservatory<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/242112486392051\" target=\"_blank\" rel=\"noopener\">SEND APPLICATION<\/a><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mltmf18a-24500023de54652f38d2f4b3d089339c\">\n#top .hr.hr-invisible.av-mltmf18a-24500023de54652f38d2f4b3d089339c{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-mltmf18a-24500023de54652f38d2f4b3d089339c hr-invisible  avia-builder-el-25  el_after_av_textblock  el_before_av_textblock'><span class='hr-inner'><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-mltmdlzm-35cc4e9ed13929a958876541d273d692'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"card-title text-secondary font-600 font-30\">PhD students<\/h2>\n<\/div><\/section><br \/>\n<div  class='tabcontainer av-mltj3pfp-8199c9a20e7ffea015863711c250d91f top_tab  avia-builder-el-27  el_after_av_textblock  el_before_av_one_half  primo'>\n<section class='av_tab_section av_tab_section av-mltj3nqt-873abbc48d25a3b63dc1eff7b8bc784d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-1-tab' class='tab active_tab' role='tab' aria-selected=\"true\" tabindex=\"0\" data-fake-id='#tab-id-1' aria-controls='tab-id-1-content'  itemprop=\"headline\" >David Ant\u00fanez Rodr\u00edguez<\/div><div id='tab-id-1-content' class='tab_content active_tab_content' role='tabpanel' aria-labelledby='tab-id-1-tab' aria-hidden=\"false\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><div  class='flex_column av-kmkx7c-24a2f6567620372b290549d0bcbc07ef av_one_fifth  avia-builder-el-28  el_before_av_one_fifth  avia-builder-el-first  first flex_column_div'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ixdznc-3c362ae4ed0b6c55448aac788e665cb8\">\n.avia-image-container.av-ixdznc-3c362ae4ed0b6c55448aac788e665cb8 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-ixdznc-3c362ae4ed0b6c55448aac788e665cb8 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-ixdznc-3c362ae4ed0b6c55448aac788e665cb8 av-styling- avia-align-left  avia-builder-el-29  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-5440 avia-img-lazy-loading-not-5440 avia_image' src=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/David-225x300.jpg\" alt='David Ant\u00fanez Rodr\u00edguez' title='David'  height=\"300\" width=\"225\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/David-225x300.jpg 225w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/David-773x1030.jpg 773w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/David-768x1023.jpg 768w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/David-529x705.jpg 529w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/David.jpg 800w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/div><\/div><\/div><\/div>\n<h3>David Ant\u00fanez Rodr\u00edguez<\/h3>\n<p><strong>The Interpreter Alongside. Multimodal communication practices in music creation.<\/strong><\/p>\n<p>This artistic research aims to revalue the role of the interpreter in music by enhancing their creative involvement within composition, and to question the current tendency of reducing the \u2018dialogue\u2019 between interpreters and composers to the practical (and hermeneutic) relationship through the mediation of a written score. Therefore, the notion of textuality in music must be re-examined in order to extend its meaning beyond the limitations of traditional notation, to encompass other layers related to orality that give rise to a redefined text. Furthermore, new strategies are to be developed in collaboration with interpreters to enhance the uniqueness of performance, by working, for example, with the creative possibilities of their perception and memory applied to composition. A fundamental aspect of this research entails the analysis of multimodal communication systems within the paradigm of collaborative\/co-creative encounters between interpreter and composer. While there are studies on multimodal communication in musical contexts, the majority of these focus on cases from masterclasses, pedagogical contexts, and rehearsals. However, the multimodal communication in the relationship between interpreter and composer has not yet been the subject of in-depth study, especially in relation to the analysis of the moment of musical creation, in which practices of collaboration, research and\/or co-creation can be developed. Consequently, this research endeavour seeks to broaden the existing scientific studies in this domain. It is important to note that this theoretical approach is in continuous dialogue with the researcher\u2019s own artistic practice, since the methodologies developed with and for the interpreters are found and applied in a series of case studies consisting of new compositions closely conceived alongside the interpreters.<\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-mltj3nqt-18-2ced9fa51354093cec06699a7b8ded39'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-2-tab' class='tab' role='tab' aria-selected=\"false\" tabindex=\"0\" data-fake-id='#tab-id-2' aria-controls='tab-id-2-content'  itemprop=\"headline\" >Simone Cardini<\/div><div id='tab-id-2-content' class='tab_content' role='tabpanel' aria-labelledby='tab-id-2-tab' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><div style=\"margin-top: 0px !important;\">\n<div  class='flex_column av-h2f5iw-c808a0b2fca604f0799f90f2082514eb av_one_fifth  avia-builder-el-30  el_after_av_one_fifth  el_before_av_one_fifth  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-gg2ywo-0ce19c1b9f93624ee64ade9d8ec7b139\">\n.avia-image-container.av-gg2ywo-0ce19c1b9f93624ee64ade9d8ec7b139 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-gg2ywo-0ce19c1b9f93624ee64ade9d8ec7b139 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-gg2ywo-0ce19c1b9f93624ee64ade9d8ec7b139 av-styling- avia-align-left  avia-builder-el-31  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-5441 avia-img-lazy-loading-not-5441 avia_image' src=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Simone-Cardini-225x300.jpg\" alt='Simone Cardini' title='Simone Cardini'  height=\"300\" width=\"225\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Simone-Cardini-225x300.jpg 225w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Simone-Cardini-773x1030.jpg 773w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Simone-Cardini-768x1023.jpg 768w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Simone-Cardini-529x705.jpg 529w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Simone-Cardini.jpg 800w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/div><\/div><\/div><\/div>\n<\/div>\n<h3>Simone Cardini<\/h3>\n<p><strong>The Space Between<\/strong><br \/>\n<em>Orchestrating Layered Agency in Spatial-MPE Chamber Praxis<\/em><\/p>\n<p>Abstract<\/p>\n<p>This research integrates MPE and volumetric control to define the Spatial-MPE as a unified metainstrument. By binding the electronic voice to continuous gestural energy, the performer assumes full morphological responsibility for the sonic envelope, shaping the sound\u2019s evolution beyond the grid of discrete events. This praxis enables a model of layered agency, where the musician orchestrates simultaneous planes of Dynamics, Timbre, and Space, embedding the fluidity of physical phrasing within the digital domain.<\/p>\n<p>To render this interplay reproducible, the study codifies a multi-layered notation system. This grammar captures the nuances of 5D touch (Seaboard) and aerial sculpting (Airwave), formalising the continuity of gestural articulation to establish a transferable repertoire.<\/p>\n<p>The artistic synthesis is &#8220;The Oak Tree&#8221;, a cycle of electroacoustic Lieder for voice and ensemble. Rooted in practice-based research, the work investigates Liminal Sonorities, transforming the meta-instrument into a breathing, responsive voice within the chamber dialogue.<\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-mltj3nqt-17-926a2010e9fee0a54fa6944f1450fe17'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-3-tab' class='tab' role='tab' aria-selected=\"false\" tabindex=\"0\" data-fake-id='#tab-id-3' aria-controls='tab-id-3-content'  itemprop=\"headline\" >Julian Croatto<\/div><div id='tab-id-3-content' class='tab_content' role='tabpanel' aria-labelledby='tab-id-3-tab' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><div  class='flex_column av-1hiw88-65dff50d0199efb1989cea4cee6a9a74 av_one_fifth  avia-builder-el-32  el_after_av_one_fifth  el_before_av_one_fifth  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-bvrby0-5d69918659b954b6d88bf9893759d377\">\n.avia-image-container.av-bvrby0-5d69918659b954b6d88bf9893759d377 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-bvrby0-5d69918659b954b6d88bf9893759d377 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-bvrby0-5d69918659b954b6d88bf9893759d377 av-styling- avia-align-left  avia-builder-el-33  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-5442 avia-img-lazy-loading-not-5442 avia_image' src=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Julian-Croatto-225x300.jpg\" alt='Julian Croatto' title='Julian Croatto'  height=\"300\" width=\"225\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Julian-Croatto-225x300.jpg 225w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Julian-Croatto-772x1030.jpg 772w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Julian-Croatto-768x1025.jpg 768w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Julian-Croatto-528x705.jpg 528w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Julian-Croatto.jpg 799w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/div><\/div><\/div><\/div>\n<h3>JULIAN CROATTO<\/h3>\n<p><strong>Musical translation in Uruguayan guitar music<\/strong><\/p>\n<p>What role does translation play in guitar composition, transcription, and performance?<br \/>\nThe concept of translation will be used to analyze a series of musical processes in works by the Uruguayan composers H\u00e9ctor Tosar and Cori\u00fan Aharoni\u00e1n, written or arranged for guitar. References to tango will be identified, especially to Gerardo Matos Rodr\u00edguez&#8217;s famous La Cumparsita, translated by each composer in different ways: as a quote, a stylistic reference to the specific tango-era of the song, and modeling of his structure. It will be shown how the chosen pieces also contain intersemiotic translations of tango poetry and dance.<\/p>\n<p>Translation plays a fundamental role both in tango tradition and in classical guitar repertoire. The main outputs of this research are the translation of \u00bfy ahora? for solo guitar and Ritmo de tango for guitar and guitarr\u00f3n duo, traditional tango instruments. By choosing the term translation we seek a transcription that goes further than adapting the pieces to a new instrument. In the process important issues come into play such as: identity, dialogue, (mis)understanding, conflict and cultural exchange.<\/p>\n<p>Translation will be analysed both as a process and a result in composition, transcription and performance. Some relevant questions arise: is there also in musical translation a transfer of meaning? Does a reformulation of a message occur? Do we find in the translated music what Walter Benjamin describes as the \u201cecho of the original\u201d? Is there also in music the equivalent to a message to be reproduced in such a way that it can be understood?<\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-mltj3nqt-16-9648e3192c051dadf373d05f1f232da1'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-4-tab' class='tab' role='tab' aria-selected=\"false\" tabindex=\"0\" data-fake-id='#tab-id-4' aria-controls='tab-id-4-content'  itemprop=\"headline\" >Alice Cusi<\/div><div id='tab-id-4-content' class='tab_content' role='tabpanel' aria-labelledby='tab-id-4-tab' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><div  class='flex_column av-bjaq94-9743b4a2115a130ec26f57108c783a8a av_one_fifth  avia-builder-el-34  el_after_av_one_fifth  el_before_av_one_fifth  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-8r4rfs-6b25497fdfa52ff18be6c2b191f24a85\">\n.avia-image-container.av-8r4rfs-6b25497fdfa52ff18be6c2b191f24a85 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-8r4rfs-6b25497fdfa52ff18be6c2b191f24a85 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-8r4rfs-6b25497fdfa52ff18be6c2b191f24a85 av-styling- avia-align-left  avia-builder-el-35  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-5443 avia-img-lazy-loading-not-5443 avia_image' src=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Alice-Cusi-225x300.jpg\" alt='Alice Cusi' title='Alice Cusi'  height=\"300\" width=\"225\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Alice-Cusi-225x300.jpg 225w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Alice-Cusi-773x1030.jpg 773w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Alice-Cusi-768x1023.jpg 768w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Alice-Cusi-529x705.jpg 529w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Alice-Cusi.jpg 800w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/div><\/div><\/div><\/div>\n<h3>Alice Cusi<\/h3>\n<p><strong>UNRAVELLING MATTER: sound, matter, space, relations.<\/strong><\/p>\n<p>This research stems from a reflection on the role of spatialisation in electroacoustic composition, with the intent of developing a musical language that moves beyond the generic notion of an evocative immersive experience. Space is understood here as a compositional parameter of equal relevance to more conventional ones, both in acousmatic and mixed music.<\/p>\n<p>Spatialization is intended as localisation and tangible movement of sound objects, as well as the construction of dynamic virtual spaces, within the compositional process and in relation to the performative space. The aim of the research is to approach spatialization as a means of foregrounding the material aspects of the musical work and of revealing a network of dynamic relations and interactions that emerge between sound objects, the composer, musical form, the listener, and the environment.<\/p>\n<p>The adopted methodology frames artistic practice as an experimental phase and is articulated through the development of compositional strategies informed by several interconnected lines of inquiry. The study of relationships between sound and matter opens up the possibility of approaching sound objects in space as tangible entities with their own physical properties and behaviour; the observation of performative gesture from the perspective of physical materiality draws attention to interface phenomena &#8211; such as the action of forces or the microscopic behavior of materials &#8211; which can be incorporated as compositional sources; finally, creation of dynamic spatial dramaturgies unfolds through reflection on the agency of sound objects and of virtual and performative spaces.<\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-mltj3nqt-15-33375ed3d7f6250b9f2a16e4561d34c0'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-5-tab' class='tab' role='tab' aria-selected=\"false\" tabindex=\"0\" data-fake-id='#tab-id-5' aria-controls='tab-id-5-content'  itemprop=\"headline\" >Pietro Paolo Dinapoli<\/div><div id='tab-id-5-content' class='tab_content' role='tabpanel' aria-labelledby='tab-id-5-tab' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><div  class='flex_column av-77wt2w-67b7ed26b50934bae3c00866b8674da7 av_one_fifth  avia-builder-el-36  el_after_av_one_fifth  el_before_av_one_fifth  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-6lnmhk-f9614d3d1c9b4008b467dee602ac7df2\">\n.avia-image-container.av-6lnmhk-f9614d3d1c9b4008b467dee602ac7df2 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-6lnmhk-f9614d3d1c9b4008b467dee602ac7df2 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-6lnmhk-f9614d3d1c9b4008b467dee602ac7df2 av-styling- avia-align-left  avia-builder-el-37  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-5444 avia-img-lazy-loading-not-5444 avia_image' src=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Di-Napoli-Aaron-Giordani-225x300.jpg\" alt='Di Napoli Aaron Giordani' title='Di Napoli Aaron Giordani'  height=\"300\" width=\"225\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Di-Napoli-Aaron-Giordani-225x300.jpg 225w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Di-Napoli-Aaron-Giordani-773x1030.jpg 773w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Di-Napoli-Aaron-Giordani-768x1023.jpg 768w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Di-Napoli-Aaron-Giordani-529x705.jpg 529w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Di-Napoli-Aaron-Giordani.jpg 800w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/div><\/div><\/div><\/div>\n<h3>Pietro Paolo Dinapoli<\/h3>\n<p><strong>The hyper-guitar<\/strong><\/p>\n<p>Abstract<\/p>\n<p>Il progetto di ricerca &#8220;Hyper-guitar&#8221; esplora metodologie compositive e performative che integrano la chitarra classica con sistemi controllati di feedback audio. L&#8217;obiettivo \u00e8 sviluppare pratiche compositive strutturate e notate in partitura, superando l&#8217;approccio improvvisativo.<br \/>\nIl nucleo del progetto \u00e8 il Feed-Guitar, un sistema di chitarra classica aumentata in cui il feedback viene trattato come elemento compositivo con comportamento parzialmente non-lineare. A differenza dell&#8217;approccio deterministico tradizionale, la ricerca non mira alla ripetibilit\u00e0 assoluta, ma alla mappatura di &#8220;zone di controllo&#8221; \u2013 configurazioni parametriche in cui il sistema tende a manifestare comportamenti prevedibili entro margini definiti. Questo approccio permette la creazione di partiture strutturate che incorporano l&#8217;instabilit\u00e0 controllata come materiale compositivo.<br \/>\nIl progetto si articola in tre componenti integrate. \u2028- Analisi sistematica delle tecniche estese chitarristiche mediante metodologie MIR (Music Information Retrieval), finalizzata alla creazione di una mappa timbrica che correla parametri gestuali ed esecutivi con caratteristiche spettrali e comportamento acustico. Questa mappatura costituisce la base per la progettazione degli algoritmi. \u2028- Sviluppo di un sistema di feedback auto-adattivo che, analizzando in tempo reale il comportamento non-lineare dello strumento, identifica e stabilizza le zone di controllo utilizzabili in contesto compositivo. \u2028- Implementazione di un prototipo basato su reti neurali per il riconoscimento automatico delle tecniche estese, aprendo possibilit\u00e0 per futuri sviluppi in contesti multimediali.<br \/>\nThe results will provide operational tools for composers and performers: a catalogue of spectrally analysed extended techniques, notation protocols for feedback-based systems, working algorithms and performance strategies documented through a repertoire of original compositions for classical guitar and live electronics.<\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-mltj3nqt-14-fb85269d5eddfda7c007257aced3dd2d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-6-tab' class='tab' role='tab' aria-selected=\"false\" tabindex=\"0\" data-fake-id='#tab-id-6' aria-controls='tab-id-6-content'  itemprop=\"headline\" >Michael G. Jennings<\/div><div id='tab-id-6-content' class='tab_content' role='tabpanel' aria-labelledby='tab-id-6-tab' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><div  class='flex_column av-45dwc8-0767e404e6ce17b73b091dc635825e25 av_one_fifth  avia-builder-el-38  el_after_av_one_fifth  el_before_av_one_fifth  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-23cfjs-34b120c37bf493cca02a06e5c6f39e76\">\n.avia-image-container.av-23cfjs-34b120c37bf493cca02a06e5c6f39e76 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-23cfjs-34b120c37bf493cca02a06e5c6f39e76 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-23cfjs-34b120c37bf493cca02a06e5c6f39e76 av-styling- avia-align-left  avia-builder-el-39  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-5445 avia-img-lazy-loading-not-5445 avia_image' src=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Jennings-225x300.jpg\" alt='Michael G. Jennings' title='Michael G. Jennings'  height=\"300\" width=\"225\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Jennings-225x300.jpg 225w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Jennings-773x1030.jpg 773w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Jennings-768x1023.jpg 768w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Jennings-529x705.jpg 529w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Jennings.jpg 800w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/div><\/div><\/div><\/div>\n<h3>Michael G. Jennings<\/h3>\n<p><strong>J.S. Bach&#8217;s Clavier \u00dcbung I<\/strong><br \/>\n<strong> A Rhetorical Perspective<\/strong><\/p>\n<p>The present doctoral project aims to inquire the stylistic and semantic complexities and the symbolic layers of Bach\u2019s I Volume of the Clavier \u00dcbung\u2019s (C\u00dc I), as well as its possible performative outputs, through the lens and conceptual categories of rhetoric.<\/p>\n<p>Recognizing that J.S. Bach\u2019s music, as well as that of his predecessors and contemporaries, was listened to, understood and experienced in a very different way than today is a fundamental premise for the current project: since music reflects a series of shared cultural, social, religious and aesthetical paradigms that have, though, for the most part been lost in our contemporary active listening habits, the research will approach and explain C\u00dc I\u2019s multilayered complexities by utilizing those very concepts, categories and ideas upon which and with which it was first conceived: both as a strict discipline, as well as a broader analogy for expression, rhetoric was embedded in the society Bach lived in on multiple levels and dictated a general way of thinking in the arts and in music, on a theoretical, compositional and performative level.<\/p>\n<p>In this regard, one must only think of J.J. Quantz\u2019 quote for which \u201cmusical expression is comparable to that of an orator\u201d to grasp the pivotal role that rhetoric embodies for understanding Bach\u2019s music and that of his artistic heritage, as this statement is but a result of a centuries-long debate and elaboration of ideas throughout Europe that established strict correlations and parallelisms between music and rhetoric, both at a structural-compositional level, as well as at a surface and performative one. By studying the sources of this rhetorical conception of music-making that Bach shared, its implications with theology, numerology, dance and many other disciplines, the research will be able to explore C\u00dc I\u2019s text in a new light, enabling us to study, listen and perform it as an eloquent and persuasive discourse, with newer conceptual tools and with a fresher, more authentic \u2013 in R. Taruskin\u2019s understanding of the term &#8211; approach.<\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-mltj3nqt-14-3-defb6cfb4222267ee9a101583bba8869'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-7-tab' class='tab' role='tab' aria-selected=\"false\" tabindex=\"0\" data-fake-id='#tab-id-7' aria-controls='tab-id-7-content'  itemprop=\"headline\" >Raffaele Marsicano<\/div><div id='tab-id-7-content' class='tab_content' role='tabpanel' aria-labelledby='tab-id-7-tab' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><div  class='flex_column av-45dwc8-2-35f05556d7a5e6cb1a065b7304e457cb av_one_fifth  avia-builder-el-40  el_after_av_one_fifth  el_before_av_one_fifth  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-23cfjs-1-fc4955262c72a57041c8ec6aeac8bbf6\">\n.avia-image-container.av-23cfjs-1-fc4955262c72a57041c8ec6aeac8bbf6 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-23cfjs-1-fc4955262c72a57041c8ec6aeac8bbf6 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-23cfjs-1-fc4955262c72a57041c8ec6aeac8bbf6 av-styling- avia-align-left  avia-builder-el-41  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-5446 avia-img-lazy-loading-not-5446 avia_image' src=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raffaele-Marsicano-225x300.jpg\" alt='Raffaele Marsicano' title='Raffaele Marsicano'  height=\"300\" width=\"225\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raffaele-Marsicano-225x300.jpg 225w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raffaele-Marsicano-773x1030.jpg 773w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raffaele-Marsicano-768x1023.jpg 768w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raffaele-Marsicano-529x705.jpg 529w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raffaele-Marsicano.jpg 800w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/div><\/div><\/div><\/div>\n<h3>Raffaele Marsicano<\/h3>\n<p><strong>Mistake: Error as Opportunity and Method.<\/strong><\/p>\n<p>Abstract<\/p>\n<p>The research investigates the non-traditional sonic possibilities of brass instruments, aiming to recognise and reframe them as creative resources. It focuses particularly on accidental sounds, treating instrumental errors not as deviations from established norms, but as sonic opportunities and operative principles for compositional and performative practice. From this perspective, error is conceived as a generative phenomenon, capable of opening new modes of listening, performing, and compositional thinking.<br \/>\nDrawing on direct observation in instrumental class contexts and the analysis of recurrent errors in traditional practice, the research examines the processes through which unstable, ambiguous, or unconventional sounds emerge. These phenomena are explored across three descriptive domains\u2014physiological, spectral, and perceptual\u2014 linking bodily gesture, the acoustic behaviour of the instrument, and the listener\u2019s experience of sound.<br \/>\nAt the core of the project is the development of a \u201csound mapping\u201d, conceived not as a normative or classificatory system, but as an operative tool that makes the relationships between body, instrument, and sonic outcome legible. This mapping provides a foundation for artistic exploration and the creation of studies, performances, and compositions, while opening up new possibilities for performative and pedagogical experimentation.<\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-mltj3nqt-14-3-3-3dfa62b634a9721ea9456a89a76e1c22'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-8-tab' class='tab' role='tab' aria-selected=\"false\" tabindex=\"0\" data-fake-id='#tab-id-8' aria-controls='tab-id-8-content'  itemprop=\"headline\" >Liliana Parisi<\/div><div id='tab-id-8-content' class='tab_content' role='tabpanel' aria-labelledby='tab-id-8-tab' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><div  class='flex_column av-45dwc8-2-2-2ef423519b541066b5c5ae275134f4a0 av_one_fifth  avia-builder-el-42  el_after_av_one_fifth  avia-builder-el-last  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-23cfjs-1-1-13fc79fc416c6a6d0c95cd37b4410115\">\n.avia-image-container.av-23cfjs-1-1-13fc79fc416c6a6d0c95cd37b4410115 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-23cfjs-1-1-13fc79fc416c6a6d0c95cd37b4410115 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-23cfjs-1-1-13fc79fc416c6a6d0c95cd37b4410115 av-styling- avia-align-left  avia-builder-el-43  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-5447 avia-img-lazy-loading-not-5447 avia_image' src=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Liliana-Parisi-225x300.jpg\" alt='Liliana Parisi' title='Liliana Parisi'  height=\"300\" width=\"225\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Liliana-Parisi-225x300.jpg 225w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Liliana-Parisi-773x1030.jpg 773w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Liliana-Parisi-768x1023.jpg 768w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Liliana-Parisi-529x705.jpg 529w, https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Liliana-Parisi.jpg 800w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/div><\/div><\/div><\/div>\n<h3>Liliana Parisi<\/h3>\n<p><strong>The Pianist in Contemporary Music<\/strong><br \/>\n<strong> An Investigation On and Through Gesture<\/strong><\/p>\n<p>The pianist, through their own body, performs a creative act that begins with the score and flourishes in the personal interpretation of the compositional material. Beyond the gesture as codified within the extensive literature of piano technique, this project aims to delineate the intermediate zone between physical gesture and gesture as metaphor, in order to rethink my pianistic practice within contemporary music by un-learning acquired gestural habits.<br \/>\nThe investigation begins with a definition of what gesture is not, focusing on the uniqueness of each interpretation, which is always characterized by a \u201cdoing that invents while doing\u201d (Pareyson). This conception finds a theoretical reference in the reflections of Carlo Sini, for whom memory is not a repository of the past, but an active operation \u2013 a \u201creactivation\u201d that transforms what has been into present experience. Gesture thus becomes the vehicle of a form of embodied memory, not mere repetition; memory manifests itself as a form of \u201cvoluntary amnesia,\u201d insofar as every new music is also music from the past that has intelligently learned to forget itself (Berio).<br \/>\nFrom a methodological perspective, the research combines analysis, instrumental practice, and interdisciplinary experimentation. Alongside the study of contemporary repertoire, the project involves collaboration with living composers and experimentation with a contemporary dancer. Drawing on Labanian eukinetics, the aim is not to add a choreographic dimension to piano performance, but to use the body as a critical tool for rethinking interpretation.<br \/>\nThis work seeks to investigate what remains of gesture when sound withdraws, and how the memory of doing continues to operate even in absence. The project thus proposes a reflection on gesture as a form of embodied thought that, traversing past and present musical experience, configures itself as the true creative act of interpretation.<\/p>\n<\/div><\/div><\/section>\n<\/div><br \/>\n<div  class='flex_column av-cywsoo-2a941815fcca41ffb1ead67f9184d091 av_one_half  avia-builder-el-44  el_after_av_tab_container  el_before_av_one_half  first flex_column_div'     ><div  class='avia-icon-list-container av-mls4pl5m-b6df689b049c3c43a51fdf4224e3fb14  avia-builder-el-45  avia-builder-el-no-sibling'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-mls4pl5m-b6df689b049c3c43a51fdf4224e3fb14 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240730_BandoDottorato_6280.pdf' title='Download the announcement '  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mls4j3n7-3da38c0c24030716c8ff68c297700a8d 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0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240809_NotificaScandenzaBandoDottorato.pdf&#039; title=&#039; Expiry date notification &#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt; Expiry date notification &lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240809_NotificaScandenzaBandoDottorato.pdf' title=' Expiry date notification ' target=\"_blank\"  rel=\"noopener noreferrer\"> Expiry date notification <\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>52.6KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240902_ConsMI_NominaCommissioneValutatriceDottorato_6650.pdf' title='Decree appointing the evaluation commission '  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mls4mvdc-a070f5c929726394f1db6ac66af369d6 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-12' aria-describedby='av-svg-desc-12' role=\"graphics-symbol\" 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noreferrer&quot;&gt;Decree appointing the evaluation commission &lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240902_ConsMI_NominaCommissioneValutatriceDottorato_6650.pdf' title='Decree appointing the evaluation commission ' target=\"_blank\"  rel=\"noopener noreferrer\">Decree appointing the evaluation commission <\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>72.2KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240909_01_VerbaleCommissione_6784_Sito.pdf' title='Examination Board Minutes No. 1 '  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mls4mvdc-13-e9dc33e023c35220881c8d4282046680 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-13' aria-describedby='av-svg-desc-13' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-13'>Download<\/title>\n<desc id='av-svg-desc-13'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240909_01_VerbaleCommissione_6784_Sito.pdf&#039; title=&#039;Examination Board Minutes No. 1 &#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Examination Board Minutes No. 1 &lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240909_01_VerbaleCommissione_6784_Sito.pdf' title='Examination Board Minutes No. 1 ' target=\"_blank\"  rel=\"noopener noreferrer\">Examination Board Minutes No. 1 <\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>126.5KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240911_ConsMI_DecretoCandidaturePervenute_6893.pdf' title=' Decree applications received ' 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7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240911_ConsMI_DecretoCandidaturePervenute_6893.pdf&#039; title=&#039; Decree applications received &#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt; Decree applications received &lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240911_ConsMI_DecretoCandidaturePervenute_6893.pdf' title=' Decree applications received ' target=\"_blank\"  rel=\"noopener noreferrer\"> Decree applications received <\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>120.9KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240911_ConsMI_AvvisoProvaOrale_6904.pdf' title='Oral test notice '  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mls4mvdc-11-be87e895875319aa7986b93e75b9ea9f avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-15' aria-describedby='av-svg-desc-15' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-15'>Download<\/title>\n<desc id='av-svg-desc-15'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240911_ConsMI_AvvisoProvaOrale_6904.pdf&#039; title=&#039;Oral test notice &#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Oral test notice &lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240911_ConsMI_AvvisoProvaOrale_6904.pdf' title='Oral test notice ' target=\"_blank\"  rel=\"noopener noreferrer\">Oral test notice <\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>73.1KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240612_Verbale-2-del-9-settembre-2024_6924_Sito.pdf' title='Examination Board Minutes No. 2 '  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mls4mvdc-10-33789da50ccc5e50ff61b821c10d5236 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-16' aria-describedby='av-svg-desc-16' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-16'>Download<\/title>\n<desc id='av-svg-desc-16'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240612_Verbale-2-del-9-settembre-2024_6924_Sito.pdf&#039; title=&#039;Examination Board Minutes No. 2 &#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Examination Board Minutes No. 2 &lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240612_Verbale-2-del-9-settembre-2024_6924_Sito.pdf' title='Examination Board Minutes No. 2 ' target=\"_blank\"  rel=\"noopener noreferrer\">Examination Board Minutes No. 2 <\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>70.5KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div><\/div><div  class='flex_column av-a598uw-b67e8a817376b4bbd30c8e1f6b624fc2 av_one_half  avia-builder-el-46  el_after_av_one_half  avia-builder-el-last  flex_column_div'     ><div  class='avia-icon-list-container av-8iyhaw-bef319a5d69085b6bd42d2918a556ab2  avia-builder-el-47  avia-builder-el-no-sibling'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-8iyhaw-bef319a5d69085b6bd42d2918a556ab2 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_Verbale-3-del-11-settembre-2024_6925_Sito.pdf' title='Examination Board Minutes No. 3'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-6yafy0-5078dc96aa27e6ab4c727843171da82e avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-17' aria-describedby='av-svg-desc-17' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-17'>Download<\/title>\n<desc id='av-svg-desc-17'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_Verbale-3-del-11-settembre-2024_6925_Sito.pdf&#039; title=&#039;Examination Board Minutes No. 3&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Examination Board Minutes No. 3&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_Verbale-3-del-11-settembre-2024_6925_Sito.pdf' title='Examination Board Minutes No. 3' target=\"_blank\"  rel=\"noopener noreferrer\">Examination Board Minutes No. 3<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>104.5KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_DecretoCandidatureAmmesseProvaOrale_6933.pdf' title='Decree of candidates admitted to the oral test on 13 September 2024'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-5jbqk8-785842dcbfd7108596116ee80ead8e47 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-18' aria-describedby='av-svg-desc-18' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-18'>Download<\/title>\n<desc id='av-svg-desc-18'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_DecretoCandidatureAmmesseProvaOrale_6933.pdf&#039; title=&#039;Decree of candidates admitted to the oral test on 13 September 2024&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Decree of candidates admitted to the oral test on 13 September 2024&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_DecretoCandidatureAmmesseProvaOrale_6933.pdf' title='Decree of candidates admitted to the oral test on 13 September 2024' target=\"_blank\"  rel=\"noopener noreferrer\">Decree of candidates admitted to the oral test on 13 September 2024<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>86.5KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_AvvisoProvaOrale_6959.pdf' title='Oral test notice - Chronoprogramme'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-4wk4e0-665a4051f3e4a059b66bbb6f81d4e074 avia-font-svg_entypo-fontello avia-svg-icon 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itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_AvvisoProvaOrale_6959.pdf&#039; title=&#039;Oral test notice - Chronoprogramme&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Oral test notice - Chronoprogramme&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240912_AvvisoProvaOrale_6959.pdf' title='Oral test notice - Chronoprogramme' target=\"_blank\"  rel=\"noopener noreferrer\">Oral test notice - Chronoprogramme<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>75.0KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240916_Verbale-4-del-15-settembre_7078_Sito_.pdf' title='Examination Board Minutes No. 4'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-25yybs-c476dacbefa6a31f7c7a6658b7886177 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-20' aria-describedby='av-svg-desc-20' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-20'>Download<\/title>\n<desc id='av-svg-desc-20'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240916_Verbale-4-del-15-settembre_7078_Sito_.pdf&#039; title=&#039;Examination Board Minutes No. 4&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Examination Board Minutes No. 4&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240916_Verbale-4-del-15-settembre_7078_Sito_.pdf' title='Examination Board Minutes No. 4' target=\"_blank\"  rel=\"noopener noreferrer\">Examination Board Minutes 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d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240916_ConsMI_DecretoGraduatoriaFinale_7079.pdf&#039; title=&#039;Final ranking decree&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Final ranking decree&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20240916_ConsMI_DecretoGraduatoriaFinale_7079.pdf' title='Final ranking decree' target=\"_blank\"  rel=\"noopener noreferrer\">Final ranking decree<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>89.0KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20241004_DecretoRettificaGraduatoriaFinale_7786.pdf' title='Decree rectifying the final ranking list'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-25yybs-3-6cc7a88319e74a67a2bf81fcdfa1a61b avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" 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title=&#039;Decree rectifying the final ranking list&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Decree rectifying the final ranking list&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20241004_DecretoRettificaGraduatoriaFinale_7786.pdf' title='Decree rectifying the final ranking list' target=\"_blank\"  rel=\"noopener noreferrer\">Decree rectifying the final ranking list<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>86.6KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/2025-settembre-26-e-27_Workshop-Dottorati-Firenze_Locandina.pdf' title='Poster Doctoral Students&#039; Seminar, Florence 26 and 27 September'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-25yybs-2-3d453e09ab96f598bcfb38acbe7f013a avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-23' aria-describedby='av-svg-desc-23' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-23'>Download<\/title>\n<desc id='av-svg-desc-23'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article 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class='iconlist_content'  itemprop=\"text\" ><p>232.1KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/2025-settembre-26-e-27_Worksho-Dottorandi-Firenze_libretto.pdf' title='Doctoral candidates&#039; seminar booklet, Florence 26 and 27 September'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-25yybs-1-8f7f72a86291a4a0a67e4121bdc7bf2b avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-24' aria-describedby='av-svg-desc-24' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-24'>Download<\/title>\n<desc id='av-svg-desc-24'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/2025-settembre-26-e-27_Worksho-Dottorandi-Firenze_libretto.pdf&#039; title=&#039;Doctoral candidates&amp;#039; seminar booklet, Florence 26 and 27 September&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Doctoral candidates&#039; seminar booklet, Florence 26 and 27 September&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/2025-settembre-26-e-27_Worksho-Dottorandi-Firenze_libretto.pdf' title='Doctoral candidates&#039; seminar booklet, Florence 26 and 27 September' target=\"_blank\"  rel=\"noopener noreferrer\">Doctoral candidates' seminar booklet, Florence 26 and 27 September<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>385.3KB<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div><\/div><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1224","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dottorato - Conservatorio Milano<\/title>\n<meta name=\"description\" content=\"Il Dottorato si prefigge un dialogo innovativo fra la pratica e la ricerca nella musica e nelle arti performative\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/dottorato\/\" 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