{"id":1251,"date":"2025-11-13T10:38:20","date_gmt":"2025-11-13T10:38:20","guid":{"rendered":"https:\/\/www.consmi.it\/?page_id=1251"},"modified":"2026-03-25T09:08:57","modified_gmt":"2026-03-25T08:08:57","slug":"laboratori","status":"publish","type":"page","link":"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/","title":{"rendered":"Workshops"},"content":{"rendered":"<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhlwf2r7-276b0c4de25be12492b633eeeed0abb2\">\n.avia-section.av-mhlwf2r7-276b0c4de25be12492b633eeeed0abb2 .av-parallax .av-parallax-inner{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratori.jpg);\nbackground-position:50% 0%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-mhlwf2r7-276b0c4de25be12492b633eeeed0abb2 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  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.av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-subheading{\nfont-size:15px;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-wrap:before{\nborder-color:#ffffff;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-wrap:after{\nborder-color:#ffffff;\n}\n\n@media only screen and (min-width: 990px){ \n#top #wrap_all .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag{\nfont-size:60px;\n}\n}\n<\/style>\n<div  class='av-special-heading av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 av-special-heading-h1 custom-color-heading blockquote classic-quote classic-quote-left  avia-builder-el-1  avia-builder-el-no-sibling'><h1 class='av-special-heading-tag'  itemprop=\"headline\"  >Workshops<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><div class='clear'><\/div><div id='sub_menu1'  class='av-submenu-container av-mm0fr9z4-9aebd7970cf4348cde7b2337d8f578af alternate_color  avia-builder-el-2  el_after_av_section  el_before_av_section  av-sticky-submenu submenu-not-first container_wrap fullsize' style='z-index:301' ><div class='container av-menu-mobile-disabled av-submenu-pos-center'><ul id='av-custom-submenu-1' class='av-subnav-menu' role='menu'>\n<li class='menu-item av-mm0fqhd4-01156d07ad9f20d410db3e9e697ddaa6 menu-item-top-level menu-item-top-level-1' role='menuitem'><a href='https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/#calendarioLab'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Workshop calendar<\/span><\/a><\/li>\n<li class='menu-item av-mm0fr01j-3d88912896795a7daae38e88a97cd2a2 menu-item-top-level menu-item-top-level-2' role='menuitem'><a href='https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/#fareMusica'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Making Music and Feeling Good<\/span><\/a><\/li>\n<\/ul><\/div><\/div><div class='sticky_placeholder'><\/div>\n<div id='av_section_2'  class='avia-section av-mhos3r38-3c1fb6df133ef820cbca55a803a73358 main_color avia-section-default avia-no-border-styling  avia-builder-el-3  el_after_av_submenu  el_before_av_section  avia-bg-style-scroll av-minimum-height av-minimum-height-25 av-height-25  container_wrap fullsize'   data-av_minimum_height_pc='25' data-av_min_height_opt='25'><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1251'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-q6fuu-1d5b3a6a0626481c97eb739ff751981b av_one_full  avia-builder-el-4  avia-builder-el-no-sibling  first flex_column_div'     ><p><section  class='av_textblock_section av-mhn53tv9-a6e6bb0e143814a5e0b97ae8fedef4df'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>I laboratori realizzano progetti formativi finalizzati alla ricerca e alla produzione nei campi interpretativo-esecutivo, compositivo, musicologico, didattico, del teatro musicale e delle nuove tecnologie; rappresentano una grande opportunit\u00e0 per approfondire e perfezionare ambiti di studio normalmente non indagati nei normali percorsi didattici.<\/p>\n<p>La durata e le modalit\u00e0 di svolgimento dei laboratori sono diversificate. E molti sono i laboratori che si concludono con un concerto finale esemplificativo dell\u2019attivit\u00e0 svolta.<\/p>\n<p>I laboratori sono rivolti a studenti interni e a musicisti non iscritti al Conservatorio, i quali possono effettuare l\u2019iscrizione tramite l\u2019apposito form sul sito del Conservatorio.<\/p>\n<p>The following fixed rates apply to outsiders:<\/p>\n<p>\u2022 \u20ac 30,00 per diritti di segreteria e iscrizione all\u2019ammissione;<br \/>\n\u2022 \u20ac 120,00 per Laboratori fino a 39 ore;<br \/>\n\u2022 \u20ac 170,00 per Laboratori dalle 40 ore in poi.<\/p>\n<p>Al momento dell\u2019iscrizione gli esterni dovranno allegare la ricevuta del versamento di \u20ac 30,00.<\/p>\n<p>La ricevuta del pagamento del laboratorio andr\u00e0 presentata al docente referente prima dell\u2019inizio dell\u2019attivit\u00e0.<\/p>\n<p>Il versamento della quota di Euro 30,00 per Diritti di segreteria andr\u00e0 effettuata tramite l&#8217;applicativo PagoPA presente al seguente link: <a href=\"https:\/\/pagopaesterni.consmi.it\/masterclass\/Dirittidisegreteria\" target=\"_blank\" rel=\"noopener\">https:\/\/pagopaesterni.consmi.it\/masterclass\/Dirittidisegreteria<\/a>.<br \/>\nBelow are the instructions for making the payment:<\/p>\n<ul>\n<li>Log in with SPIF or CF<\/li>\n<li>Choose Masterclass category<\/li>\n<li>Scegliere l&#8217;attivit\u00e0 Diritti di segreteria<\/li>\n<\/ul>\n<p>Il versamento della quota di iscrizione verr\u00e0 richiesta in un secondo momento, una volta accertata la partecipazione in qualit\u00e0 di Effettivo.<\/p>\n<p>Ai fini del rilascio dell\u2019attestato di partecipazione e del riconoscimento dei crediti, la presenza degli studenti effettivi interni ed esterni \u00e8 obbligatoria per l\u2019intera durata di ogni laboratorio.<\/p>\n<p>For further information:\u00a0<a href=\"mailto:produzione@consmilano.it\">produzione@consmilano.it<\/a>.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333\">\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  id=\"calendarioLab\"  class='togglecontainer av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 av-elegant-toggle  avia-builder-el-6  el_after_av_textblock  avia-builder-el-last  toggle_close_all' >\n<section class='av_toggle_section av-mhxapavs-56414ebbae68448dde89c0068ef74b4d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-1' data-fake-id='#toggle-id-1' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-1' data-slide-speed=\"200\" data-title=\"Calendario Laboratori programmati per l\u2019A.A. 2025\/2026\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Calendario Laboratori programmati per l\u2019A.A. 2025\/2026\" data-aria_expanded=\"Click to collapse: Calendario Laboratori programmati per l\u2019A.A. 2025\/2026\">Calendario Laboratori programmati per l\u2019A.A. 2025\/2026<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-1' aria-labelledby='toggle-toggle-id-1' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cLa musica da camera di G. Kurtag\u201d (a cura di Mariagrazia BELLOCCHIO)<\/h2>\n<div  class='avia-icon-list-container av-1532c8z-a3fb837ead304235bc54df19a467a749  avia-builder-el-7  el_before_av_iconlist  avia-builder-el-first'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-1532c8z-a3fb837ead304235bc54df19a467a749 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-musica-da-camera-di-Gyorgy-Kurtag.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-129x803-adb6f41b300d4e572d8ffd2ba24bb4fe avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-1' aria-describedby='av-svg-desc-1' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-1'>Download<\/title>\n<desc id='av-svg-desc-1'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-musica-da-camera-di-Gyorgy-Kurtag.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-musica-da-camera-di-Gyorgy-Kurtag.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>365 kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cRepertorio di Musiche per Biodanza\u201d (a cura di Maria Vittoria JEDLOWSKI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-6621f3e4c7671cdeb57396d025f9cae5  avia-builder-el-8  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-6621f3e4c7671cdeb57396d025f9cae5 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Repertorio-di-musiche-per-biodanza.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-bd70ef8bd4a2772f868e849a8bd1f1ce avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-2' aria-describedby='av-svg-desc-2' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-2'>Download<\/title>\n<desc id='av-svg-desc-2'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Repertorio-di-musiche-per-biodanza.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Repertorio-di-musiche-per-biodanza.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">366 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Contemporary Sound Practices Workshop: Extended Techniques, Electronics and Improvisation (curated by Vanja CONTU and Federico PIANCIOLA)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-40-c62debd56049610ab2d333306be1de9c  avia-builder-el-9  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-40-c62debd56049610ab2d333306be1de9c avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Pratiche-sonore-contemporanee.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-39-3eabae50d393b4d8937c1615190fe64e avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-3' aria-describedby='av-svg-desc-3' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-3'>Download<\/title>\n<desc id='av-svg-desc-3'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Pratiche-sonore-contemporanee.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Pratiche-sonore-contemporanee.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">343 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop on jazz praxis and improvisation dedicated to great jazz performers and composers (curated by Attilio ZANCHI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-38-b0eaf9a37dd7d394e82d881a49fb7122  avia-builder-el-10  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-38-b0eaf9a37dd7d394e82d881a49fb7122 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-prassi-ed-improvvisazione-jazz.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-37-61f0a7705f53e21ab368023a5720a4ed avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-4' aria-describedby='av-svg-desc-4' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-4'>Download<\/title>\n<desc id='av-svg-desc-4'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-prassi-ed-improvvisazione-jazz.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-prassi-ed-improvvisazione-jazz.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">156 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Contemporary Music Workshop (curated by Mauro BONIFACIO and Andrea REBAUDENGO)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-36-bb40674bf3e7a102ebc8b65f1f8db956  avia-builder-el-11  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-36-bb40674bf3e7a102ebc8b65f1f8db956 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Musica-contemporanea.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-35-4d10e2b06c2031384fa8da4f98d00190 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-5' aria-describedby='av-svg-desc-5' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-5'>Download<\/title>\n<desc id='av-svg-desc-5'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Musica-contemporanea.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Musica-contemporanea.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">626 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cLinguaggi e tecniche di improvvisazione estemporanea nelle musiche afrocentriche &#8211; Dalla tradizione alla performance\u201d (a cura di Lorenzo GASPERONI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-34-7c03b2542e8861523b338478867bfe27  avia-builder-el-12  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-34-7c03b2542e8861523b338478867bfe27 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Linguaggi-e-tecniche.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-33-4b64b52092eb679002cc98221c9656d6 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-6' aria-describedby='av-svg-desc-6' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-6'>Download<\/title>\n<desc id='av-svg-desc-6'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Linguaggi-e-tecniche.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Linguaggi-e-tecniche.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">517 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio di pianista d\u2019orchestra (a cura di Andrea REBAUDENGO)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-32-cda1bd92ba93258ecf62ed57c9079f65  avia-builder-el-13  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-32-cda1bd92ba93258ecf62ed57c9079f65 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-pianista-dorchestra.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-31-30fa42577e92c66ddbdd152f511d0cee avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-7' aria-describedby='av-svg-desc-7' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-7'>Download<\/title>\n<desc id='av-svg-desc-7'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-pianista-dorchestra.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-pianista-dorchestra.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">523 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cL\u2019Univers f\u00e9minin: Anna Bon una compositrice veneziana del XVIII secolo\u201d (a cura di Chiara TIBONI e Lucia RIZZELLO)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-30-c9a2f4d20563996f5d8329c45811c7ee  avia-builder-el-14  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-30-c9a2f4d20563996f5d8329c45811c7ee avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/LUnivers-feminin-Anna-Bon-una-compositrice-veneziana.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-29-f6d38c1e5296a631badea23ad7c38f68 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-8' aria-describedby='av-svg-desc-8' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-8'>Download<\/title>\n<desc id='av-svg-desc-8'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/LUnivers-feminin-Anna-Bon-una-compositrice-veneziana.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/LUnivers-feminin-Anna-Bon-una-compositrice-veneziana.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">446 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio di Danza delle musiche tradizionali dell\u2019India (a cura di Nuria SALA)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-28-4d1bf37bc0d27c28e4cfa9342c71bba0  avia-builder-el-15  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-28-4d1bf37bc0d27c28e4cfa9342c71bba0 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Danza-delle-musiche-tradizionali-dellIndia.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-27-fa4a2eb9a34b4874186b2ba351ac0808 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-9' aria-describedby='av-svg-desc-9' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-9'>Download<\/title>\n<desc id='av-svg-desc-9'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Danza-delle-musiche-tradizionali-dellIndia.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Danza-delle-musiche-tradizionali-dellIndia.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">365 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cAltri modi di fare musica: dal progetto al pubblico, i mestieri della produzione musicale\u201d (a cura di Alberto TRIOLA)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-26-013a25e90e084bccafa53b1ad8b5e658  avia-builder-el-16  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-26-013a25e90e084bccafa53b1ad8b5e658 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Altri-modi-di-fare-musica.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-25-d43030926c3da460fd4772cb8ffb9963 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-10' aria-describedby='av-svg-desc-10' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-10'>Download<\/title>\n<desc id='av-svg-desc-10'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Altri-modi-di-fare-musica.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Altri-modi-di-fare-musica.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">457 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cRaga &amp; Tala \u2013 Incontro con la Musica Classica Indiana (a cura di Nicol\u00f2 MELOCCHI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-24-74603413978db0aa81742eb4f5553194  avia-builder-el-17  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-24-74603413978db0aa81742eb4f5553194 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raga-e-Tala-Incontro-con-la-Musica-Classica-Indiana.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-23-2482f6fa1b427bf80d1080fae57492d5 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-11' aria-describedby='av-svg-desc-11' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-11'>Download<\/title>\n<desc id='av-svg-desc-11'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raga-e-Tala-Incontro-con-la-Musica-Classica-Indiana.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raga-e-Tala-Incontro-con-la-Musica-Classica-Indiana.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">343 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cArmonia tra Suono, Emozione e Movimento: Un Viaggio Esplorativo per Musicisti\u201d (a cura di Stefania BELOTTI e Fabio MORETTI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-22-c009b8655507e2e56ce8e907c6e5fcca  avia-builder-el-18  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-22-c009b8655507e2e56ce8e907c6e5fcca avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Armonia-tra-suono-emozione-e-movimento.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-21-2e12ad46aa5a75c5e2a31a22ad70c1dd avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-12' aria-describedby='av-svg-desc-12' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-12'>Download<\/title>\n<desc id='av-svg-desc-12'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Armonia-tra-suono-emozione-e-movimento.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Armonia-tra-suono-emozione-e-movimento.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">536 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cFarrenc e Arrieu, figure femminile nella musica francese\u201d (a cura di Silvano SCANZIANI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-20-144b861cabbd0cb99f29d810eea17913  avia-builder-el-19  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-20-144b861cabbd0cb99f29d810eea17913 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Farrenc-e-Arrieu.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-19-315caeadb47b9597a70299e07ecdef67 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-13' aria-describedby='av-svg-desc-13' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-13'>Download<\/title>\n<desc id='av-svg-desc-13'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Farrenc-e-Arrieu.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Farrenc-e-Arrieu.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">371 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cErodiade\u201d (a cura di Marco PACE)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-18-a8bbd40342f43387912b57695ecaf219  avia-builder-el-20  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-18-a8bbd40342f43387912b57695ecaf219 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Erodiade.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-17-9f816c0789d5e4dd3b8cd7a73cb96faa avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-14' aria-describedby='av-svg-desc-14' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-14'>Download<\/title>\n<desc id='av-svg-desc-14'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Erodiade.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Erodiade.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">526 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cCarissimi: Jephte e Jonas\u201d (a cura di Francesca TORELLI<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-16-27962671c553325860522d6030e42ec6  avia-builder-el-21  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-16-27962671c553325860522d6030e42ec6 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Carissimi-Jephte-e-Jonas.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-15-c3f1cdbccb9754d710b398ee8e405ee1 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-15' aria-describedby='av-svg-desc-15' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-15'>Download<\/title>\n<desc id='av-svg-desc-15'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Carissimi-Jephte-e-Jonas.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Carissimi-Jephte-e-Jonas.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">460 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cTutti all\u2019opera!\u201d (a cura di Laura Cosso, Sonia Grandis &amp; Maria Paola Viano)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-14-3aa17e1f876e0011a41be8be55de5b18  avia-builder-el-22  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-14-3aa17e1f876e0011a41be8be55de5b18 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-13-4a3004e5602c26df2581aad1448d7479 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-16' aria-describedby='av-svg-desc-16' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-16'>Download<\/title>\n<desc id='av-svg-desc-16'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">639 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cSi no os hubiera mirado. Musica strumentale e vocale del Secolo d\u2019oro spagnolo\u201d (a cura di Noelia Reverte Reche e Priska Comploi)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-12-95006889cb8d80ef816f8c28a98a7621  avia-builder-el-23  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-12-95006889cb8d80ef816f8c28a98a7621 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Si-no-os-hubiera-mirado.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-11-3f1f4e52a2d531aea770450d12f28754 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-17' aria-describedby='av-svg-desc-17' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-17'>Download<\/title>\n<desc id='av-svg-desc-17'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Si-no-os-hubiera-mirado.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Si-no-os-hubiera-mirado.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">507 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio orchestrale per Fiati (a cura di Sandro Satanassi &amp; Felice Dall\u2019Era)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-10-328c5e3df77b2e5058f1b84312267b66  avia-builder-el-24  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-10-328c5e3df77b2e5058f1b84312267b66 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-orchestrale-per-fiati.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-9-74fbce33494e81f748347695264e6378 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-18' aria-describedby='av-svg-desc-18' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-18'>Download<\/title>\n<desc id='av-svg-desc-18'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-orchestrale-per-fiati.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-orchestrale-per-fiati.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">370 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cTutti all\u2019opera! \u2013 Il telefono\u201d (a cura di Laura Cosso, Sonia Grandis &amp; Maria Paola Viano)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-8-78e226b199454cccd7265999dbe2a47e  avia-builder-el-25  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-8-78e226b199454cccd7265999dbe2a47e avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera-Il-telefono.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-7-edd11e4e62fbdd23f654b1b78ec0015b avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-19' aria-describedby='av-svg-desc-19' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-19'>Download<\/title>\n<desc id='av-svg-desc-19'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera-Il-telefono.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera-Il-telefono.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">533 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cPresto all\u2019opera\u201d (a cura di Fabio Sartorelli)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-6-8902155c39182aa81e9a22ac33ef45e4  avia-builder-el-26  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-6-8902155c39182aa81e9a22ac33ef45e4 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Presto-allopera-file-per-comunicazione.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-5-e2cbfd8c5f8a535e87d2f4d5f21c1cc5 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-20' aria-describedby='av-svg-desc-20' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-20'>Download<\/title>\n<desc id='av-svg-desc-20'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Presto-allopera-file-per-comunicazione.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Presto-allopera-file-per-comunicazione.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">541 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio \u201cLa madre Africa \u2013 L\u2019Africa \u00e8 la madre di tutte le musiche\u201d (a cura di Alberto Serrapiglio &amp; Federico Calcagno)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-4-7ccb75fd84b8ec49cf91e9261f8146f4  avia-builder-el-27  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-4-7ccb75fd84b8ec49cf91e9261f8146f4 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-madre-Africa-LAfrica-e-la-madre-di-tutte-le-musiche.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-3-f899637216a662d9a2e2abca06405ae1 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-21' aria-describedby='av-svg-desc-21' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-21'>Download<\/title>\n<desc id='av-svg-desc-21'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-madre-Africa-LAfrica-e-la-madre-di-tutte-le-musiche.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-madre-Africa-LAfrica-e-la-madre-di-tutte-le-musiche.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">539 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-mhxapavs-43-dfb0f84aa64e9fb8a567ea39e3ea6879'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-2' data-fake-id='#toggle-id-2' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-2' data-slide-speed=\"200\" data-title=\"Calendario Laboratori programmati per l\u2019A.A. 2024\/2025\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Calendario Laboratori programmati per l\u2019A.A. 2024\/2025\" data-aria_expanded=\"Click to collapse: Calendario Laboratori programmati per l\u2019A.A. 2024\/2025\">Calendario Laboratori programmati per l\u2019A.A. 2024\/2025<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-2' aria-labelledby='toggle-toggle-id-2' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><h2 class=\"card-title text-secondary font-600 font-30\">Laboratorio di Prassi ed improvvisazione jazz (M\u00b0 Attilio ZANCHI)<\/h2>\n<div  class='avia-icon-list-container av-1532c8z-42-36783662f4bd4bdc5cfdce45e8af284e  avia-builder-el-28  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-1532c8z-42-36783662f4bd4bdc5cfdce45e8af284e avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LABORATORIO-DI-PRASSI-ED-IMPROVVISAZIONE-JAZZ_-M\u00b0-Attilio-Zanchi.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-129x803-41-3ddcec9a3e1c31b9e5c6795aada08ab4 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-22' aria-describedby='av-svg-desc-22' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-22'>Download<\/title>\n<desc id='av-svg-desc-22'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LABORATORIO-DI-PRASSI-ED-IMPROVVISAZIONE-JAZZ_-M&deg;-Attilio-Zanchi.pdf&#039; title=&#039;Descrizione del Laboratorio e Modalit&agrave; d&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LABORATORIO-DI-PRASSI-ED-IMPROVVISAZIONE-JAZZ_-M\u00b0-Attilio-Zanchi.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>35.2 kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Active laboratory A.A. 2024\/2025<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-2-fa50edecfea690fd1a01927f425e9355  avia-builder-el-29  el_after_av_iconlist  avia-builder-el-last'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-2-fa50edecfea690fd1a01927f425e9355 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Alessandro-Scarlatti-o-della-Molteplicita_Enrico-Baiano-1.pdf' title='Alessandro Scarlatti or of Multiplicity - Enrico Baiano'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-1-ac1ed1c19c2c49e40bb7878342457911 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-23' aria-describedby='av-svg-desc-23' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-23'>Download<\/title>\n<desc id='av-svg-desc-23'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Alessandro-Scarlatti-o-della-Molteplicita_Enrico-Baiano-1.pdf&#039; title=&#039;Alessandro Scarlatti or of Multiplicity - Enrico Baiano&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Alessandro Scarlatti or of Multiplicity - Enrico Baiano&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Alessandro-Scarlatti-o-della-Molteplicita_Enrico-Baiano-1.pdf' title='Alessandro Scarlatti or of Multiplicity - Enrico Baiano' target=\"_blank\"  rel=\"noopener noreferrer\">Alessandro Scarlatti or of Multiplicity - Enrico Baiano<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">164.7KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Berio-e-Maderna-a-confronto_Silvano-Scanziani-1.pdf' title='Berio and Maderna compared - Silvano Scanziani'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-xp5amb-528092d431c853a518a6b39608416921 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-24' aria-describedby='av-svg-desc-24' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-24'>Download<\/title>\n<desc id='av-svg-desc-24'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Berio-e-Maderna-a-confronto_Silvano-Scanziani-1.pdf&#039; title=&#039;Berio and Maderna compared - Silvano Scanziani&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Berio and Maderna compared - Silvano Scanziani&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Berio-e-Maderna-a-confronto_Silvano-Scanziani-1.pdf' title='Berio and Maderna compared - Silvano Scanziani' target=\"_blank\"  rel=\"noopener noreferrer\">Berio and Maderna compared - Silvano Scanziani<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">77.8KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Cantare-e-suonare.-modernamente-antico_coordinato-da-Lucia-Rizzello-1.pdf' title='Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-wpxi6r-9e666d7d78a0e5b316b24e2e52d69f78 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-25' aria-describedby='av-svg-desc-25' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-25'>Download<\/title>\n<desc id='av-svg-desc-25'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Cantare-e-suonare.-modernamente-antico_coordinato-da-Lucia-Rizzello-1.pdf&#039; title=&#039;Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Cantare-e-suonare.-modernamente-antico_coordinato-da-Lucia-Rizzello-1.pdf' title='Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello' target=\"_blank\"  rel=\"noopener noreferrer\">Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">281.3KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Come-nasce-un-festival_Alberto-Triola_ok-1.pdf' title='How a festival is born - Alberto Triola'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-uo1tqb-bcc9f2d8f7c08988a6806a9ed27872be avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-26' aria-describedby='av-svg-desc-26' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-26'>Download<\/title>\n<desc id='av-svg-desc-26'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Come-nasce-un-festival_Alberto-Triola_ok-1.pdf&#039; title=&#039;How a festival is born - Alberto Triola&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;How a festival is born - Alberto Triola&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Come-nasce-un-festival_Alberto-Triola_ok-1.pdf' title='How a festival is born - Alberto Triola' target=\"_blank\"  rel=\"noopener noreferrer\">How a festival is born - Alberto Triola<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">163.6KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Danza-delle-Musiche-Tradizionali_Nuria-Sala-1.pdf' title='Dance of Traditional Music - Nuria Sala'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-temg9v-39209e46b366c764c1bf3194354885ce avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-27' aria-describedby='av-svg-desc-27' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-27'>Download<\/title>\n<desc id='av-svg-desc-27'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Danza-delle-Musiche-Tradizionali_Nuria-Sala-1.pdf&#039; title=&#039;Dance of Traditional Music - Nuria Sala&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Dance of Traditional Music - Nuria Sala&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Danza-delle-Musiche-Tradizionali_Nuria-Sala-1.pdf' title='Dance of Traditional Music - Nuria Sala' target=\"_blank\"  rel=\"noopener noreferrer\">Dance of Traditional Music - Nuria Sala<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">657.2KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Dietrich-Buxtehude-Oratorio_Membra-Jesu-Nostri_Anna-Fontana_Noelia-Reverte-Reche-1.pdf' title='Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-rggawz-a3cb3e7319c280ae90bdf7d92bbc8a43 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-28' aria-describedby='av-svg-desc-28' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-28'>Download<\/title>\n<desc id='av-svg-desc-28'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Dietrich-Buxtehude-Oratorio_Membra-Jesu-Nostri_Anna-Fontana_Noelia-Reverte-Reche-1.pdf&#039; title=&#039;Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Dietrich-Buxtehude-Oratorio_Membra-Jesu-Nostri_Anna-Fontana_Noelia-Reverte-Reche-1.pdf' title='Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche' target=\"_blank\"  rel=\"noopener noreferrer\">Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">124.1KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Incontro-con-la-musica-classica-indiana_Nicolo-Melocchi_AGGIORNATO-1.pdf' title='Encountering Indian classical music - Nicol\u00f2 Melocchi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-2ltq6r-07f3a44d5e23e048e7cb729294f36c6d avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-29' aria-describedby='av-svg-desc-29' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-29'>Download<\/title>\n<desc id='av-svg-desc-29'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Incontro-con-la-musica-classica-indiana_Nicolo-Melocchi_AGGIORNATO-1.pdf&#039; title=&#039;Encountering Indian classical music - Nicol&ograve; Melocchi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Encountering Indian classical music - Nicol&ograve; Melocchi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Incontro-con-la-musica-classica-indiana_Nicolo-Melocchi_AGGIORNATO-1.pdf' title='Encountering Indian classical music - Nicol\u00f2 Melocchi' target=\"_blank\"  rel=\"noopener noreferrer\">Encountering Indian classical music - Nicol\u00f2 Melocchi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">150.3KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio_Cantare-e-suonare.-modernamente-antico_-v2-1.pdf' title='Workshop Singing and Playing... Modernly Ancient v2'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-o6q9gz-d0c937b86cca8b7049f6e71393572dae avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-30' aria-describedby='av-svg-desc-30' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-30'>Download<\/title>\n<desc id='av-svg-desc-30'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio_Cantare-e-suonare.-modernamente-antico_-v2-1.pdf&#039; title=&#039;Workshop Singing and Playing... Modernly Ancient v2&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Singing and Playing... Modernly Ancient v2&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio_Cantare-e-suonare.-modernamente-antico_-v2-1.pdf' title='Workshop Singing and Playing... Modernly Ancient v2' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Singing and Playing... Modernly Ancient v2<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">281.3KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/La-Tradizione-musicale-medio-orientale-incontra-le-molteplicita-artistiche-contemporanee-1.pdf' title='Middle Eastern musical tradition meets contemporary artistic diversity'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-m29cj7-e040ab7d3d16c0b469516f417fd0ef0d avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-31' aria-describedby='av-svg-desc-31' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-31'>Download<\/title>\n<desc id='av-svg-desc-31'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/La-Tradizione-musicale-medio-orientale-incontra-le-molteplicita-artistiche-contemporanee-1.pdf&#039; title=&#039;Middle Eastern musical tradition meets contemporary artistic diversity&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Middle Eastern musical tradition meets contemporary artistic diversity&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/La-Tradizione-musicale-medio-orientale-incontra-le-molteplicita-artistiche-contemporanee-1.pdf' title='Middle Eastern musical tradition meets contemporary artistic diversity' target=\"_blank\"  rel=\"noopener noreferrer\">Middle Eastern musical tradition meets contemporary artistic diversity<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">210.6KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LMC_Musica-contemporanea_Andrea-Rebaudengo_Mauro-Bonifacio-1.pdf' title='LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-k0j0z7-18d53247dae36f08d785cfb7ca085c96 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-32' aria-describedby='av-svg-desc-32' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-32'>Download<\/title>\n<desc id='av-svg-desc-32'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LMC_Musica-contemporanea_Andrea-Rebaudengo_Mauro-Bonifacio-1.pdf&#039; title=&#039;LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LMC_Musica-contemporanea_Andrea-Rebaudengo_Mauro-Bonifacio-1.pdf' title='LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio' target=\"_blank\"  rel=\"noopener noreferrer\">LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">105.6KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/MusicaCorpoEmozioniRelazioniMusicoterapia_Stefania-Belotti_Fabio-Moretti-1.pdf' title='Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-1wil9f-99d271ebded22dd7f4cc8ca0b6fa62c8 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-33' aria-describedby='av-svg-desc-33' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-33'>Download<\/title>\n<desc id='av-svg-desc-33'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/MusicaCorpoEmozioniRelazioniMusicoterapia_Stefania-Belotti_Fabio-Moretti-1.pdf&#039; title=&#039;Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/MusicaCorpoEmozioniRelazioniMusicoterapia_Stefania-Belotti_Fabio-Moretti-1.pdf' title='Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti' target=\"_blank\"  rel=\"noopener noreferrer\">Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">115.5KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Palestrina_Dellaborra_Ramella_Bellorini_Cazzaniga_Mazzella-1.pdf' title='Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-htc5sz-de4ecbc00e66aafc98338f9208748711 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-34' aria-describedby='av-svg-desc-34' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-34'>Download<\/title>\n<desc id='av-svg-desc-34'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Palestrina_Dellaborra_Ramella_Bellorini_Cazzaniga_Mazzella-1.pdf&#039; title=&#039;Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Palestrina_Dellaborra_Ramella_Bellorini_Cazzaniga_Mazzella-1.pdf' title='Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella' target=\"_blank\"  rel=\"noopener noreferrer\">Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">443.7KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Popular-music_Cultura-orale-improvvisazione-e-arrangiamenti_Daniela-Ippolito-1.pdf' title='Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-f9j4bn-c9919ae04de050e988f8439da6f8f776 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-35' aria-describedby='av-svg-desc-35' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-35'>Download<\/title>\n<desc id='av-svg-desc-35'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Popular-music_Cultura-orale-improvvisazione-e-arrangiamenti_Daniela-Ippolito-1.pdf&#039; title=&#039;Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Popular-music_Cultura-orale-improvvisazione-e-arrangiamenti_Daniela-Ippolito-1.pdf' title='Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito' target=\"_blank\"  rel=\"noopener noreferrer\">Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">37.1KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Prassi-e-improvvisazione_Attilio-Zanchi-1.pdf' title='Praxis and improvisation - Attilio Zanchi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-dizynn-39a766d7ae5651049211c2b36959b16a avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-36' aria-describedby='av-svg-desc-36' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-36'>Download<\/title>\n<desc id='av-svg-desc-36'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Prassi-e-improvvisazione_Attilio-Zanchi-1.pdf&#039; title=&#039;Praxis and improvisation - Attilio Zanchi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Praxis and improvisation - Attilio Zanchi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Prassi-e-improvvisazione_Attilio-Zanchi-1.pdf' title='Praxis and improvisation - Attilio Zanchi' target=\"_blank\"  rel=\"noopener noreferrer\">Praxis and improvisation - Attilio Zanchi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">35.2KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Projection-Mapping-e-Sound-Design_Andrea-Vigani_Fabio-Volpi-1.pdf' title='Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-c4g9eb-12e159644fc48199ae6c02a27f69035f avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-37' aria-describedby='av-svg-desc-37' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-37'>Download<\/title>\n<desc id='av-svg-desc-37'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Projection-Mapping-e-Sound-Design_Andrea-Vigani_Fabio-Volpi-1.pdf&#039; title=&#039;Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Projection-Mapping-e-Sound-Design_Andrea-Vigani_Fabio-Volpi-1.pdf' title='Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi' target=\"_blank\"  rel=\"noopener noreferrer\">Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">42.4KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Repertorio-di-musiche-per-biodanza_Maria-Vittoria-Jedlowski-1.pdf' title='Repertoire of music for biodance - Maria Vittoria Jedlowski'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-a99phv-cc117d3cec4945713a472585119435fd avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-38' aria-describedby='av-svg-desc-38' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-38'>Download<\/title>\n<desc id='av-svg-desc-38'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Repertorio-di-musiche-per-biodanza_Maria-Vittoria-Jedlowski-1.pdf&#039; title=&#039;Repertoire of music for biodance - Maria Vittoria Jedlowski&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Repertoire of music for biodance - Maria Vittoria Jedlowski&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Repertorio-di-musiche-per-biodanza_Maria-Vittoria-Jedlowski-1.pdf' title='Repertoire of music for biodance - Maria Vittoria Jedlowski' target=\"_blank\"  rel=\"noopener noreferrer\">Repertoire of music for biodance - Maria Vittoria Jedlowski<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">118.6KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Tutti-allOpera_Le-nozze-di-Figaro-1.pdf' title=''  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-zlbib-8a23488f15845f72664185339b51e9a1 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-39' aria-describedby='av-svg-desc-39' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-39'>Download<\/title>\n<desc id='av-svg-desc-39'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: \"><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">163.4KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/300-anni-Alessandro-Scarlatti-Giardino-di-rose_Gemma-Bertagnolli-e-Attilio-Cremonesi-1.pdf' title='Workshop 300 years Alessandro Scarlatti - Rose Garden - Prof. Gemma Bertagnolli &amp; M\u00b0 Attilio Cremonesi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-70v90j-e14d4beb6508c8bae2b7c9cbb0f51f77 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-40' aria-describedby='av-svg-desc-40' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-40'>Download<\/title>\n<desc id='av-svg-desc-40'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/300-anni-Alessandro-Scarlatti-Giardino-di-rose_Gemma-Bertagnolli-e-Attilio-Cremonesi-1.pdf&#039; title=&#039;Workshop 300 years Alessandro Scarlatti - Rose Garden - Prof. Gemma Bertagnolli &amp;amp; M&deg; Attilio Cremonesi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop 300 years Alessandro Scarlatti - Rose Garden - Prof. Gemma Bertagnolli &amp;amp; M&deg; Attilio Cremonesi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/300-anni-Alessandro-Scarlatti-Giardino-di-rose_Gemma-Bertagnolli-e-Attilio-Cremonesi-1.pdf' title='Workshop 300 years Alessandro Scarlatti - Rose Garden - Prof. Gemma Bertagnolli &amp; M\u00b0 Attilio Cremonesi' target=\"_blank\"  rel=\"noopener noreferrer\">Laboratorio 300 anni Alessandro Scarlatti \u2013 Giardino di Rose \u2013 Prof.ssa Gemma Bertagnolli &amp; M\u00b0 Attilio Cremonesi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">457.8KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/J.P.-Rameau-Pieces-en-concert-per-archi_Renata-Spotti-1.pdf' title='J.P. Rameau - Pi\u00e8ces en concert for strings - Renata Spotti'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-kxevn-0d28f11e2d8bf48a6ec92ca5d4eab264 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-41' aria-describedby='av-svg-desc-41' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-41'>Download<\/title>\n<desc id='av-svg-desc-41'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/J.P.-Rameau-Pieces-en-concert-per-archi_Renata-Spotti-1.pdf&#039; title=&#039;J.P. Rameau - Pi&egrave;ces en concert for strings - Renata Spotti&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;J.P. Rameau - Pi&egrave;ces en concert for strings - Renata Spotti&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/J.P.-Rameau-Pieces-en-concert-per-archi_Renata-Spotti-1.pdf' title='J.P. Rameau - Pi\u00e8ces en concert for strings - Renata Spotti' target=\"_blank\"  rel=\"noopener noreferrer\">J.P. Rameau - Pi\u00e8ces en concert for strings - Renata Spotti<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">340.4KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio-orchestrale-per-fiati_Sandro-Satanassi-1.pdf' title='Wind orchestra workshop - Sandro Satanassi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-4m4lw3-6a0f7c5e7003fafc3312c1c5d85f6975 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-42' aria-describedby='av-svg-desc-42' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-42'>Download<\/title>\n<desc id='av-svg-desc-42'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio-orchestrale-per-fiati_Sandro-Satanassi-1.pdf&#039; title=&#039;Wind orchestra workshop - Sandro Satanassi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Wind orchestra workshop - Sandro Satanassi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio-orchestrale-per-fiati_Sandro-Satanassi-1.pdf' title='Wind orchestra workshop - Sandro Satanassi' target=\"_blank\"  rel=\"noopener noreferrer\">Wind orchestra workshop - Sandro Satanassi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">369.0KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Arpa-jazz_Marcella-Carboni-1.pdf' title='Jazz harp - Marcella Carboni'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-3ad00z-12a18684e64355c23b141f8938d827d3 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-43' aria-describedby='av-svg-desc-43' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-43'>Download<\/title>\n<desc id='av-svg-desc-43'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Arpa-jazz_Marcella-Carboni-1.pdf&#039; title=&#039;Jazz harp - Marcella Carboni&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Jazz harp - Marcella Carboni&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Arpa-jazz_Marcella-Carboni-1.pdf' title='Jazz harp - Marcella Carboni' target=\"_blank\"  rel=\"noopener noreferrer\">Jazz harp - Marcella Carboni<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">345.7KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-mhxapavs-1-adb22c84f0dc8bd1aacbd63e864db9e3'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-3' data-fake-id='#toggle-id-3' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-3' data-slide-speed=\"200\" data-title=\"Calendario Laboratori programmati per l\u2019A.A. 2022\/2023\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Calendario Laboratori programmati per l\u2019A.A. 2022\/2023\" data-aria_expanded=\"Click to collapse: Calendario Laboratori programmati per l\u2019A.A. 2022\/2023\">Calendario Laboratori programmati per l\u2019A.A. 2022\/2023<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-3' aria-labelledby='toggle-toggle-id-3' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><h2>REPERTORY WORKSHOP OF MUSIC FOR BIODANCE<\/h2>\n<p>Contact teacher: Maria Vittoria Jedlowski: <a href=\"mailto:mariavittoria.jedlowski@consmilano.it\">mariavittoria.jedlowski@consmilano.it<\/a><\/p>\n<p><strong>Marted\u00ec 15<\/strong> November 2022, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 22<\/strong> November, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 29<\/strong> November, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 13<\/strong> December, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 20<\/strong> December, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 10<\/strong> January 2023, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Gioved\u00ec 12<\/strong> January 2023, <strong>Choir Room<\/strong> 4-7 p.m.<br \/>\n<strong>Marted\u00ec 17<\/strong> January, <strong>Choir Room<\/strong> 8 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 24<\/strong> January, <strong>Puccini Hall<\/strong> 7 p.m. - 10 p.m.<\/p>\n<p>The biodanza music repertoire workshop involves the preparation of a musical repertoire suitable to support biodance sessions or similar practices.<br \/>\nIn the course of the workshop, a practical in-depth study of the motor, physiological and emotional states stimulated by music is proposed, as well as a practical study of one's own motor and emotional attitude when playing.<br \/>\nUna particolare attenzione \u00e8 rivolta al tipo di relazione che suonando si instaura con se stessi, con i compagni di esecuzione, con il pubblico, con l\u2019obiettivo di comprendere, arricchire e facilitare queste relazioni. Viene altres\u00ec stimolato un atteggiamento rivolto pi\u00f9 al significato del proprio suonare, in rapporto all\u2019utenza, che alla performance in se stessa. Questo con lo scopo di ammorbidire lo stress tecnico a favore della responsabilit\u00e0 verso il valore sociale della musica.<br \/>\nGli studenti del laboratorio elaboreranno un repertorio di musiche gi\u00e0 esistenti, composte nel corso del laboratorio oppure improvvisate, che possa essere in relazione a specifici movimenti e stati emotivi proposti in sessioni di biodanza.<br \/>\nSi tratta di una preparazione di un repertorio di musiche che sta alla biodanza come per il teatro le musiche di scena stanno all\u2019opera teatrale e agli attori.<br \/>\nAn experiential method is used that involves not only the composition, research, performance and interpretation of the musical repertoire, but also the practice of movement suggested and inspired by the music.<br \/>\nIl laboratorio di repertorio di musiche per biodanza \u00e8 aperto trasversalmente a tutti i corsi di strumento di qualsiasi indirizzo, quindi classico, antico, pop, rock, jazz, compresi canto e didattica, a studenti del Triennio e del Biennio di qualsiasi anno e a studenti esterni, nella percentuale prevista dal Conservatorio. La trasversalit\u00e0 di questo laboratorio favorisce l\u2019integrazione e la collaborazione di studenti con competenze di stili musicali differenti, come si \u00e8 potuto constatare dal risultato di grande successo collaborativo nel corso del corrente anno scolastico 2021-22.<\/p>\n<p><strong>Jotform d\u2019iscrizione<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223033285385354\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223033881893360\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline<\/strong>: luned\u00ec 14 novembre ore 23.59<\/p>\n<h2>STOCKHAUSEN: KLAVIERST\u00dcCKE<\/h2>\n<p>Contact teacher: Giuseppe Leanza: <a href=\"mailto:giusepe.leanza@consmilano.it\">giusepe.leanza@consmilano.it<\/a><\/p>\n<p><strong>Mercoled\u00ec 16<\/strong> November 2022, <strong>Library Conference Room<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Mercoled\u00ec 30<\/strong> November, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Mercoled\u00ec 14<\/strong> December, <strong>Room 215<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Mercoled\u00ec 21<\/strong> December, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Mercoled\u00ec 11<\/strong> January 2023, <strong>Library Conference Room<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Mercoled\u00ec 25<\/strong> January, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Mercoled\u00ec 08<\/strong> February, <strong>Library Conference Room<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Mercoled\u00ec 01<\/strong> March, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Mercoled\u00ec 08<\/strong> March, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Prove: venerd\u00ec 10<\/strong> March, <strong>Puccini Hall<\/strong> 2.30 p.m.<br \/>\n<strong>Concerto: venerd\u00ec 10<\/strong> March, <strong>Puccini Hall<\/strong> 8.30 p.m.<\/p>\n<p>Il laboratorio si rivolge a studenti pianisti interni o esterni al Conservatorio Giuseppe Verdi di Milano ed \u00e8 finalizzato all\u2019esecuzione in concerto di Klavierst\u00fccke di Karlheinz Stockhausen che saranno concordati con gli studenti iscritti. Poich\u00e9 verosimilmente non si arriver\u00e0 a coprire la durata di un intero concerto, le esecuzioni saranno inserite in concerti comprendenti altro repertorio, preferibilmente moderno o contemporaneo.<br \/>\nIl laboratorio si snoder\u00e0 attraverso incontri d\u2019introduzione e analisi dei brani, oltre a lezioni pratiche volte all\u2019esecuzione. Al termine delle lezioni il docente selezioner\u00e0 gli studenti che parteciperanno al concerto. Il laboratorio \u00e8 aperto, in qualit\u00e0 di uditori, anche agli studenti di composizione.<br \/>\n\u00c8 prevista un\u2019audizione d\u2019idoneit\u00e0 mercoled\u00ec 30 novembre. Essa consister\u00e0 nell\u2019esecuzione di due frammenti di Karlheinz Stockhausen che il docente indicher\u00e0 quindici giorni prima.<\/p>\n<p><strong>Jotform d\u2019iscrizione<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223033421459348\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223033953840352\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline<\/strong>: luned\u00ec 14 novembre ore 23.59<\/p>\n<h2>TECNICHE DELL\u2019IMPROVVISAZIONE<\/h2>\n<p>Attilio Zanchi<br \/>\nContact teacher: Tino Tracanna: <a href=\"mailto:tino.tracanna@consmilano.it\">tino.tracanna@consmilano.it<\/a><\/p>\n<p><strong>Saturday 19th<\/strong> November 2022, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 26th<\/strong> November, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 10<\/strong> December, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 14<\/strong> January 2023, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 28<\/strong> January, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 11<\/strong> February, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 04<\/strong> March, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 18th<\/strong> March, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 25<\/strong> March, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Concert<\/strong>Saturday 01 April, Choir Room 9.00-11.00 am (Pop) \/\/ 11.00-13.00 am (Jazz)<\/p>\n<p>Il laboratorio \u00e8 finalizzato all\u2019apprendimento e allo sviluppo delle capacit\u00e0 improvvisative. Oltre alla parte teorica si faranno esercitazioni pratiche. Il corso si baser\u00e0 sugli argomenti trattati in vari metodi scritti dall\u2019autore Attilio Zanchi: Teoria ed Armonia moderna, Inside the standards, Simmetrie musicali e Studi Vocali. Gli argomenti principali affrontati saranno relativi al rapporto fra gli accordi e le scale relazionate e lo sviluppo di linee melodiche tenendo conto dei collegamenti armonici e dell\u2019utilizzo dei cromatismi nel fraseggio. Si suoneranno brani tratti dai repertori jazz e pop con studio dei temi, ascolti guidati, esercizi con scale collegate e con assoli di musicisti scelti fra i pi\u00f9 rappresentativi di questi stili musicali.<\/p>\n<p><strong>Jotform d\u2019iscrizione<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223034653629355\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223034503273344\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline<\/strong>: luned\u00ec 14 novembre ore 23.59<\/p>\n<h2>THE BOLD MADRIGAL: GESUALDO DA VENOSA VS CLAUDIO MONTEVERDI<\/h2>\n<p>Mirko Cristiano Guadagnini<br \/>\nContact teacher: Daniela Uccello: <a href=\"mailto:daniela.uccello@consmilano.it\">daniela.uccello@consmilano.it<\/a><br \/>\n<strong>WORKSHOP CANCELLED<\/strong><\/p>\n<p><strong>Sunday 27th<\/strong> November 2022, <strong>Choir Room<\/strong> ore 14.00-20.00 &#8211; <strong>MEETING CANCELLED<\/strong><br \/>\n<strong>Sunday 18th<\/strong> December, <strong>Choir Room<\/strong> 2-8 p.m.<br \/>\n<strong>Sunday 22nd<\/strong> January 2023, <strong>Choir Room<\/strong> 2-8 p.m.<br \/>\n<strong>Sunday 05<\/strong> February, <strong>Choir Room<\/strong> 2-8 p.m.<br \/>\n<strong>Sunday 05<\/strong> March, <strong>Room 106<\/strong> 2-8 p.m.<br \/>\n<strong>Sunday 19th<\/strong> March, <strong>Room 106<\/strong> 2-8 p.m.<br \/>\n<strong>Saturday 01<\/strong> April, <strong>Room 106<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Sunday 02<\/strong> April, place and time to be defined<\/p>\n<p>Il laboratorio \u00e8 volto ad approfondire la vocalit\u00e0 madrigalistica a cappella e con basso continuo ma a parti reali. Lo studio verter\u00e0 sui madrigali di Gesualdo Da Venosa e di Claudio Monteverdi e, oltre ad approfondire le differenze compositive e i punti di contatto fra i due grandi rappresentanti del madrigalismo italiano pi\u00f9 ardito in termini di composizione, innovazione e sonorit\u00e0, andr\u00e0 ad approfondire la tecnica del canto madrigalistico barocco, lo stile, il madrigalismo tra testo e musica, l&#8217;espressivit\u00e0. Andr\u00e0 inoltre a stimolare la capacit\u00e0 dell&#8217;allievo di sviluppare una musicalit\u00e0 solistica ma all&#8217;interno di un ensemble a parti reali e stimoler\u00e0 la creativit\u00e0 musicale in stile barocco nella costruzione dell&#8217;espressivit\u00e0 propria del madrigale gesualdiano e monteverdiano.<br \/>\nLa presentazione di questo laboratorio rinnova quanto gi\u00e0 proposto ed eseguito nell&#8217;anno accademico 2021-22 con, il laboratorio il madrigalismo a cappella in Claudio Monteverdi, che ha raccolto 22 adesioni interne al Conservatorio e 2 esterne e che ha avuto un ottimo successo di studio e apprendimento per gli allievi partecipanti, con un concerto finale con oltre 100 persone di pubblico presenti. L&#8217;obiettivo \u00e8 rinnovare la proposta e soddisfare allievi vecchi e nuovi che vogliano approfondire questo repertorio e queste tematiche.<br \/>\nLa scelta dei madrigali di Gesualdo Da Venosa sar\u00e0 fatta tra le numerose raccolte mentre lo studio sui madrigali di Claudio Monteverdi si concentrer\u00e0 su una selezione dal Quinto Libro de Madrigali (1605) dove inizia l\u2019inserimento del basso continuo che prelude alla prima opera barocca mai composta al mondo, ovvero l\u2019Orfeo (1607). Sar\u00e0 presentata un\u2019interessante analisi storico-musicale dell\u2019evoluzione tra prima e seconda pratica e del passaggio dalla polifonia all\u2019inserimento graduale di incisi solistici all\u2019interno della composizione a 5 voci che prelude alla monodia accompagnata da basso continuo.<br \/>\nGli incontri si svolgeranno con uno studio collettivo dei madrigali a cui seguir\u00e0 la divisione in quintetti vocali per il perfezionamento tecnico, musicale ed espressivo degli stessi.<br \/>\nPer la buona riuscita del laboratorio, sar\u00e0 opportuno e auspicabile garantire un adeguato equilibrio nella presenza di voci femminili e maschili di tutti i registri, quindi soprani, mezzosoprani, contralti-controtenori, tenori, baritoni, bassi.<br \/>\nI cantanti che si distingueranno, a esclusiva discrezione del Maestro Mirko Guadagnini, potranno affiancarsi a professionisti e partecipare ai concerti barocchi organizzati da Associazione Lieder\u00ecadi a Milano, presso la Chiesa di San Maurizio al Monastero Maggiore e la Chiesa di Sant\u2019Antonio Abate durante il corso dell\u2019anno.<\/p>\n<p><strong>Jotform d\u2019iscrizione<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223034476236352\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223034445308348\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline<\/strong>: mercoled\u00ec 14 dicembre ore 23.59<\/p>\n<h2>DEAR FRIENDS: ORATORIO JUDICIUM EXTREMUM<\/h2>\n<p>Contact teacher: Francesca Torelli: <a href=\"mailto:francesca.torelli@consmilano.it\">francesca.torelli@consmilano.it<\/a><\/p>\n<p><strong>Gioved\u00ec 01<\/strong>\u00a0December 2022,\u00a0<strong>Room 106<\/strong>\u00a0ore 16.00-18.00 &#8211; INCONTRO ANNULLATO<br \/>\n<strong>Gioved\u00ec 15<\/strong>\u00a0December,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 22<\/strong>\u00a0December,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 12<\/strong>\u00a0January 2023,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 19<\/strong>\u00a0January,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 26<\/strong>\u00a0January,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 02<\/strong>\u00a0February,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 09<\/strong>\u00a0February,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 02<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 09<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 16<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 23<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 30<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Gioved\u00ec 13<\/strong>\u00a0April,\u00a0<strong>Puccini Hall<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Gioved\u00ec 27<\/strong>\u00a0April,\u00a0<strong>Puccini Hall<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Gioved\u00ec 04<\/strong>\u00a0May,\u00a0<strong>Puccini Hall<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Gioved\u00ec 11<\/strong>\u00a0May,\u00a0<strong>Puccini Hall<\/strong>\u00a010 a.m. - 1 p.m.<\/p>\n<p>Il laboratorio \u00e8 aperto agli studenti delle classi di canto barocco, musica vocale da camera, violino barocco e per il basso continuo delle classi di organo, cembalo, liuto, fagotto barocco, viola da gamba.<br \/>\nL\u2019oratorio\u00a0<em>Judicium extremum<\/em>\u00a0per soli, coro, 2 violini e basso continuo, \u00e8 uno dei pi\u00f9 riusciti nella produzione di Giacomo Carissimi e prevede delle parti vocali a solo e delle parti corali che possono essere eseguite come parti reali oppure con raddoppi, a seconda del numero di iscritti al laboratorio.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong>In-house musicians:\u00a0<a href=\"https:\/\/form.jotform.com\/223034188733354\">https:\/\/form.jotform.com\/223034188733354<br \/>\n<\/a>Outside musicians:\u00a0<a href=\"https:\/\/form.jotform.com\/223034610987355\">https:\/\/form.jotform.com\/223034610987355<br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>mercoled\u00ec 30<\/strong>\u00a0November 11.59 p.m.<\/p>\n<h2>EXTENDED SOUND DESIGN<\/h2>\n<p><strong>Davide Gagliardi and Andrea Vigani<br \/>\n<\/strong>Contact teacher: Andrea Vigani: <a href=\"mailto:andrea.vigani@consmilano.it\">andrea.vigani@consmilano.it<\/a><\/p>\n<p><strong>Venerd\u00ec 02<\/strong>\u00a0December 2022,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 16<\/strong>\u00a0December,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 27<\/strong>\u00a0January 2023,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 03<\/strong>\u00a0February,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 10<\/strong>\u00a0February,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 03<\/strong>\u00a0March,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 10<\/strong>\u00a0March,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 24<\/strong>\u00a0March,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 31<\/strong>\u00a0March,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 14<\/strong>\u00a0April,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<\/p>\n<p>Questo laboratorio vuole essere uno spazio interdisciplinare all\u2019interno del quale i partecipanti potranno esplorare le possibili interazioni tra suono e computazione musicale attraverso tecniche di interaction design, che nello specifico riguarderanno lo studio dell\u2019ergonomia relazionale tra gesto e suono. Le interazioni potranno avvenire sia attraverso interfacce fisiche per esempio sensori, joystick, tablet, smartphones e tastiere di computer, sia attraverso tecniche di video tracking dei movimenti umani, trasformando il senso dell\u2019utilizzo di oggetti propri della nostra quotidianit\u00e0 in interfacce sonore volte alla ricerca di nuove espressioni musicali.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223034128419349\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223034128419349\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223034980529357\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223034980529357\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>gioved\u00ec 24<\/strong>\u00a0November 11.59 p.m.<\/p>\n<h2>MUSIC FOR ANIMATION AND VIDEO GAMES<\/h2>\n<p><strong>Olivier Deriviere, Vasco Hexel, Chiara Magni, Ludwin Norman, Diego Pugliese<br \/>\n<\/strong>Contact teacher: Paolo Tortiglione: <a href=\"mailto:paolo.tortiglione@consmilano.it\">paolo.tortiglione@consmilano.it<\/a><\/p>\n<p><strong>Venerd\u00ec 16<\/strong>\u00a0December,\u00a0<strong>Classroom 103<\/strong>\u00a08.45 a.m. - 1.45 p.m.<br \/>\n<strong>Venerd\u00ec 27<\/strong>\u00a0January 2023,\u00a0<strong>Library Conference Room<\/strong>\u00a09 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 3<\/strong>\u00a0March,\u00a0<strong>Classroom 103<\/strong>\u00a08.45 a.m. - 1.45 p.m.<br \/>\n<strong>Venerd\u00ec 24<\/strong>\u00a0March 2023,\u00a0<strong>Puccini Hall<\/strong>\u00a08.45 a.m. - 1.45 p.m.<br \/>\n<strong>Venerd\u00ec 14<\/strong>\u00a0April,\u00a0<strong>Library Conference Room<\/strong>\u00a09 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 21<\/strong>\u00a0April 2023,\u00a0<strong>Classroom 103<\/strong>\u00a08.45 a.m. - 1.45 p.m.<\/p>\n<p>Dopo il successo del laboratorio degli anni 2017, 2018, 2019, 2020 e 2021\/22, ultima edizione che ha visto oltre 61 iscritti e una media di oltre 45 allievi presenti per sessioni, si propone una nuova sessione per l\u2019anno 2022\/23 su una tematica affine e complementare.<br \/>\nThe workshop comprises 6 lessons of 5 hours each in which the methodologies of writing for animation scenes and VideoGames (CD-DVD-Videogames-Console) will be explained. Composition techniques with Virtual Orchestra and dedicated electronic instruments will be illustrated<br \/>\nScopo principale \u00e8 lo scrivere musica per scene di film, videogioghi, programmi TV, sigle televisive e radiofoniche, CD-DVD ecc.<br \/>\nIl laboratorio inizia con lo studio delle importanti considerazioni per la composizione per i visual-media, incluso per esempio il bilanciamento musica-dialogo, la parte di psicologia della musica per l\u2019immagine (quale migliore musica per il tipo di immagini?), come influenzare la riposta emozionale dello spettatore, come creare musica che rimandi a precise epoche e stili. Il corso tratta anche della musica per i videogiochi, di come lavorare con i software dedicati e specializzati (Librerie, Orchestra Virtuale e strumenti Cinematici).<br \/>\nSi passeranno poi in rassegna i diversi generi di musica per prodotti multimediali, ad esempio i temi e i sound inerenti il romanticismo, la tristezza, l\u2019inseguimento, l\u2019horror, il genere magic, fantasy, eroico, azione, avventura. Il laboratorio poi analizza ogni genere e sound in termini di armonia e contrappunto, tempo, ritmo della scena, aspetti legati alla regia e sceneggiatura, stimolando lo studente alla creazione di una serie di template che poi potr\u00e0 usare per la propria professione futura.<br \/>\nAnalizzeremo materiale dei pi\u00f9 grandi autori del genere e in ogni incontro sar\u00e0 presente anche un esperto esterno che lavora nel settore.<br \/>\nCome requisito di ammissione \u00e8 richiesto un livello di inglese certificato o compatibile con il B2. Per coloro che non risultino in possesso di tale documentazione il giorno 10 dicembre 2022 alle ore 10.00 in Aula 103 si terr\u00e0 la prova di inglese per l\u2019ammissione al Laboratorio.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223254481710349\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223254481710349\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223253725696362\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223253725696362\"><br \/>\n<\/a><strong>Termine iscrizione: gioved\u00ec 8\u00a0<\/strong>dicembre\u00a0ore 23.59<\/p>\n<p>_______________________________________<\/p>\n<h2>CONTEMPORARY MUSIC (LMC)<\/h2>\n<p>Contact teacher: Mauro Bonifacio: <a href=\"mailto:mauro.bonifacio@consmilano.it\">mauro.bonifacio@consmilano.it<\/a><\/p>\n<p><strong>Venerd\u00ec 16<\/strong>\u00a0December 2022,\u00a0<strong>Library Conference Room<\/strong>\u00a011 a.m. - 1.30 p.m.<br \/>\n<strong>Venerd\u00ec 27<\/strong>\u00a0January 2023,\u00a0<strong>Choir Room<\/strong>\u00a011 a.m. - 1.30 p.m.<br \/>\n<strong>Mercoled\u00ec 01<\/strong>\u00a0March,\u00a0<strong>Puccini Hall<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Gioved\u00ec 02\u00a0<\/strong>March,\u00a0<strong>Puccini Hall<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Venerd\u00ec 03<\/strong>\u00a0March,\u00a0<strong>Puccini Hall<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Saturday 04<\/strong>\u00a0March,\u00a0<strong>Puccini Hall<\/strong>\u00a010.30 a.m. - 1.30 p.m.<\/p>\n<p>Il laboratorio di musica contemporanea \u00e8 un progetto didattico dedicato agli studenti di strumento, musica vocale da camera, canto del Triennio, Biennio e Master e studenti di direzione d\u2019orchestra solo Triennio. Quest\u2019anno il programma prevede lo studio di due partiture:\u00a0<em>O King<\/em>\u00a0for mezzo soprano and five instruments (flute, clarinet, violin, cello and piano) by Luciano Berio and\u00a0<em>D\u00e9rive I<\/em>\u00a0per 6 strumenti (flauto, clarinetto, violino, violoncello, vibrafono e pianogorte) di Pierre Boulez. L\u2019iscrizione \u00e8 riservata alle voci e agli strumenti sopraindicati. In base alle iscrizioni pervenute verranno formati non pi\u00f9 di due ensemble di livello omogeneo, quindi il numero di studenti partecipanti sar\u00e0 limitato; sono richieste 20 ore di frequenza.<\/p>\n<p><strong>Objectives<br \/>\n<\/strong>Acquisizione e approfondimento di specifiche capacit\u00e0 tecniche, analitiche e interpretative riguardanti la musica d\u2019insieme del secondo Novecento e contemporanea. Ogni modulo didattico del laboratorio di musica contemporanea \u00e8 finalizzato alla formazione di uno o pi\u00f9 ensemble di studenti in grado di affrontare lo studio di un importante repertorio di musica recente e contemporanea. Gli studenti e i gruppi che si saranno particolarmente distinti durante il laboratorio potranno essere segnalati per futuri progetti inseriti nelle attivit\u00e0 m2c, l\u2019Istituto di Musica Moderna e Contemporanea.<\/p>\n<p><strong>Contents<br \/>\n<\/strong>Study and performance of important recent and contemporary scores. Acquisition of specific technical-instrumental knowledge, rehearsal sessions and in-depth analysis of the programmed scores.<\/p>\n<p><strong>Articulation<br \/>\n<\/strong>Theoretical part: 5 hours<br \/>\nCollective theoretical lessons, held by the lecturer responsible for the project. In-depth study of the main performing techniques used in recent and contemporary literature. In-depth technical-analytical study of the scores covered in the practical part.<br \/>\nPractical part: 15 hours<br \/>\nSessioni di prova con ensemble formati da studenti. La parte pratica prevede il lavoro di concertazione dei brani programmati insieme al docente responsabile di progetto e agli studenti di direzione d\u2019orchestra del Triennio.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223034756724355\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223034756724355\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223034909158356\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223034909158356\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Luned\u00ec 12\u00a0<\/strong>December 23.59<\/p>\n<h2><strong>FROM ANTONIO VALENTE TO DOMENICO CIMAROSA:<br \/>\n<\/strong><strong>TWO HUNDRED YEARS OF THE NEAPOLITAN SCHOOL<\/strong><\/h2>\n<p><strong>Chiara Tiboni\u00a0<\/strong>e<strong>\u00a0Enrico Baiano<br \/>\n<\/strong>Contact teacher: Chiara Tiboni: <a href=\"mailto:chiara.tiboni@consmilano.it\">chiara.tiboni@consmilano.it<\/a><\/p>\n<p><strong>Gioved\u00ec 15<\/strong>\u00a0December 2022,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Saturday 14<\/strong>\u00a0January 2023,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Venerd\u00ec 27<\/strong>\u00a0January,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Gioved\u00ec 09<\/strong>\u00a0February,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Venerd\u00ec 28<\/strong>\u00a0April,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Saturday 29<\/strong>\u00a0April,\u00a0<strong>Classroom 101<\/strong>\u00a09 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 26<\/strong>\u00a0May,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Saturday 27th<\/strong>\u00a0May,\u00a0<strong>Classroom 101<\/strong>\u00a09 a.m. - 2 p.m.<br \/>\n<strong>Concert<\/strong>:\u00a0<strong>Sunday 28<\/strong>\u00a0May,\u00a0<strong>Foyer Verdi Hall<\/strong>\u00a04 p.m.<\/p>\n<p>Sul finire del Cinquecento a Napoli si sviluppa una scuola compositiva e strumentale che spicca nel panorama europeo per la sua originalit\u00e0. A cavallo tra Cinque e Seicento i tratti salienti sono il notevole livello tecnico, eguagliato solo dalla coeva scuola elisabettiana, il contrappunto artificioso, la ricerca di nuovi orizzonti cromatici e armonici, un modo nuovo di \u00abfar cantare\u00bb la tastiera, derivato dallo stile del periodo della seconda prattica. Sul finire del Seicento a questi elementi si aggiunge l&#8217;influenza dell&#8217;opera, che ispira nuovi modi di pensare la scrittura e l&#8217;interpretazione strumentale. Domenico Scarlatti contamina questa complessa eredit\u00e0 con il folklore musicale iberico e il risultato \u00e8 un linguaggio ancora una volta unico nel panorama europeo. In Europa, nel frattempo, impazza l&#8217;opera italiana, che deve molto all&#8217;opera buffa napoletana. La sua influenza \u00e8 pervasiva anche nella musica strumentale, che ne cita stilemi e atteggiamenti; molte sonate di Domenico Scarlatti, Domenico Cimarosa, Giovanni Paisiello, Pietro Domenico Paradisi, e per esempio di Franz Joseph Haydn e Wolfgang Amadeus Mozart, volendo guardare fuori da Napoli e dall&#8217;Italia, sono chiare trasposizioni di arie o scene teatrali. Il tema del seminario, volutamente ampio, dar\u00e0 modo a ciascun iscritto di dedicarsi a uno o pi\u00f9 momenti di questi miracolosi due secoli, nell&#8217;intento di ricostruirne un quadro per quanto possibile completo.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223051837589363\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223051837589363\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223051795716358\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223051795716358\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>marted\u00ec 13\u00a0<\/strong>December 23.59<\/p>\n<h2><strong>FIRST RUDIMENTS OF INSTRUMENTAL IMPROVISATION<\/strong><\/h2>\n<p>Contact teacher: Fabio Moretti: <a href=\"mailto:fabio.moretti@consmilano.it\">fabio.moretti@consmilano.it<\/a><\/p>\n<p><strong>Marted\u00ec 10<\/strong>\u00a0January 2023,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 17<\/strong>\u00a0January,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 24<\/strong>\u00a0January,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 31<\/strong>\u00a0January,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 07<\/strong>\u00a0February,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 07<\/strong>\u00a0March,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 14<\/strong>\u00a0March,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 21<\/strong>\u00a0March,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 28<\/strong>\u00a0March,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 04<\/strong>\u00a0April,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<\/p>\n<p>Questo laboratorio, a seconda delle caratteristiche e capacit\u00e0 degli allievi iscritti, pu\u00f2 essere molto diversificato nel percorso didattico. Per gli allievi che hanno gi\u00e0 conseguito un diploma di strumento presenter\u00f2 una bibliografia di riferimento, sulla tecnica dell\u2019improvvisazione e sulla armonia adatto allo scopo.<br \/>\nPer coloro che non hanno competenze pregresse nella lettura ritmica e lettura cantata e nella armonia tonale verranno inseriti nel percorso didattico a seconda delle loro capacit\u00e0.<br \/>\nNell\u2019improvvisazione verr\u00e0 usato il pianoforte e lo strumento di studio e semplici strumenti a percussione. Verr\u00e0 usato anche il battito delle mani e la camminata a tempo.<br \/>\nVerr\u00e0 usato l\u2019ascolto di brani classici famosi, durante il quale si stimoler\u00e0 l\u2019intervento estemporaneo di ogni allievo con semplici percussioni per accompagnare l\u2019ascolto e creare una piccola nuova versione del brano.<br \/>\nGroup rhythmic improvisations with percussion instruments alone will often be performed during the workshop<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223052849117354\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052849117354\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052027061340\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052027061340\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>gioved\u00ec 15<\/strong>\u00a0December 23.59<\/p>\n<h2><strong>THE WOODWINDS OF KURT WEILL<\/strong><\/h2>\n<p>Contact teacher: Silvano Scanziani: <a href=\"mailto:silvano.scanziani@consmilano.it\">silvano.scanziani@consmilano.it<\/a><\/p>\n<p><strong>Saturday 14<\/strong>\u00a0January 2023,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 28<\/strong>\u00a0January,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 4\u00a0<\/strong>February,\u00a0<strong>Room 106\u00a0<\/strong>3-6 p.m.<br \/>\n<strong>Saturday 11\u00a0<\/strong>February,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 04<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 18th<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 01<\/strong>\u00a0April,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 15<\/strong>\u00a0April,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 22nd<\/strong>\u00a0April,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 29<\/strong>\u00a0April,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 06<\/strong>\u00a0May,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Concert<\/strong>:\u00a0<strong>marted\u00ec 09<\/strong>\u00a0May,\u00a0<strong>Puccini Hall<\/strong>\u00a08.30 p.m.<\/p>\n<p>Il laboratorio \u00e8 rivolto a studenti di strumenti a fiato, violino, percussioni, pianoforte, chitarra e contrabbasso dei corsi Accademici di Triennio e Biennio e del Master e prevede lo studio e l\u2019esecuzione di 2 importanti composizioni di Kurt Weill per ensembles costituiti prevalentemente da strumenti a fiato, ossia\u00a0<em>Kleine Dreigroschenmusik<\/em>, suite dall\u2019opera\u00a0<em>Threepenny<\/em>\u00a0(versione per ensemble di fiati dell\u2019autore) e il\u00a0<em>Concert for Violin and Winds<\/em>\u00a0op. 12.<br \/>\nIl violino solista verr\u00e0 scelto tramite audizione, le altre parti saranno assegnate tramite semplice iscrizione al laboratorio.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223052135865352\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052135865352\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052784813355\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052784813355\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>gioved\u00ec 15<\/strong>\u00a0December 23.59<\/p>\n<h2><strong>THE UNMEASURED PRELUDE: INTERPRETATION AND IN-DEPTH ANALYSIS<\/strong><\/h2>\n<p><strong>Carlo Giuseppe Maria Ramella, Mariateresa Dellaborra, Chiara Tiboni<br \/>\n<\/strong>Contact teacher: Carlo Giuseppe Maria Ramella: <a href=\"mailto:carlo.ramella@consmilano.it\">carlo.ramella@consmilano.it<\/a><\/p>\n<p><strong>Mercoled\u00ec 1<\/strong>\u00a0February,\u00a0<strong>Room 106<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Mercoled\u00ec 8<\/strong>\u00a0February,\u00a0<strong>Room 106<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Mercoled\u00ec 8<\/strong>\u00a0March,\u00a0<strong>Classroom 104<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Mercoled\u00ec 22<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Mercoled\u00ec 19<\/strong>\u00a0April,\u00a0<strong>Classroom 104<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Mercoled\u00ec 3<\/strong>\u00a0May,\u00a0<strong>Classroom 104<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Mercoled\u00ec 7<\/strong>\u00a0June,\u00a0<strong>Classroom 104<\/strong>\u00a010 a.m. - 1 p.m.<\/p>\n<p>Louis Couperin probabilmente si ispir\u00f2 per i suoi preludi al modo di suonare arpeggiato del clavicembalista tedesco Froberger. Questi studi\u00f2 a Roma con Girolamo Frescobaldi dal 1637 al 1641 e in seguito si rec\u00f2 a Parigi dove sembra probabile che Froberger e Couperin si siano incontrati, anche se non ci sono pervenute testimonianze. A dispetto della preziosa prefazione di Frescobaldi alle sue opere &#8211; consigli che Froberger presumibilmente illustr\u00f2 ai suoi colleghi francesi &#8211; la rigidit\u00e0 della notazione tedesca-italiana con gli accordi scritti verticali, le battute definite, le proporzioni per il valore delle note, non devono aver avuto molto effetto su un musicista di grande fantasia e variet\u00e0 come Louis Couperin, che trov\u00f2 sicuramente la notazione degli accordi, in particolare, troppo limitata per riflettere le sue mille inventive arpeggiate. Couperin cerc\u00f2 un sistema di scrittura della notazione che avrebbe dato precise informazioni ma anche liberato la fantasia dell\u2019esecutore.<br \/>\nIl preludio non misurato \u00e8 allora una composizione la cui essenza ambivalente, pur lasciando all&#8217;interprete un&#8217;autonomia maggiore alle altre forme, non annulla una strutturazione del versante armonico, fraseologico e retorico che pu\u00f2 essere resa evidente dall&#8217;analisi e dovrebbe trasparire dalla viva interpretazione del clavicembalista.<br \/>\nIl laboratorio sar\u00e0 strutturato in tre parti:<\/p>\n<ol>\n<li><strong>In-depth historical-musicological study<\/strong>: Di questo particolare aspetto della musica strumentale barocco, con attenzione alla storia della prassi clavicembalistica e della modificazione del gusto musicale nell&#8217;ambiente francese della seconda met\u00e0 del XVII secolo.<\/li>\n<li><strong>Semiological study of musical sources<\/strong>: La notazione; le semibrevi; le legature e i loro differenti usi; le linee; la notazione dei preludi stampati. L&#8217;analisi del contesto tonale ed armonico e delle particolarit\u00e0 melodiche e strutturali di questo tipo di composizioni.<\/li>\n<li><strong>In-depth study of problems related to performance practice<\/strong>: Studio esecutivo di alcuni dei preludi trascritti dagli studenti durante le lezioni. Il lavoro, di concerto con la Docente di Clavicembalo, avr\u00e0 lo scopo di far emergere le esigenze interpretative di ogni singola pagina nel senso di una prassi esecutiva storicamente informata.<\/li>\n<\/ol>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223343697498370\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223343032004336\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline: Sunday 15<\/strong>\u00a0January 11.59 p.m.<\/p>\n<h2><strong>WRITING CONSERVATORY THESES AND DISSERTATIONS<\/strong><\/h2>\n<p><strong>Oreste Bossini, Marta Crippa, Mariateresa Dellaborra,<br \/>\nGianni Fidanza, Angelo Foletto, Antonino Geraci, Sandra Martani<br \/>\n<\/strong>Contact teacher: Gianni Fidanza: <a href=\"mailto:gianni.fidanza@consmilano.it\">gianni.fidanza@consmilano.it<\/a><strong><br \/>\n<\/strong><\/p>\n<p><strong>Gioved\u00ec 02<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a010 a.m.-12 noon \/\/ 1 p.m.-3 p.m.<br \/>\n<strong>Venerd\u00ec 03<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Luned\u00ec 06<\/strong>\u00a0March,\u00a0<strong>Library Conference Room<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Mercoled\u00ec 08<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Gioved\u00ec 09<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a010 a.m. - 1 p.m. \/\/ 2 p.m. - 4 p.m.<br \/>\n<strong>Luned\u00ec 13<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a011 a.m. - 1 p.m.<br \/>\n<strong>Mercoled\u00ec 15<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a02.00 p.m. - 4.00 p.m.<br \/>\n<strong>Gioved\u00ec 16<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a011 a.m. - 1 p.m. \/\/\u00a0<strong>Library Conference Room<\/strong>\u00a02.00 p.m. - 4.00 p.m.<br \/>\n<strong>Marted\u00ec 21<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a011 a.m. - 1 p.m.<br \/>\n<strong>Gioved\u00ec 23<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a011 a.m. - 1 p.m. \/\/ 2 p.m. - 4 p.m.<\/p>\n<p>Dall\u2019entrata in vigore della riforma dei conservatori italiani del 1999 \u2013 che ha fatto s\u00ec che il sistema della formazione artistica e musicale diventasse parallelo al sistema universitario \u2013 agli studenti \u00e8 richiesta la redazione di un elaborato per l\u2019esame di alcune discipline e la redazione di una tesi di laurea per la prova finale di ogni ciclo (a cui solitamente si affianca, in occasione della discussione, un momento di esecuzione musicale).<br \/>\nLa tesi triennale rappresenta il momento in cui allo studente viene chiesto, per la prima volta nella sua carriera scolastica, di dimostrare di saper argomentare un tema, contestualizzare, confrontare, analizzare le fonti musicali e la letteratura musicologica consultate \u2013 ricostruendo, nel contempo, la bibliografia di riferimento del soggetto scelto \u2013 e di saper esporre i risultati della propria ricerca.<br \/>\nThe workshop\u00a0<em>Writing theses and dissertations in the Conservatory<\/em>\u00a0aims to provide students with the necessary skills to be able to tackle a research project, to be able to document effectively, to be able to structure a dissertation by arguing a topic.<br \/>\nIl laboratorio prevede inoltre una parte dedicata alla presentazione della biblioteca del nostro Conservatorio, dei servizi che offre, e degli strumenti bibliografici a disposizione della ricerca (comprese le risorse e i repertori online). La ricerca bibliografica \u00e8 infatti un passaggio imprescindibile per qualsiasi progetto di redazione di un testo scientifico e gli studenti del Conservatorio devono essere in grado di definire l\u2019oggetto e i parametri della ricerca bibliografica, individuare cataloghi e repertori da interrogare (strumenti di informazione bibliografica), valutare i risultati, consultare le risorse bibliografiche adottando un approccio critico verso l\u2019autorevolezza delle fonti.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223262386476361\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223262386476361\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223262436935357\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223262436935357\"><br \/>\n<\/a><strong>Termine iscrizione: mercoled\u00ec\u00a01\u00a0<\/strong>February 11.59 p.m.<\/p>\n<h2><strong>FROM GESTURE TO SONG: THE DIALOGUE BETWEEN MASTER AND CHOIR<\/strong><\/h2>\n<p>Contact teacher: Maria Elena Mazzella: <a href=\"mailto:mariaelena.mazzella@consmilano.it\">mariaelena.mazzella@consmilano.it<\/a><\/p>\n<p><strong>Marted\u00ec 07<\/strong>\u00a0March 2023,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 14<\/strong>\u00a0March,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 21<\/strong>\u00a0March,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 28<\/strong>\u00a0March,\u00a0<strong>Choir Room\u00a0<\/strong>2-6 p.m.<br \/>\n<strong>Marted\u00ec 04<\/strong>\u00a0April,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 18<\/strong>\u00a0April,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 09<\/strong>\u00a0May,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 16<\/strong>\u00a0May,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 23<\/strong>\u00a0May,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 30<\/strong>\u00a0May,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Marted\u00ec 06<\/strong>\u00a0June,\u00a0<strong>Choir Room<\/strong>\u00a06-8 p.m.<\/p>\n<p>Il laboratorio si propone la costituzione di un gruppo vocale in grado di affrontare lo studio di brani di generi e periodi differenti. L\u2019ensemble cos\u00ec formato verr\u00e0 concertato e diretto dagli studenti direttori di coro, che si cimenteranno nei brani in programma per gli esami. Durante gli incontri del laboratorio si svolgeranno le lezioni di concertazione e direzione di coro, come da piano di studi.<br \/>\nSi intende avvicinare gli studenti all\u2019esperienza corale vissuta dalla parte del maestro che si pone alla guida del gruppo. Oltre alle consuete indicazioni riguardanti la tecnica direttoriale, lo studio e l\u2019analisi della partitura, la formazione vocale dei coristi e la pratica della concertazione, verr\u00e0 affrontato in particolare il repertorio corale per il teatro d\u2019opera e la produzione sacra per coro e orchestra o accompagnamento strumentale.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223052176101340\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052176101340\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052813943352\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052813943352\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>mercoled\u00ec 1\u00a0<\/strong>February 11.59 p.m.<\/p>\n<h2><strong>AMERICAN PIANOS &#8211; LA MUSICA CONTEMPORANEA STATUNITENSE PER PIANOFORTE\/I<\/strong><\/h2>\n<p><strong>Emanuele Arciuli<\/strong>\u00a0e\u00a0<strong>Andrea Rebaudengo<br \/>\n<\/strong>Contact teacher: Andrea Rebaudengo: <a href=\"mailto:andrea.rebaudengo@consmilano.it\">andrea.rebaudengo@consmilano.it<\/a><\/p>\n<p><strong>Esame: gioved\u00ec 20<\/strong>\u00a0April 2023,\u00a0<strong>Room 212<\/strong>\u00a02 p.m.<br \/>\n<strong>Venerd\u00ec 21<\/strong>\u00a0April,\u00a0<strong>Room 212<\/strong>\u00a02-7.30 p.m.<br \/>\n<strong>Venerd\u00ec 05<\/strong>\u00a0May,\u00a0<strong>Room 211<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Venerd\u00ec 16<\/strong>\u00a0June,\u00a0<strong>Room 211<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Venerd\u00ec 08<\/strong>\u00a0September,\u00a0<strong>Room 211<\/strong>\u00a02-7.30 p.m.<br \/>\n<strong>Venerd\u00ec 22<\/strong>\u00a0September,\u00a0<strong>Room 211<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Prove per concerto: luned\u00ec 16<\/strong>\u00a0October,\u00a0<strong>Puccini Hall<\/strong>\u00a02-8 p.m.<br \/>\n<strong>Concert<\/strong>:\u00a0<strong>marted\u00ec 17<\/strong>\u00a0October,\u00a0<strong>Puccini Hall<\/strong>\u00a08.30 p.m.<\/p>\n<p>Gli Stati Uniti hanno visto nella Seconda parte del \u2018900 un proliferare di musica pianistica di altissimo livello. Questo strumento dalla duttilit\u00e0 infinita, \u00e8 il perfetto cantore di un nuovo continente che si affaccia sulla scena musicale e lo fa un maniera prorompente. L\u2019Europa, dapprima curiosa, poi diffidente, ha dovuto negli ultimi decenni prendere atto di questa ondata di pianoforte americano, la cui possibilit\u00e0 di permeare i vari linguaggi si \u00e8 dimostrata vincente. Si va dai compositori considerati pi\u00f9 accademici a quelli pi\u00f9 innovativi, dai pi\u00f9 legati ai nuovi linguaggi americani, quindi jazz, rock, agli inventori di nuove strade.<br \/>\nIl pianoforte ne ha beneficiato con una ventata di novit\u00e0 che ha anche rinnovato il repertorio e la fruizione del suono pianistico.<br \/>\nEmanuele Arciuli e Andrea Rebaudengo da diversi anni fanno del repertorio americano uno dei punti di forza della loro attivit\u00e0, sia solistica che di duo pianistico e senza tralasciare la musica da camera e di ensemble.<br \/>\nQuesto laboratorio offre dunque agli studenti un affresco approfondito su questo mondo, a volte poco frequentato nei corsi accademici dei conservatori, e lo fa sia con lezioni individuali che con guide all\u2019ascolto e incontri tematici che possono far scoprire ai ragazzi il repertorio e i brani che pi\u00f9 sono nelle loro corde.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223053127109345\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223053127109345\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052987834363\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052987834363\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>mercoled\u00ec 15<\/strong>\u00a0March 23.59<\/p>\n<h2><strong>MINDFULNESS &amp; MUSIC LAB<\/strong><\/h2>\n<p>Contact teacher: Cinzia Barbagelata: <a href=\"mailto:cinzia.barbagelata@consmilano.it\">cinzia.barbagelata@consmilano.it<\/a><\/p>\n<p><strong>Saturday 06<\/strong>\u00a0May 2023,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 ore 10.30-13.30,\u00a0<em>Attention and concentration<\/em><br \/>\n<strong>Saturday13<\/strong>\u00a0May,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 ore 10.30-13.30,\u00a0<em>Judgement and fear<\/em><br \/>\n<strong>Saturday 20<\/strong>\u00a0May,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 ore 10.30-13.30,\u00a0<em>Fisicit\u00e0 e libert\u00e0<\/em><br \/>\n<strong>Saturday 27th<\/strong>\u00a0May,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 ore 10.30-13.30,\u00a0<em>Emotions and performance anxiety<\/em><br \/>\n<strong>Saturday 16<\/strong>\u00a0September,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 ore 10.30-13.30,\u00a0<em>Breathing and inner calm<\/em><br \/>\n<strong>Saturday 23rd<\/strong>\u00a0September,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 ore 14.00-17.00,\u00a0<em>Presence and wisdom<\/em><\/p>\n<p>La Mindfulness \u00e8 una pratica meditativa di attenzione consapevole dalle radici spirituali antiche, diffusa nel mondo occidentale grazie al protocollo MBSR, programma scientifico per la riduzione dello stress basato sulla consapevolezza, creato nel 1979 dal medico Jon Zabat Zinn. Gli effetti benefici della mindfulness, liberatori e di supporto esistenziale, sono al centro dell\u2019interesse scientifico e della ricerca in ambiti clinici, sociali, educativi, lavorativi e legati alla cura della persona.<br \/>\n<strong>Mindfulness &amp; Music Lab<\/strong>\u00a0offre un luogo dove approfondire la pratica di mindfulness e, con \u201cconsapevolezza non giudicante &#8211; del momento presente &#8211; coltivata attraverso il prestare attenzione\u201d, affrontare molti importanti aspetti ricorrenti nel fare musica, quali: l\u2019ansia da prestazione, gli impedimenti alla relazione libera e spontanea col proprio strumento di espressione musicale, le tensioni fisiche, le paure etc. Il lavoro \u00e8 mirato al conseguimento di attenzione consapevole, presenza mentale, sensibilit\u00e0 fisica e propriocettiva, stabilit\u00e0 emotiva, qualit\u00e0 posturale, rilassamento, miglioramento della qualit\u00e0 respiratoria, concentrazione.<br \/>\nIl Laboratorio si rivolge prioritariamente a musicisti che abbiano familiarit\u00e0 con le pratiche di consapevolezza ma \u00e8 anche aperto anche a chi desideri avvicinarsi alla Mindfulness.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223052782305349\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052782305349\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052357038350\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052357038350\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>mercoled\u00ec 15<\/strong>\u00a0March 2023 11.59 p.m.<\/p>\n<h2><strong>MUSIC\/BODY\/EMOTIONS\/RELATIONSHIPS\/MUSIC THERAPY<\/strong><\/h2>\n<p><strong>Stefania Belotti, Fabio Moretti<br \/>\n<\/strong>Contact teacher: Stefania Belotti: <a href=\"mailto:stefania.belotti@consmilano.it\">stefania.belotti@consmilano.it<\/a><\/p>\n<p><strong>Saturday 23rd<\/strong>\u00a0September 2023,\u00a0<strong>Choir Room<\/strong>\u00a08.30 a.m. - 1.30 p.m.<br \/>\n<strong>Saturday 30<\/strong>\u00a0September,\u00a0<strong>Choir Room<\/strong>\u00a08.30 a.m. - 1.30 p.m.<br \/>\n<strong>Saturday 07<\/strong>\u00a0October,\u00a0<strong>Choir Room<\/strong>\u00a08.30 a.m. - 1.30 p.m.<br \/>\n<strong>Saturday 14<\/strong>\u00a0October,\u00a0<strong>Choir Room<\/strong>\u00a08.30 a.m. - 1.30 p.m.<\/p>\n<p>Il laboratorio si propone di fornire conoscenze di base che consentano di esplorare la realt\u00e0 interna ed esterna, utilizzando la musica e la qualit\u00e0 delle relazioni che attraverso di essa si sviluppano, come elemento prioritario della comunicazione.<br \/>\nDurante il percorso l&#8217;allievo avr\u00e0 modo di conoscere e sperimentare una diversa lettura dei parametri musicali. Potr\u00e0 acquisire gli elementi basilari di alcune tecniche utilizzate in musicoterapia, integrando le approfondite conoscenze acquisite nel percorso di studi in Conservatorio con un percorso in cui l&#8217;elemento sonoro e la musica divengono agenti fondamentali del cambiamento. Verranno proposte attivit\u00e0 che vanno dall&#8217;esplorazione dello strumentario, all&#8217;improvvisazione, all&#8217;analisi della relazione musicale tra i partecipanti. Verranno inoltre proposte attivit\u00e0 specifiche relative alla consapevolezza corporea, all&#8217;aspetto emotivo, affettivo e relazionale e al possibile potenziamento sensoriale e percettivo di ogni individuo.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223053017219345\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223053017219345\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223053044978357\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223053044978357\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Saturday 02<\/strong>\u00a0September 2023 11.59 p.m.<\/p>\n<h2><strong>COMPOSER COLLECTIVE<\/strong><\/h2>\n<p><strong>Fabrizio Cosimo Bianco, Giuseppe Rinaldi<br \/>\n<\/strong>Contact teacher: Fabrizio Cosimo Bianco: <a href=\"mailto:fabrizio.bianco@consmilano.it\">fabrizio.bianco@consmilano.it<\/a><\/p>\n<h2><strong>FROM PAPER TO DIGITAL <\/strong><\/h2>\n<p><strong>Marta Crippa, Laura Nicora<br \/>\n<\/strong>Contact teacher: Gianni Fidanza: <a href=\"mailto:gianni.fidanza@consmilano.it\">gianni.fidanza@consmilano.it<br \/>\n<\/a><a href=\"mailto:gianni.fidanza@consmilano.it\"><br \/>\n<\/a><strong>Mercoled\u00ec 4 ottobre<\/strong>\u00a02023,\u00a0<strong>Library Conference Room<\/strong>\u00a010 a.m. - 12 noon \/\/ 2 p.m. - 4 p.m.<br \/>\n<strong>Gioved\u00ec 5 ottobre<\/strong>\u00a02023,\u00a0<strong>Library Meeting Room<\/strong>\u00a010 a.m. - 12 noon \/\/ 2 p.m. - 4 p.m.<br \/>\n<strong>Venerd\u00ec 6 ottobre<\/strong>\u00a02023,\u00a0<strong>Library Meeting Room<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Luned\u00ec 9 ottobre<\/strong>\u00a02023,\u00a0<strong>Library Conference Room<\/strong>\u00a010 a.m. - 12 noon<br \/>\n<strong>Gioved\u00ec 12 ottobre<\/strong>\u00a02023,\u00a0<strong>Library Meeting Room\u00a0<\/strong>\u00a010 a.m. - 12 noon<br \/>\n<strong>Luned\u00ec 16 ottobre<\/strong>\u00a02023,\u00a0<strong>Library Conference Room\u00a0<\/strong>10 a.m. - 12 noon<br \/>\n<strong>Gioved\u00ec 19 ottobre<\/strong>\u00a02023, Library Conference Room 10 a.m. - 1 p.m.<br \/>\n<strong>Gioved\u00ec 26 ottobre<\/strong>\u00a02023, Library Meeting Room<\/p>\n<p>Tra le numerose iniziative promosse dal Conservatorio manca una proposta progettuale che coinvolga gli studenti nella valorizzazione delle fonti musicali conservate nella nostra Biblioteca. Il laboratorio \u201cDalla carta al digitale\u201d si pone come momento di incontro di due istanze: da una parte la necessit\u00e0 di far conoscere agli studenti (futuri musicisti, ricercatori, insegnanti, critici, direttori artistici&#8230;) l\u2019immenso patrimonio della Biblioteca del Conservatorio, e dall\u2019altra rendere fruibili i tesori ancora nascosti posseduti. L\u2019obiettivo del laboratorio \u00e8 acquisire (anche tramite esercitazioni in biblioteca) strumenti, metodi e criteri per cercare e individuare una fonte musicale che risponda alle proprie esigenze, di studio, di ricerca, di produzione artistica, che dovr\u00e0 poi essere trascritta con un software di notazione musicale.<br \/>\nIl laboratorio prevede un\u2019introduzione sugli strumenti bibliografici e i metodi per la ricerca musicale e musicologica (comprese le risorse e i repertori on line) a cui seguir\u00e0 la presentazione del patrimonio della Biblioteca del Conservatorio, dei fondi e delle collezioni in cui sono raccolte le fonti musicali manoscritte e a stampa possedute. Si proceder\u00e0 poi con l\u2019esposizione dei criteri che possono condurre ogni partecipante ad individuare una fonte musicale adeguata al proprio percorso personale e professionale e le possibili ricerche per contestualizzare la fonte. Ad ogni studente sar\u00e0 poi richiesta la trascrizione di una partitura, un set di parti o uno spartito con un software di scrittura musicale, contestualizzando la fonte in una breve nota introduttiva. La sezione dedicata all\u2019editoria digitale si occuper\u00e0 nello specifico di fornire ai partecipanti le capacit\u00e0 di analisi critico-tecnica indispensabili per la corretta trascrizione digitale di una composizione musicale e saranno studiate alcune delle ipotesi grafiche pi\u00f9 adatte all\u2019utenza portatrice di disturbi di lettoscrittura musicale. Una volta individuato il software pi\u00f9 adatto, anche open source, i partecipanti avranno modo di apprendere le funzioni base di scrittura computerizzata (dallo strumento solista agli organici pi\u00f9 complessi). \u00c8 inoltre previsto un seminario di approfondimento incentrato sulla disanima critica degli elementi per riconoscere un autografo e per datare un manoscritto privo di indicazioni cronologiche.<\/p>\n<p><strong>Jotform d\u2019iscrizione<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/231293615349358\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/231293615349358\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/231293190883359\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/231293190883359\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>gioved\u00ec 28 settembre<\/strong>\u00a02023 11.59 p.m.<\/p>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-mhxapavs-1-1-4cdf373bc47566aae5add6c7656f7f38'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-4' data-fake-id='#toggle-id-4' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-4' data-slide-speed=\"200\" data-title=\"Calendario Laboratori programmati per l\u2019A.A. 2021\/2022\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Calendario Laboratori programmati per l\u2019A.A. 2021\/2022\" data-aria_expanded=\"Click to collapse: Calendario Laboratori programmati per l\u2019A.A. 2021\/2022\">Calendario Laboratori programmati per l\u2019A.A. 2021\/2022<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-4' aria-labelledby='toggle-toggle-id-4' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><h2><strong>LIVE MUSIC WORKSHOP IN BIODANCE<\/strong><\/h2>\n<p><strong>Workshop contact person: Maria Vittoria Jedlowski: <\/strong><a href=\"mailto:mariavittoria.jedlowski@consmilano.it\" target=\"_blank\" rel=\"noopener\">mariavittoria.jedlowski@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Choir Room, 7-10 p.m.<br \/>\n<\/strong>NOVEMBER: 9, 16, 23, 30<br \/>\nDECEMBER: 14, 21<br \/>\nJANUARY: 11<\/p>\n<p>Il Laboratorio di Musica dal vivo in Biodanza \u00e8 aperto trasversalmente a tutti i corsi di strumento di qualsiasi indirizzo (classico, antico, pop, rock, jazz, compreso canto), a studenti del Triennio e del Biennio. Prevede uno studio di approfondimento pratico sugli stati emotivi e fisiologici stimolati dalla musica, in applicazione a sessioni di Biodanza, con preparazione di musiche adatte.<br \/>\nGli studenti del laboratorio elaboreranno un repertorio di musiche (gi\u00e0 esistenti, oppure composte nel corso del laboratorio, oppure improvvisate) in relazione a specifici movimenti e stati emotivi proposti in sessioni di Biodanza.<br \/>\nSar\u00e0 utilizzato un metodo esperienziale che prevede, oltre alla composizione e ricerca di repertorio e esecuzione ed interpretazione dello stesso, la pratica del movimento suggerito e ispirato dalla musica, con rispetto della curva fisiologica ed emotiva di una sessione di Biodanza.<br \/>\nHints of semantics and psychology of music applied to Biodanza are included.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927170528154\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927170528154\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927732796165\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Registration deadline 16 November 2021 at 14.00 hrs.<\/strong><\/p>\n<h2><strong>Laboratorio \u201cIL LOTO DEL RITMO: L&#8217;UNIVERSO DEL TALA\u201d<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Riccardo Luppi: <a href=\"mailto:riccardo.luppi@consmilano.it\">riccardo.luppi@consmilano.it<\/a><\/p>\n<p><strong>Calendar:<br \/>\n<\/strong><strong>10 A.M. - 2 P.M.<\/strong><\/p>\n<p>NOVEMBER: 12 (Puccini Hall), 19 (Choir Room), 26 (Puccini Hall)<br \/>\nDECEMBER: 10 and 17 (Puccini Hall)<br \/>\nJANUARY: 21 (Room 112)<\/p>\n<p>Tenuto da Federico Sanesi, il Laboratorio intende fare conseguire allo studente una maggiore consapevolezza e sensibilit\u00e0 delle molteplici funzioni strutturali e espressive del Ritmo\u2013Tala, per aiutare a sviluppare una maggiore padronanza di esso applicato al proprio strumento. Si studier\u00e0 anche il pi\u00f9 antico sistema ritmico detto \u201cSaptatala\u201d, appartenente alla musica Carnatica dell\u2019India meridionale. Cos\u00ec come ai linguaggi di alcuni importanti strumenti a percussione come: il Tabla, il Pakhawaj e il Mridangam. Il corso si propone d\u2019introdurre delle metodologie di pratica ritmica che sono gi\u00e0 presenti in molti Conservatori europei e americani. Tecniche utilizzate anche nell\u2019ambito della Composizione contemporanea nonch\u00e9 sempre pi\u00f9 comunemente applicate dai musicisti di Jazz e di musica Antica!<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212926773323155\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212926773323155\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212926773863164\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries 10 November 2021 11.59 p.m.<\/strong><\/p>\n<h2><strong>WORKSHOP ON MUSIC IMPROVISATION TECHNIQUES<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Attilio Zanchi: <a href=\"mailto:attilio.zanchi@consmilano.it\">attilio.zanchi@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Choir Room<br \/>\n<\/strong><\/p>\n<p>NOVEMBRE: 27 \u2013 ORE 8.30-10.30 (Pop), 11.00-13.00 (Jazz)<br \/>\nDICEMBRE: 04 &#8211; ORE 14.00-16.00 (Pop), 16.00-18.00 (Jazz)<br \/>\nGENNAIO: 15, 22, 29 \u2013 ORE 8.30-10.30 (Pop), 11.00-13.00 (Jazz)<br \/>\nFEBBRAIO: 12 \u2013 ORE 8.30-10.30 (Pop), 11.00-13.00 (Jazz)<br \/>\nMARZO: 05, 19, 26 \u2013 ORE 8.30-10.30 (Pop), 11.00-13.00 (Jazz)<br \/>\nAPRILE: 02 \u2013 ORE 8.30-10.30 (Pop), 11.00-13.00 (Jazz)<\/p>\n<p>Il laboratorio \u00e8 finalizzato all\u2019apprendimento e allo sviluppo delle capacit\u00e0 improvvisative. Oltre alla parte teorica si faranno esercitazioni pratiche. Il corso si baser\u00e0 sugli argomenti trattati in due metodi scritti dall\u2019autore: \u201cTeoria ed Armonia moderna\u201d ed \u201cInside the standards\u201d.<br \/>\nThe main topics addressed will be the relationship between chords and related scales.<br \/>\nA study of the main modes used in today's music.<br \/>\nLa costruzione di linee melodiche che tengono conto dei collegamenti armonici. L\u2019utilizzo dei cromatismi nel fraseggio.<br \/>\nL\u2019analisi funzionale relativa a brani di repertorio appartenenti al Jazz ed al Pop con studio dei temi, ascolti guidati, esercizi con scale collegate e di assoli analizzati di musicisti scelti fra i pi\u00f9 rappresentativi di questi linguaggi.\u00a0 Si tratter\u00e0 infine l\u2019Armonia cromatica e l\u2019Armonia non funzionale.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927709075159\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927709075159\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927474968169\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries 25 November 2021 23.59 hrs.<\/strong><\/p>\n<h2><strong>LABORATORIO DI SISTEMI ALGORITMICI PER LA COMPOSIZIONE, IMPROVVISAZIONE E ARRANGIAMENTO ASSISTITI DALL&#8217;ELABORATORE<\/strong><\/h2>\n<p><strong>Referente del laboratorio: Andrea Vigani \u2013\u00a0<\/strong><a href=\"mailto:andrea.vigani@consmilano.it\">andrea.vigani@consmilano.it<\/a><\/p>\n<p><strong>Calendar:\u00a0<\/strong>From 14.30 to 16.00 in Room 113<br \/>\nDECEMBER: 3 (room 112), 17 (Puccini Hall)<br \/>\nJANUARY: 28 (classroom 113 and classroom 111)<br \/>\nFEBRUARY: 11 (Puccini Hall)<br \/>\nMARCH: 4 (Room 113 and Room 111), 18 (Puccini Hall), 25 (Library Conference Room)<br \/>\nAPRIL: 1 (Puccini Hall), 8 (Puccini Hall), 29 (Library Conference Room)<br \/>\nMAY: 13 (Classroom 113 and Classroom 111), 27 (Library Conference Room)<br \/>\nJUNE: 10 (Library Conference Room)<\/p>\n<p>All\u2019interno di questo laboratorio saranno affrontate tecniche dedicate alla gestione algoritmica di sistemi musicali mediante l\u2019utilizzo dell\u2019informatica musicale e di diversi software dedicati. Dopo i primi incontri di introduzione alla programmazione algoritmica che saranno uguali per tutti, gli studenti si dedicheranno a progetti personali differenziando ambiti, generi e tematiche.\u00a0 Questo laboratorio \u00e8 un progetto interdipartimentale che accomuna diversi aspetti della creazione e produzione artistica nel campo dei nuovi linguaggi e delle nuove tecnologie musicali ed \u00e8 rivolto a studenti delle classi di Composizione tradizionale, jazz e pop-rock, Musica elettronica, classi di strumento e canto jazz e pop rock.<\/p>\n<p>The main fields of application will be:<br \/>\n\u2022 Composizione assistita (CAC)<br \/>\nSistemi e tecniche per la generazione ed elaborazione di elementi, forme e strutture musicali appartenenti a diversi generi e linguaggi musicali attraverso algoritmi realizzati con il software SuperCollider e successiva realizzazione automatica di partiture con software dedicati alla scrittura musicale (LilyPond, Finale, Sibelius o altro). Riflessioni su come il pensiero algoritmico pu\u00f2 influire sull\u2019estetica di diversi generi e linguaggi (Musica d\u2019arte o colta, Pop, Jazz, Elettronica, etc.).<br \/>\n\u2022 Improvvisazione assistita (CAI).<br \/>\nSistemi e tecniche per la generazione ed elaborazione algoritmica in tempo reale di strutture ritmico\/melodico\/timbriche ottimizzate per contesti di improvvisazione musicale. Anche in questo caso la programmazione degli algoritmi avverr\u00e0 in SuperCollider e i risultati musicali delle operazioni effettuate dal computer saranno inviati a strumenti virtuali interni o esterni (Logic, Reaktor, Ableton Live, GarageBand o altro) che li eseguiranno in tempo reale permettendo un interazione tra esecutori reali e virtuali.<br \/>\n\u2022 Arrangiamento assistito (CAO).<br \/>\nSystems and programming techniques in SuperCollider of algorithms dedicated to the generation and control of rhythmic\/melodic patterns (drum machines, loopers, arpeggiators, etc.) to be used in the realisation of MIDI arrangements through software dedicated to jazz or pop music production.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927070598160\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927070598160\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927047249157\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>AUGMENTED ARCH ANATOMY LABORATORY<\/strong><\/h2>\n<p><strong>Referente del laboratorio: Andrea Vigani \u2013\u00a0<\/strong><a href=\"mailto:andrea.vigani@consmilano.it\">andrea.vigani@consmilano.it<\/a><\/p>\n<p><strong>Calendar:\u00a0<\/strong>Dalle 16.00 alle 19.00 in Aula 129 &#8211; 130 &#8211; 131<br \/>\nDECEMBER: 3, 17<br \/>\nJANUARY: 28<br \/>\nFEBRUARY: 11<br \/>\nMARCH: 4, 18, 25<br \/>\nAPRIL: 1, 8, 29<br \/>\nMAY: 13, 27<br \/>\nJUNE: 10<\/p>\n<p>Rivolto in particolare alle classi di musica elettronica e tecnico del suono, composizione, strumento ad arco e jazz, il laboratorio sar\u00e0 un contenitore all\u2019interno del quale verranno esplorate le diverse possibilit\u00e0 musicali ed espressive offerte dall\u2019interazione tra strumenti ad arco e strumentazioni elettroacustico\/informatiche. All\u2019interno di questo contenitore suoni dall\u2019indubbia provenienza strumentale saranno trasformati in morfologie astratte, strumentisti reali dialogheranno con alter ego virtuali, gli strumenti e le loro custodie compagni dell\u2019esistenza quotidiana di molti studenti saranno aumentati dall\u2019elettronica nelle loro possibilit\u00e0 tecniche ed espressive oppure assumeranno valenza di semplici oggetti fisici generatori di suoni inaspettati. I diversi linguaggi musicali familiari ai nostri ascolti seguiranno la stessa sorte dei suoni prodotti e riprodotti. Alla fine di questo percorso forse rimarr\u00e0 tracciato un piccolo atlante anatomico degli archi aumentati e dei linguaggi a loro riconducibili.<br \/>\nThe topics addressed by the various working groups will cover:<br \/>\n1) Composition of a piece for instrument and Live Electronics<br \/>\n2) Improvisation for a string player and an electronic instrumentalist (duo)<br \/>\n3) Laptop ensemble<br \/>\n4) Sound sculpture or interactive installation<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927289074161\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927289074161\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927681773163\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>WORKSHOP ON THE 5-VOICE MADRIGALISM OF CLAUDIO MONTEVERDI<\/strong><\/h2>\n<p><strong>Referente del laboratorio: Daniela Uccello \u2013\u00a0<\/strong><a href=\"mailto:daniela.uccello@consmilano.it\"><strong>daniela.uccello@consmilano.it<\/strong><\/a><\/p>\n<p><strong>Calendar: Room 107<br \/>\n<\/strong>Sabato 11 Dicembre 10.00\/13.00 &#8211; 14.00\/17.00<br \/>\nSunday 16 January 14.00-20.00<br \/>\nSunday 13 February 14.00-20.00<br \/>\nSunday 20 March 14.00-20.00<br \/>\nSunday 10 April 14.00-20.00<br \/>\nSunday 8 May 14.00-20.00<br \/>\nFriday 13 May 19.00\/22.00<br \/>\nSaturday 14 May Concert<\/p>\n<p>Il laboratorio, tenuto dal tenore barocchista Mirko Guadagnini, \u00e8 volto ad approfondire la polifonia madrigalistica a cappella e a parti reali. Lo studio verter\u00e0 in particolar modo sui madrigali di Claudio Monteverdi contenuti nelle raccolte in cui non \u00e8 ancora previsto il supporto del basso continuo (dal I al V libro) e andr\u00e0 ad approfondire la tecnica del canto madrigalistico barocco, lo stile, il madrigalismo tra testo e musica, l&#8217;espressivit\u00e0. Andr\u00e0 inoltre a stimolare la capacit\u00e0 dell&#8217;allievo di sviluppare una musicalit\u00e0 solistica ma all&#8217;interno di un ensemble a parti reali, e stimoler\u00e0 la creativit\u00e0 musicale in stile barocco nella costruzione dell&#8217;espressivit\u00e0 propria del madrigale monteverdiano.<br \/>\nLo studio sui madrigali di C. Monteverdi estrapolati dai primi cinque libri sar\u00e0 accompagnato anche da un\u2019analisi storico-musicale dell\u2019evoluzione tra prima e seconda pratica e da una polifonia \u201ccorale\u201d alla trasformazione lenta e graduale verso la presenza solistica all\u2019interno della composizione a 5 voci: l\u2019anticamera di quella che sarebbe stata poi la prima forma di melodramma con la \u201cfavola in musica\u201d de l\u2019Orfeo monteverdiano (1607).<br \/>\n\u00c8 prevista un\u2019audizione conoscitiva preventiva con il Maestro Guadagnini.<br \/>\nPer consentire una preparazione adeguata del repertorio si terr\u00e0 conto anche della necessit\u00e0 di avere un numero di voci adeguate suddivise tra i diversi registri di soprano, mezzosoprano, contralto, controtenore, tenore, baritono, basso.<br \/>\nI pi\u00f9 meritevoli potranno anche essere selezionati per le attivit\u00e0 concertistiche del maestro Guadagnini e del suo Intende Voci Ensemble.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/213051256866153\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/213051256866153\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/213050672724147\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 11.59 p.m.<\/strong><\/p>\n<h2><strong>LMC CONTEMPORARY MUSIC WORKSHOP<\/strong><\/h2>\n<p><strong>Referente del laboratorio:\u00a0Mauro Bonifacio<\/strong> \u2013 mauro.bonifacio@consmilano.it<\/p>\n<p><strong>Calendar<\/strong><\/p>\n<p><strong>Theoretical part:\u00a0<\/strong>15 and 29 JANUARY, from 10 a.m. to 1 p.m. in Room 105.<br \/>\n<em>Collective theoretical lectures on the physical-mechanical characteristics of instruments and the main performing techniques used in recent and contemporary literature.<br \/>\n<\/em><strong>Practical part:<br \/>\n<\/strong>1 and 2 MARCH, from 9 a.m. to 12.30 p.m. in the Puccini Hall<br \/>\n4 and 5 MARCH, from 14.00 to 17.30 in the Puccini Hall<br \/>\n<em>Sessioni di prova con ensemble, concertazione dei brani programmati con il docente responsabile di progetto e con gli studenti di direzione d\u2019orchestra.<\/em><\/p>\n<p>Il Laboratorio di musica contemporanea \u00e8 un progetto didattico dedicato agli studenti di Strumento, Musica vocale da camera e Canto e Direzione d\u2019orchestra. Obiettivo del laboratorio \u00e8 l\u2019acquisizione e l\u2019approfondimento di specifiche capacit\u00e0 tecniche, analitiche e interpretative riguardanti la musica d\u2019insieme del secondo Novecento e contemporanea. Ogni modulo didattico del LMC \u00e8 finalizzato alla formazione di uno o pi\u00f9 ensemble di studenti strumentisti e cantanti in grado di affrontare lo studio di un importante repertorio di musica recente e contemporanea. L\u2019iscrizione al laboratorio prevede poi la partecipazione alle prove, seminari, attivit\u00e0 didattiche e di produzione e ricerca legate alla programmazione m2c.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927165275157\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927165275157\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927698585172\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORIO &#8220;COMPOSIZIONE MUSICA VIDEOGAME E ANIMAZIONE&#8221;<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Paolo Tortiglione: <a href=\"mailto:paolo.tortiglione@consmilano.it\">paolo.tortiglione@consmilano.it<\/a><\/p>\n<p><strong>Schedule: 2 p.m. to 7 p.m., in Room 104<br \/>\n<\/strong>JANUARY: 15, 29<br \/>\nFEBRUARY: 5<br \/>\nMARCH: 5, 19<br \/>\nAPRIL: 2<\/p>\n<p>Il laboratorio inizia con lo studio delle importanti considerazioni per la composizione per i visual-media, incluso per esempio il bilanciamento musica-dialogo, la parte di psicologia della musica per l\u2019immagine (quale migliore musica per il tipo di immagini?), come influenzare la riposta emozionale dello spettatore, come creare musica che rimandi a precise epoche e stili. Il corso tratter\u00e0 inoltre della musica i videogiochi e di come lavorare con i software dedicati e specializzati, le Librerie, l\u2019Orchestra Virtuale e gli strumenti Cinematici.<br \/>\nScopo principale del laboratorio \u00e8 lo scrivere, in slot di 15gg ciascuno, musica per scene di film, videogiochi, programmi TV, sigle televisive e radiofoniche, CD-DVD ecc. Si passeranno in rassegna i diversi generi di musica per prodotti multimediali come ad esempio i temi ed i sound inerenti il romanticismo, la tristezza, l\u2019inseguimento, l\u2019horror, il genere magic, fantasy, eroico, azione, avventura. Il laboratorio poi analizza ogni genere e sound in termini di armonia e contrappunto, tempo, ritmo della scena, aspetti legati alla regia e sceneggiatura, stimolando l\u2019allievo alla creazione di una serie di\u00a0<em>template<\/em>\u00a0che poi potr\u00e0 usare per la propria professione futura.<br \/>\nAnalizzeremo materiale dei pi\u00f9 grandi autori del genere tramite le 6 sessioni di laboratorio, in ognuna delle quali sar\u00e0 presente anche un esperto esterno che lavora nel settore.<br \/>\nScopo principale del laboratorio sar\u00e0 il dare una profonda conoscenza d\u2019insieme degli stili compositivi usati dall\u2019industria audio-video legata alle immagini e dare l\u2019opportunit\u00e0 di crearsi un portfolio di pezzi per scene di film, cortometraggi, videogiochi e multimedia da poter usare come demo per lavori futuri. Sono previste lezioni in collaborazione con il Centro Sperimentale di Cinematografia di Milano con il quale abbiamo convenzione attiva, con la scuola di Animazione di Torino e con alcuni rappresentanti le industrie di prodotti multimediali.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212926919976171\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212926919976171\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927453158157\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORIO &#8220;CORALITA&#8217; E VOCALITA&#8217; INFANTILE&#8221;<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Edoardo Cazzaniga: <a href=\"mailto:alessandro.bombonati@consmilano.it\">edoardo.cazzaniga@consmilano.it<\/a><\/p>\n<p><strong>Schedule: 2 p.m. to 6 p.m. in Room 105<\/strong><\/p>\n<p>JANUARY: 15, 22<br \/>\nFEBRUARY: 5, 12<br \/>\nMARCH: 5, 26<br \/>\nAPRIL: 9, 23<br \/>\nMAY: 7, 21<\/p>\n<p>Il Laboratorio propone l\u2019analisi di brani significativi del repertorio corale infantile e la loro realizzazione in collaborazione con il Coro di voci bianche del Conservatorio. Il Laboratorio \u00e8 destinato in primis agli Allievi di Biennio e Triennio e Master, ma anche a studenti interessati alle tematiche affrontate. Il Laboratorio \u00e8 interdisciplinare poich\u00e9 prevede al suo interno approfondimenti nell\u2019ambito della vocalit\u00e0, della pratica pianistica dell\u2019accompagnamento, della analisi, sia dal punto di vista compositivo sia direttoriale del repertorio di voci bianche ed in particolare di quello affrontato durante le sessioni di lavoro con il Coro.<br \/>\nThe Workshop includes three areas of work entrusted to three different lecturers from different areas of expertise:<br \/>\n&#8211; Analisi del repertorio dal punto di vista compositivo, a cura di Massimiliano Viel;<br \/>\n&#8211; Pratica dell\u2019accompagnamento, a cura di Giuliano Bellorini;<br \/>\n&#8211; Analisi del repertorio dal punto di vista esecutivo, vocalit\u00e0 infantile, direzione e pratica corale: a cura di Edoardo Cazzaniga;<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212926945990166\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212926945990166\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212926831198160\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORIO &#8220;DALLA CARTA AL DIGITALE: RICERCA E TRASCRIZIONE DI FONTI MUSICALI DELLA BIBLIOTECA DEL CONSERVATORIO DI MILANO&#8221;<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Gianni Fidanza &#8211; <a href=\"mailto:gianni.fidanza@consmilano.it\">gianni.fidanza@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Library Conference Room<\/strong><\/p>\n<p>1 March from 10 a.m. to 1 p.m. | Presentation and Transcription of music sources<br \/>\n8 and 15 March from 9 a.m. to 10.30 a.m. | Transcription of music sources<br \/>\n16 March from 10 a.m. to 1 p.m. | Music sources and research tools<br \/>\n22 March from 9.00 a.m. to 10.30 a.m. | Transcription of musicil sources<br \/>\n29 March from 10 a.m. to 1 p.m. | Research exercises<br \/>\n5 April from 9.00 to 10.30 | Transcription of music sources<br \/>\n6 April from 10 a.m. to 1 p.m. | Seminar\u00a0<em>Research and identification of musical sources<br \/>\n<\/em>13 April from 10 a.m. to 1 p.m. | Music sources and research tools<br \/>\n26 and 27 April from 10 a.m. to 1 p.m. | Research exercises<br \/>\n11 May from 10 a.m. to 1 p.m. | Presentation of final papers<\/p>\n<p>Il laboratorio \u201cDalla carta al digitale\u201d si pone come momento di incontro di due istanze: da una parte la necessit\u00e0 di far conoscere agli studenti (futuri musicisti, ricercatori, insegnanti, critici, direttori artistici&#8230;) l\u2019immenso patrimonio della biblioteca del Conservatorio, e dall\u2019altra rendere fruibili i tesori ancora nascosti posseduti.<br \/>\nL\u2019obiettivo del laboratorio \u00e8 acquisire (anche tramite esercitazioni in biblioteca) strumenti, metodi e criteri per cercare e individuare una fonte musicale che risponda alle proprie esigenze, di studio, di ricerca, di produzione artistica, che dovr\u00e0 poi essere trascritta con un software di notazione musicale.<br \/>\nSchematicamente, il laboratorio \u00e8 cos\u00ec strutturato:<br \/>\n1. Historical and Bibliographical Research in Music and Musicology, edited by Gianni Fidanza<br \/>\n2. Moving around the library: criteria and tools for identifying a music source, by Marta Crippa<br \/>\n3. Transcription of the chosen source with music writing software, by Emilio Piffaretti<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927163068155\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a>:\u00a0<a href=\"https:\/\/form.jotform.com\/212927163068155\">https:\/\/form.jotform.com\/212927163068155<br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927579754168\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a>:\u00a0<a href=\"https:\/\/form.jotform.com\/212927579754168\">https:\/\/form.jotform.com\/212927579754168<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORIO &#8220;THIRD STREAM&#8221;<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Francesco D\u2019Auria:<strong>\u00a0<\/strong><a href=\"mailto:francesco.dauria@consmilano.it\">francesco.dauria@consmilano.it<\/a><\/p>\n<p><strong>Calendar: 10 a.m. - 1 p.m.<br \/>\n<\/strong>7 MAGGIO 2022 \u2013 Sala Puccini<br \/>\n14 MAGGIO 2022 \u2013 Sala Coro<br \/>\n25 MAGGIO 2022 \u2013 Sala Coro<br \/>\n28 MAGGIO 2022 \u2013 Sala Coro<br \/>\n04 GIUGNO 2022 \u2013 Sala Coro<br \/>\n11 GIUGNO 2022 \u2013 Sala Coro<\/p>\n<p>Coniato ufficialmente nel 1957 ma gi\u00e0 da tempo sperimentato dalle due anime del movimento Gunther Schuller e John Lewis, il\u00a0<em>Third Stream<\/em>\u00a0tenta di intrecciare le tecniche di scrittura e di esecuzione del jazz e della musica accademica (soprattutto contemporanea), nella convinzione che gli sviluppi formali della musica afroamericana erano ormai giunti a uno stadio di maturazione che permetteva un fecondo incontro fra i generi. Il tutto ci\u00f2, tuttavia, evitando per\u00f2 di ridestare i sospetti che gi\u00e0 avevano osteggiato, trent\u2019anni prima, il cosiddetto \u201cjazz sinfonico\u201d: il timore che l\u2019intellighenzia bianca si appropriasse, \u201cnormalizzandole\u201d, delle pi\u00f9 autentiche forme culturali nere. Il merito della Third Stream \u00e8 stato quello di creare un territorio comune per gli esecutori delle due scuole e di fondere i due diversi ordini di studi musicali.<br \/>\nAperto a tutti gli strumentisti sia delle scuole di Jazz che di Musica classica, il laboratorio si propone di esplorare quel territorio musicale di confine tra il jazz e la musica classica del \u2018900 che dagli albori negli anni \u201950-\u201960 continua ad essere frequentato da molti musicisti europei, jazzisti e non, compositori e solisti con i quali anche Mario Arcari ha collaborato in Italia e all\u2019estero: dai Six Mobiles di R. Ottaviano al Gruppo Contemporaneo di G. Mazzon negli anni \u201980, fino alla Band di Katia Lab\u00e8que (con Viktoria Mullova e Giovanni Sollima) passando per il Pipetett di Franz Koglmann (e solisti del calibro di Steve Lacy, Paul Bley, Ran Blake), le Conduction di Butch Morris e l\u2019Orchestra Parma Jazz Frontiere diretta da R. Bonati o per l\u2019Holland Festival nei progetti di Guus Janssen e Gerry Hemingway (col violoncellista Ernst Reijseger e il fagottista Michael Rabinowitz) cos\u00ec come nell\u2019Ensemble diretto da Paolo Silvestri per Girotto\/Biondini.<br \/>\nIl programma del laboratorio \u00e8 cos\u00ec articolato:<br \/>\n&#8211; una parte storico-critica dedicata all\u2019ascolto e l\u2019analisi del contesto storico e musicale delle opere pi\u00f9 significative dei maggiori esponenti della \u201cThird Stream\u201d;<br \/>\n&#8211; una parte laboratoriale condotta da Mario Arcari che prevede studio ed esecuzione (in forma di concerto o saggio finale) delle partiture che meglio si prestino ad affrontare la prassi esecutiva e improvvisativa (sia essa \u201clibera\u201d o su sigle) di questo repertorio;<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927714816158\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927714816158\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927687885173\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>Laboratorio &#8220;Dal Gesto al Canto: Dialogo tra Maestro e Coro&#8221;<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Maria Elena Mazzarella: <a href=\"mailto:mariaelena.mazzarella@consmilano.it\">mariaelena.mazzarella@consmilano.it<\/a><\/p>\n<p><strong>Calendario: Aula 202 ore 14.00 &#8211; 18.00<\/strong><br \/>\nMARCH: 11, 18, 25<br \/>\nAPRIL: 1.8<br \/>\nMAY: 6, 13, 20, 27<br \/>\nJUNE: 3<br \/>\nFinal Essay: 10 JUNE<\/p>\n<p>La concertazione e la direzione di un coro sono attivit\u00e0 complesse che richiedono il possesso di<br \/>\nmolteplici competenze e impongono l\u2019utilizzo di diversi codici di comunicazione, al fine di rendere<br \/>\nesplicito il contenuto musicale di una partitura rielaborato dal pensiero dell\u2019interprete. I destinatari<br \/>\ndi questa particolare modalit\u00e0 di trasmissione sono innanzitutto i coristi, che rispondono alle<br \/>\nteacher's directions with their singing, giving listeners the full sense of the<br \/>\nmessaggio ricevuto, segno divenuto suono, musica scaturita da un\u2019armonia di voci. Penetrare in<br \/>\nquesto straordinario dialogo, scoprire le infinite sfumature espressive di cui pu\u00f2 essere arricchito<br \/>\nogni singolo gesto e coltivare la propria sensibilit\u00e0 musicale insieme a una sempre maggiore<br \/>\nraffinatezza vocale nel corrispondervi, sono le finalit\u00e0 del presente Laboratorio.<\/p>\n<p>Si intende innanzitutto costituire un\u00a0ensemble\u00a0in grado di leggere, studiare ed eseguire brani tratti<br \/>\ndal repertorio corale a cappella, dall\u2019antichit\u00e0 ai nostri giorni. Tale esperienza fornir\u00e0 ampie<br \/>\nopportunit\u00e0 per interrogarsi sulla stretta relazione che intercorre tra le richieste del direttore e le<br \/>\nesigenze dei cantori, focalizzando l\u2019attenzione sulle tecniche gestuali e sulle strategie pi\u00f9 efficaci e<br \/>\nidonee a ottenere i risultati sperati. Imparare a superare le difficolt\u00e0 insite nell\u2019esprimersi e nel<br \/>\ncomprendersi reciprocamente, consentir\u00e0 di ottenere una piena unit\u00e0 d\u2019intenti che si concretizzer\u00e0 in<br \/>\na joyful and satisfying performance. To this end, some important<br \/>\ntematiche utili all\u2019apprendimento della difficile arte della concertazione, quali l\u2019analisi della<br \/>\nscore, interpretation choices, rehearsal management, general training of choristers.<\/p>\n<p>The student choir conductors will have the opportunity to conduct and direct the group, experiencing the<br \/>\nconoscenze acquisite. Inoltre ogni singolo cantore potr\u00e0, se lo desidera, essere avviato alla pratica<br \/>\nof choral conducting, trying their hand at leading previously prepared pieces. The repertoire<br \/>\nsar\u00e0 scelto tenendo conto dell\u2019organico che verr\u00e0 a costituirsi, delle competenze vocali degli iscritti<br \/>\ne delle esigenze formative degli allievi direttori di coro. Il Laboratorio \u00e8 aperto a tutti. Si prevede<br \/>\nl\u2019esecuzione dei brani studiati in forma di saggio conclusivo.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/220232211607338\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/220232778939364\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>TERMINE DELLE ISCRIZIONI: 6 FEBBRAIO 2022 \u2013 ORE 23.59<\/strong><\/p>\n<h2><strong>MUSIC THERAPY WORKSHOP<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Stefania Belotti: <a href=\"mailto:stefania.belotti@consmilano.it\">stefania.belotti@consmilano.it<\/a><\/p>\n<p><strong>Schedule: Choir Room, 8 a.m. to 1.30 p.m.<br \/>\n<\/strong>SEPTEMBER 2022: 24<br \/>\nOCTOBER 2022: 1, 8, 15<\/p>\n<p>Il laboratorio si propone di fornire conoscenze di base che consentano di esplorare la realt\u00e0, interna ed esterna, utilizzando la musica, e la qualit\u00e0 delle relazioni che attraverso essa si sviluppano,\u00a0\u00a0 come elemento prioritario della comunicazione. Durante il percorso l&#8217;allievo avr\u00e0 modo di conoscere e sperimentare una diversa lettura dei parametri musicali. Potr\u00e0 acquisire gli elementi basilari di alcune tecniche utilizzate in musicoterapia, integrando le approfondite conoscenze acquisite nel percorso di studi in Conservatorio con un percorso in cui l&#8217;elemento sonoro e la musica divengono agenti fondamentali del cambiamento. Verranno proposte attivit\u00e0 che vanno dall&#8217;esplorazione dello strumentario, all&#8217;improvvisazione, all&#8217;analisi della relazione musicale tra i partecipanti. Verranno inoltre proposte attivit\u00e0 specifiche relative alla consapevolezza corporea, all&#8217;aspetto emotivo-affettivo-relazionale, al possibile\u00a0 potenziamento sensoriale-percettivo di ogni individuo.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212926865042155\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212926865042155\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212926855224156\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORIO &#8220;SONGWRITING E PRODUZIONE DISCOGRAFICA &#8211; COMPOSER COLLECTIVE&#8221;<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Fabrizio Bianco:<strong>\u00a0<\/strong><a href=\"mailto:fabrizio.bianco@consmilano.it\">fabrizio.bianco@consmilano.it<\/a><\/p>\n<div>CALENDAR<br \/>\nOTTOBRE 2022:\u00a017, 18, 24, 25 &#8211; ore 9.00-17.00 &#8211; Aula 128<\/div>\n<div>NOVEMBRE 2022: 4 (*data da confermare) &#8211; ore 9.30-17.30 &#8211; Studio di registrazione esterno.<\/div>\n<div>Creazione di canzoni inedite tramite le fasi di composizione, pre-produzione, registrazione e post-produzione. Sono previsti incontri e ascolti con esperti dell\u2019industria audio, tra cui Enrico Ruggeri.<\/div>\n<p>Il laboratorio \u00e8 aperto ad un numero massimo di 15 partecipanti, che dovranno inviare, entro il 31 Dicembre 2021, due composizioni originali e un arrangiamento originale di un brano di Pino Daniele.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/213122278593355\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/213122278593355\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/213122827186353\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Entry deadline: 30 November 2021 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORIO &#8220;LA VOCE OVUNQUE&#8221; &#8211; PER UN USO CREATIVO DELLA VOCE ALL&#8217;INTERNO DELLO SPAZIO URBANO<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Sonia Grandis:<strong>\u00a0<\/strong><a href=\"mailto:sonia.grandis@consmilano.it\">sonia.grandis@consmilano.it<\/a><\/p>\n<p><strong>Calendario: Spazi aperti nella citt\u00e0, ORE 09.00-19.00<br \/>\n<\/strong>APRIL: 9, 10.<\/p>\n<p>\u201cLa voce ovunque\u201d \u00e8 il naturale sviluppo del laboratorio \u201cLa voce a distanza\u201d (A.A. 2020\/2021), un laboratorio che, pur essendo nato nel periodo pi\u00f9 difficile della nostra recente storia (e della recente didattica, soprattutto quella a distanza, soprattutto quella del comparto AFAM), \u00e8 riuscito comunque ad offrire ai partecipanti tutta una serie di strumenti utili per non restare (artisticamente) isolati.<br \/>\nDopo aver, infatti, imparato 1) ad usare creativamente lo spazio domestico, 2) a conoscere i dispositivi di registrazione pi\u00f9 adatti alle proprie possibilit\u00e0 economiche (microfoni, schede audio, etc.), 3) ad usare tutto quello che si ha (e non si ha) a disposizione (smartphone, etc.) e 4) a registrarsi in home-recording, familiarizzando con uno dei software di riferimento pi\u00f9 usati al mondo come Reaper, non solo \u00e8 stato prodotto un lavoro collettivo interamente realizzato dagli studenti, ognuno curando la propria parte da casa propria, ma \u00e8 anche nata una collaborazione importante, come quella con la BBC, che ha permesso ad alcuni ragazzi e ragazze di cimentarsi, sotto la direzione artistica di Stefano Ferrara, in una produzione internazionale.<br \/>\n\u201cLa voce ovunque\u201d vuole, perci\u00f2, allargare lo spettro delle possibilit\u00e0 emerse durante questo fortunato laboratorio, dando agli allievi \u2013 questa volta in presenza \u2013 gli strumenti necessari per sfruttare e valorizzare al meglio l\u2019uso della voce (parlata, recitata, suonata) all\u2019interno dello spazio urbano (dagli ambienti esterni come parchi, strade, piazze, agli ambienti interni come i saloni e tutti quei luoghi non trattati, che possono diventare il punto critico di qualsiasi registrazione improvvisata).<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/213115171173343\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/213115171173343\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/213115171989358\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Entry deadline: 30 November 2021 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORIO &#8220;LA VOCE&#8221; &#8211; UNA RICERCA INTERDISCIPLINARE SULLA VOCALITA&#8217; DEL CANTANTE\\ATTORE E LA SCRITTURA TEATRALE PER VOCE<\/strong><\/h2>\n<p><strong>Vocal practice workshop\u00a0<\/strong>edited by Laura Catrani<br \/>\n<strong>Theory workshop\u00a0<\/strong>Edited by Francesco Venturi<br \/>\n<strong>Workshop contact person:\u00a0<\/strong>Gabriele Manca:<strong>\u00a0<\/strong><a href=\"mailto:gabriele.manca@consmilano.it\">gabriele.manca@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Choir Room<br \/>\n<\/strong>15 GIUGNO 2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013 ORE 14.00-18.00<br \/>\n29 GIUGNO 2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013 ORE 14.00-18.00<br \/>\n13 LUGLIO\u00a0 2022\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0&#8211; ORE 14.00-18.00<br \/>\n27 LUGLIO\u00a0 2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 &#8211; ORE 10.00-14.00<br \/>\n07 SETTEMBRE 2022 \u2013 ORE 10.00-14.00<br \/>\n21 SETTEMBRE 2022 \u2013 ORE 14.00-18.00<br \/>\n05 OTTOBRE 2022\u00a0\u00a0\u00a0\u00a0\u00a0 &#8211; ORE 14.00-18.00<br \/>\n19 OTTOBRE 2022\u00a0\u00a0\u00a0\u00a0\u00a0 &#8211; ORE 14.00-18.00<br \/>\n26 OTTOBRE 2022\u00a0\u00a0\u00a0\u00a0\u00a0 &#8211; ORE 14.00-18.00<br \/>\n27 OTTOBRE 2022\u00a0\u00a0\u00a0\u00a0\u00a0 &#8211; CONCERTO<\/p>\n<p>La relazione tra le due specificit\u00e0, dell\u2019attore e del cantante \u00e8 al giorno d\u2019oggi sempre pi\u00f9 fusa in una unica arte in cui la voce si muove liberamente nei registri da sussurrata, a declamata, a cantata senza imbarazzo e restrizione. Sono i compositori stessi che richiedono all\u2019interprete di passare i confini dell\u2019arte del canto, della recitazione e dell\u2019improvvisazione, sia che si tratti di musica a voce sola, per voce ed elettronica o voce ed ensemble e orchestra. Obiettivo del laboratorio \u00e8 costituire un gruppo vocale dedito alla sperimentazione, alla ricerca e allo studio del repertorio per voce del secondo Novecento e contemporaneo. Secondo le necessit\u00e0 tale ensemble vocale potr\u00e0 essere coinvolto in attivit\u00e0 didattiche scolastiche ed extrascolastiche. La didattica laboratoriale, basata sull\u2019ascolto, la lettura e la discussione, si propone d\u2019incentivare il trasferimento orizzontale di risorse teorico-pratiche, sviluppando il senso critico e favorendo l\u2019ampliamento della conoscenza del repertorio vocale contemporaneo, nonch\u00e9 l&#8217;acquisizione di stili e tecniche in una variet\u00e0 di linguaggi. Attraverso esempi autorevoli di scrittura per voce, saranno analizzate le tecniche di canto convenzionali e non, quali, per citarne solo alcune, il sussurrato, il sussurrato sostenuto, lo sprechgesang, il recitato con o senza amplificazione. E lo studio pratico di una scelta di partiture per voce porter\u00e0 gli allievi a fare esperienza diretta alla musica contemporanea per voce, offrendo loro le basi per essere in grado di utilizzarle, elaborare un\u2019interpretazione storicamente informata della tematica della voce e integrarle nella propria ricerca accademica e\/o artistica.<br \/>\nIl seminario si rivolge in particolare agli studenti di canto e musica vocale da camera, ma \u00e8 altres\u00ec aperto ai dipartimenti di composizione, nuove tecnologie, agli studenti di musicologia e a tutti coloro che sono interessati ad approfondire la tematica della voce, compresi studenti esterni al Conservatorio.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/213133092487353\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/213133092487353\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/213133172294348\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Entry deadline: 30 November 11.59 p.m.<\/strong><\/p>\n<\/div><\/div><\/div><\/section>\n<\/div><\/p><\/div><\/div><\/div><\/div><!-- close content main div --><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1jbq243-6d0b4b1da181a8bda14b534ccd1b1b65\">\n.avia-section.av-1jbq243-6d0b4b1da181a8bda14b534ccd1b1b65 .av-section-color-overlay{\nopacity:0.3;\nbackground-color:#ffffff;\n}\n<\/style>\n<div id='av_section_3'  class='avia-section av-1jbq243-6d0b4b1da181a8bda14b534ccd1b1b65 main_color avia-section-default avia-no-border-styling  avia-builder-el-30  el_after_av_section  el_before_av_tab_section  avia-bg-style-scroll av-section-color-overlay-active av-minimum-height av-minimum-height-25 av-height-25  container_wrap fullsize'   data-av_minimum_height_pc='25' data-av_min_height_opt='25'><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1251'><div class='entry-content-wrapper clearfix'>\n<div  id=\"fareMusica\"  class='flex_column av-1h46bz7-b623451548ae585b7c62c285f2e2b351 av_one_full  avia-builder-el-31  el_before_av_one_full  avia-builder-el-first  first flex_column_div'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm0fin6i-7b010add6f1491a0be434df578321f8f\">\n#top .av-special-heading.av-mm0fin6i-7b010add6f1491a0be434df578321f8f{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-mm0fin6i-7b010add6f1491a0be434df578321f8f .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mm0fin6i-7b010add6f1491a0be434df578321f8f .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-mm0fin6i-7b010add6f1491a0be434df578321f8f av-special-heading-h2 blockquote modern-quote  avia-builder-el-32  el_before_av_textblock  avia-builder-el-first'><h2 class='av-special-heading-tag'  itemprop=\"headline\"  >Workshop <span class='special_amp'>\u201c<\/span>Presto all\u2019opera<span class='special_amp'>\u201d<\/span> (edited by Fabio Sartorelli)<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-1g2xo37-7cffde896f4a74f93717522e90d442b1'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Descrizione del Laboratorio e modalit\u00e0 d\u2019iscrizione<\/p>\n<\/div><\/section><br \/>\n<div  class='avia-icon-list-container av-mm51hvzu-516904d236c89b93ec6f26fc094810ae  avia-builder-el-34  el_after_av_textblock  avia-builder-el-last'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-mm51hvzu-516904d236c89b93ec6f26fc094810ae avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20.BIS_.pdf' title='Laboratory Information'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mm51hue2-5458c4bc689a3dec99f7dbd0dd7f6b58 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-44' aria-describedby='av-svg-desc-44' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-44'>Download<\/title>\n<desc id='av-svg-desc-44'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20.BIS_.pdf&#039; title=&#039;Laboratory Information&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Laboratory Information&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20.BIS_.pdf' title='Laboratory Information' target=\"_blank\"  rel=\"noopener noreferrer\">Laboratory Information<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>541 Kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div><\/p><\/div><div  id=\"fareMusica\"  class='flex_column av-b8nhz7-c7326b468226437dbe4f6680b805aadb av_one_full  avia-builder-el-35  el_after_av_one_full  el_before_av_one_full  first flex_column_div  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c\">\n#top .av-special-heading.av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c av-special-heading-h2 blockquote modern-quote  avia-builder-el-36  el_before_av_textblock  avia-builder-el-first'><h2 class='av-special-heading-tag'  itemprop=\"headline\"  >Workshop <span class='special_amp'>\u201c<\/span>La madre Africa \u2013 L\u2019Africa \u00e8 la madre di tutte le musiche<span class='special_amp'>\u201d<\/span> (Edited by Alberto Serrapiglio <span class='special_amp'>&amp;<\/span> Federico Calcagno)<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-8tbf8z-c6cf99f8e999a1ef352b48e6b73d86b4'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Descrizione del Laboratorio e modalit\u00e0 d\u2019iscrizione<\/p>\n<\/div><\/section><br \/>\n<div  class='avia-icon-list-container av-mm51iulq-6fd22a1f1a24938315a3a02773d63377  avia-builder-el-38  el_after_av_textblock  avia-builder-el-last'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-mm51iulq-6fd22a1f1a24938315a3a02773d63377 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/21.pdf' title='Laboratory Information'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mm51itnm-e172b6c702d015d5615db1c025d603f7 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-45' aria-describedby='av-svg-desc-45' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-45'>Download<\/title>\n<desc id='av-svg-desc-45'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/21.pdf&#039; title=&#039;Laboratory Information&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Laboratory Information&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/21.pdf' title='Laboratory Information' target=\"_blank\"  rel=\"noopener noreferrer\">Laboratory Information<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>539 Kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div><\/p><\/div><div  id=\"fareMusica\"  class='flex_column av-5tq6ir-48591cc784ab88fece999e26733d0ec4 av_one_full  avia-builder-el-39  el_after_av_one_full  avia-builder-el-last  first flex_column_div  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4q77o3-e97c343e8e199fc065f3429cc2c0b449\">\n#top .av-special-heading.av-4q77o3-e97c343e8e199fc065f3429cc2c0b449{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-4q77o3-e97c343e8e199fc065f3429cc2c0b449 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-4q77o3-e97c343e8e199fc065f3429cc2c0b449 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-4q77o3-e97c343e8e199fc065f3429cc2c0b449 av-special-heading-h2 blockquote modern-quote  avia-builder-el-40  el_before_av_textblock  avia-builder-el-first'><h2 class='av-special-heading-tag'  itemprop=\"headline\"  >Making Music and Feeling Good<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-226unn-2a527614fd7d87ec4b5148a28eb94890'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><em>Far Musica e Star Bene. Un corpo e una mente sani al servizio dell&#8217;espressione artistica del musicista<\/em> \u00e8 il progetto del Conservatorio dedicato al benessere degli artisti: propone incontri, corsi e seminari, aperti a docenti e studenti del Conservatorio, ma anche a frequentanti esterni.<\/p>\n<\/div><\/section><\/p><\/div>\n<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc\">\n.av-tab-section-outer-container.av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc .av-tab-section-tab-title-container{\nbackground-color:#002657;\n}\n#top .av-tab-section-outer-container.av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc .av-active-tab-title.av-section-tab-title{\ncolor:#ffffff;\n}\n#top .av-tab-section-outer-container.av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc .av-section-tab-title:hover{\ncolor:#ffffff;\n}\n#top .av-tab-section-outer-container.av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc .av-active-tab-title.av-section-tab-title:hover{\ncolor:#ffffff;\n}\n<\/style>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><\/div><div id='av-tab-section-1'  class='av-tab-section-container entry-content-wrapper main_color av-tab-no-transition av-tab-content-auto  av-tab-above-content  avia-builder-el-42  el_after_av_section  avia-builder-el-last  tab-section-not-first container_wrap fullsize'  ><div class='av-tab-section-outer-container av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc'><div class='av-tab-section-tab-title-container avia-tab-title-padding-default' role='tablist'><a href='#edizione-2025-2026' data-av-tab-section-title='1' class='av-section-tab-title av-active-tab-title no-scroll av-1dh7tr7-bc453cda8810c1fe63f4e893fb14cd88 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-1'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2025-2026<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2024-2025' data-av-tab-section-title='2' class='av-section-tab-title  av-yyqo4j-143daff3985072075775d80ecad7f7e7 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-2'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2024-2025<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2023-2024' data-av-tab-section-title='3' class='av-section-tab-title  av-qoln8j-4d981e6e4ff26b8a084d0e5fcf5b5823 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-3'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2023-2024<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2022-2023' data-av-tab-section-title='4' class='av-section-tab-title  av-loyyb7-f929bca8799af62164ee4b516900709b av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-4'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2022-2023<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2021-2022' data-av-tab-section-title='5' class='av-section-tab-title  av-hkbfzn-5039ee70e3ccb0028d76503936dcb801 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-5'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2021-2022<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2020-2021' data-av-tab-section-title='6' class='av-section-tab-title  av-agvubn-09480afeb4edfa93b6c201f5ddac7f96 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-6'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2020-2021<\/span><\/span><span 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class='togglecontainer av-1biclmb-4d525f262d60148c00794062fd72c116 av-elegant-toggle  avia-builder-el-44  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-18tpipf-8f255d74c2b2f1002161bef02be3b71d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-5' data-fake-id='#toggle-id-5' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-5' data-slide-speed=\"200\" data-title=\"Brochure Far Musica e Star Bene 2025-2026\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Brochure Far Musica e Star Bene 2025-2026\" data-aria_expanded=\"Click to collapse: Brochure Far Musica e Star Bene 2025-2026\">Far Musica e Star Bene brochure 2025-2026<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-5' aria-labelledby='toggle-toggle-id-5' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><div  class='avia-icon-list-container av-185lw4z-0f14ead1b9a55b8add8cd030bab04d61  avia-builder-el-45  el_before_av_iconlist  avia-builder-el-first'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-185lw4z-0f14ead1b9a55b8add8cd030bab04d61 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-25-26-compresso.pdf' title='Brochure 2025-2026'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-16g2yhf-f8a62a9ebb9abce4d315be8053f21882 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" 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title=&#039;Brochure 2025-2026&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Brochure 2025-2026&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-25-26-compresso.pdf' title='Brochure 2025-2026' target=\"_blank\"  rel=\"noopener noreferrer\">Brochure 2025-2026<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>360 kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-13ylpz7-695cb581863df214db6a5a09e764f765'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-6' data-fake-id='#toggle-id-6' class='toggler  av-title-above'  itemprop=\"headline\"  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7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Iscrizione-Far-Musica-e-Star-bene-2025_2026.pdf&#039; title=&#039;Registration&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Registration&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Iscrizione-Far-Musica-e-Star-bene-2025_2026.pdf' title='Registration' target=\"_blank\"  rel=\"noopener noreferrer\">Registration<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block font-15 text-muted line-height-1\">171 kb<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-yyqo4j-143daff3985072075775d80ecad7f7e7\">\n.av-layout-tab.av-yyqo4j-143daff3985072075775d80ecad7f7e7{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-2' class='av-layout-tab av-yyqo4j-143daff3985072075775d80ecad7f7e7 av-animation-delay-container  avia-builder-el-47  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"2\" data-tab-section-id=\"edizione-2024-2025\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a\">\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a av-elegant-toggle  avia-builder-el-48  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-36b1eb-fc39c23f10d23759e483fa822a0fd068'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-7' data-fake-id='#toggle-id-7' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-7' data-slide-speed=\"200\" data-title=\"Brochure Far Musica e Star Bene 2024-2025\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Brochure Far Musica e Star Bene 2024-2025\" data-aria_expanded=\"Click to collapse: Brochure Far Musica e Star Bene 2024-2025\">Far Musica e Star Bene 2024-2025 Brochure<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-7' aria-labelledby='toggle-toggle-id-7' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><div  class='avia-icon-list-container av-usld2r-81fc06fc2efcebf58d94413dfdcb9db5  avia-builder-el-49  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href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-A.A.-24_25_OK.pdf' title='Brochure 2024-2025' target=\"_blank\"  rel=\"noopener noreferrer\">Brochure 2024-2025<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>85 kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-qoln8j-4d981e6e4ff26b8a084d0e5fcf5b5823\">\n.av-layout-tab.av-qoln8j-4d981e6e4ff26b8a084d0e5fcf5b5823{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-3' class='av-layout-tab av-qoln8j-4d981e6e4ff26b8a084d0e5fcf5b5823 av-animation-delay-container  avia-builder-el-50  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"3\" data-tab-section-id=\"edizione-2023-2024\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2jzhxf-7849667594587a739e544af4345e8edf\">\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-2jzhxf-7849667594587a739e544af4345e8edf av-elegant-toggle  avia-builder-el-51  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-nuy3er-9987fea3d864565d0e84ffca49b2c5d1'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-8' data-fake-id='#toggle-id-8' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-8' data-slide-speed=\"200\" data-title=\"Far Musica e Star Bene 2023-2024: calendario\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Far Musica e Star Bene 2023-2024: calendario\" data-aria_expanded=\"Click to collapse: Far Musica e Star Bene 2023-2024: calendario\">Far Musica e Star Bene 2023-2024: calendar<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-8' aria-labelledby='toggle-toggle-id-8' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>Disponibile qui il calendario di Far Musica e Star Bene 2023\/2024, in cui sono gi\u00e0 presenti le indicazioni per partecipare a incontri, corsi e seminari.<\/p>\n<p>The dates of the evening Gyrokinesis course have been changed, as shown below:<br \/>\n<strong>Choir Room, 8-10 p.m.<\/strong><\/p>\n<ul>\n<li>4, 11, 18, 25 March 2024<\/li>\n<li>8, 15, 22, 29 April<\/li>\n<li>6 May<\/li>\n<\/ul>\n<p>Registration deadline also postponed. New date: 25 February 2024 (form closing time 23.59).<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-loyyb7-f929bca8799af62164ee4b516900709b\">\n.av-layout-tab.av-loyyb7-f929bca8799af62164ee4b516900709b{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-4' class='av-layout-tab av-loyyb7-f929bca8799af62164ee4b516900709b av-animation-delay-container  avia-builder-el-52  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"4\" data-tab-section-id=\"edizione-2022-2023\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5\">\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 av-elegant-toggle  avia-builder-el-53  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-ivo9g3-6ba37331b1f1fd0a28937b16fc94a987'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-9' data-fake-id='#toggle-id-9' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-9' data-slide-speed=\"200\" data-title=\"Link per le iscrizioni\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Link per le iscrizioni\" data-aria_expanded=\"Click to collapse: Link per le iscrizioni\">Subscription links<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-9' aria-labelledby='toggle-toggle-id-9' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>MAKING MUSIC AND FEELING GOOD A.Y. 2022-2023<\/p>\n<p>9 INCONTRI \u2013 SALA CORO \u2013 SABATO ORE 14.00-17.00<\/p>\n<p><strong>1) 14 Gennaio 2023 \u2013 Laura Catrani<\/strong><br \/>\n<strong>Gyrokinesis\u00ae: espansione, equilibrio, benessere; coscienza del corpo, del movimento, della respirazione e della concentrazione nel musicista<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223073710671349\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074154862354\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 12 Gennaio 2023 \u2013 ore 23.59<\/p>\n<p><strong>2) 21 Gennaio 2023 &#8211; Cinzia Barbagelata<\/strong><br \/>\n<strong>Mindfulness for Musicians: coping and reducing stress with mindfulness practices<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074105143342\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074504766356\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 19 Gennaio 2023 \u2013 ore 23.59<\/p>\n<p><strong>3) 28 Gennaio 2023 \u2013 Claudio Gevi<\/strong><br \/>\n<strong>Metodo Feldenkrais per Musicisti: imparare \u00e8 star bene<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074840860354\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223073901709353\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 26 Gennaio 2023 \u2013 ore 23.59<\/p>\n<p><strong>4) 04 Febbraio 2023 &#8211; Giorgio Pajardi, Chiara Novelli, Elena Mancon<\/strong><br \/>\n<strong>The musician's hand<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074247134349\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223073910292350\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 02 Febbraio 2023 \u2013 ore 23.59<\/p>\n<p><strong>5) 11 Febbraio 2023 \u2013 Ori Maria Vittoria Jedlowski<\/strong><br \/>\n<strong>Biodanza. Life blossoms in music: integrating music, emotional movement and encounter<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074728611353\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074926430352\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 09 Febbraio 2023 \u2013 ore 23.59<\/p>\n<p><strong>6) 04 Marzo 2023 &#8211; Orietta Calcinoni<\/strong><br \/>\n<strong>Prevenzione dell\u2019ascolto e della voce negli artisti<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074451201341\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074677756366\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 02 Marzo 2023 \u2013 ore 23.59<\/p>\n<p><strong>7) 18 Marzo 2023 &#8211; Fabio Fassone<\/strong><br \/>\n<strong>C.E.B. Cultivating Emotional Balance: emotional intelligence and mindfulness development in the service of artistic and musical practice and performance<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074742130345\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074744579364\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 16 Marzo 2023 \u2013 ore 23.59<\/p>\n<p><strong>8) 25 Marzo 2023 &#8211; Maria Rosa Converti<\/strong><br \/>\n<strong>Ergonomics and musician's posture<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074727734358\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074028297356\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 23 Marzo 2023 \u2013 ore 23.59<\/p>\n<p><strong>9) 01 Aprile 2023 &#8211; Fabio Moretti<\/strong><br \/>\n<strong>Ricerca dello spazio percettivo interno ed esterno nell\u2019attivit\u00e0 creativa del musicista<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074889766372\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074106716349\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 30 Marzo 2023 \u2013 ore 23.59<\/p>\n<p><strong>EVENING COURSES<\/strong><\/p>\n<p><strong>Gyrokinesis\u00ae: espansione, equilibrio, benessere; coscienza del corpo, del movimento, della respirazione e della concentrazione nel musicista<br \/>\nLaura Catrani<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223074633642352\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074791866365\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 18 Gennaio 2023 \u2013 ore 23.59<\/p>\n<p><strong>M.B.S.R. Mindfulness Based Stress Reduction for Musicians: programme for coping with and reducing stress with mindfulness practices<br \/>\nCinzia Barbagelata<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223075018255350\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074687213355\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 19 Gennaio 2023 \u2013 ore 23.59<\/p>\n<p><strong>Metodo Feldenkrais per Musicisti: imparare \u00e8 star bene<br \/>\nClaudio Gevi<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223074912942355\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074483430350\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 27 Gennaio 2023 \u2013 ore 23.59<\/p>\n<p><strong>Biodanza. Life blossoms in music: integrating music, emotional movement and encounter<br \/>\nOri Maria Vittoria Jedlowski<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223074723968363\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074866177363\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 25 Febbraio 2023 \u2013 ore 23.59<\/p>\n<p><strong>SEMINARS<\/strong><\/p>\n<p><strong>Yoga e Musica \u2013 Claudio Conte (ref. Cinzia Barbagelata)<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223075104856353\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074385169360\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 20 Gennaio 2023 \u2013 ore 23.59<\/p>\n<p><strong>C.E.B. Cultivating Emotional Balance: intelligenza emotiva e sviluppo della mindfulness al servizio della pratica e della performance artistica e musicale \u2013 Fabio Fassone (ref. Alfonso Chielli)<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223074457241351\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223075146579361\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nTermine iscrizione: 11 Aprile 2023 \u2013 ore 23.59<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-hkbfzn-5039ee70e3ccb0028d76503936dcb801\">\n.av-layout-tab.av-hkbfzn-5039ee70e3ccb0028d76503936dcb801{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-5' class='av-layout-tab av-hkbfzn-5039ee70e3ccb0028d76503936dcb801 av-animation-delay-container  avia-builder-el-54  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"5\" data-tab-section-id=\"edizione-2021-2022\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-gfbqzn-1e19222153d5fe3f451b5a53aced0464\">\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 av-elegant-toggle  avia-builder-el-55  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-dkmwkj-d51d6b7e320867f096a019d465b9dcef'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-10' data-fake-id='#toggle-id-10' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-10' data-slide-speed=\"200\" data-title=\"Link per le iscrizioni\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Link per le iscrizioni\" data-aria_expanded=\"Click to collapse: Link per le iscrizioni\">Subscription links<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-10' aria-labelledby='toggle-toggle-id-10' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p align=\"center\"><strong>MAKING MUSIC AND FEELING GOOD A.Y. 2021-2022<\/strong><\/p>\n<p><strong>9 INCONTRI \u2013 SALA CORO \u2013 SABATO ORE 14.00-17.00<\/strong><\/p>\n<p>1)\u00a0\u00a0\u00a0 8 Gennaio 2022 \u2013 Laura Catrani<\/p>\n<p>Gyrokinesis\u00ae: espansione, equilibrio, benessere; coscienza del corpo, del movimento, della respirazione e della concentrazione nel musicista<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213423957765162\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424154072143\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>2)\u00a0\u00a0\u00a0 15 Gennaio 2022 &#8211; Cinzia Barbagelata<\/p>\n<p>Mindfulness for Musicians: coping and reducing stress with mindfulness practices<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424447865158\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213423627917155\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>3)\u00a0\u00a0\u00a0 22 Gennaio 2022 &#8211; Ori Maria Vittoria Jedlowski<\/p>\n<p>Biodanza. Life blossoms in music: integrating music, emotional movement and encounter<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424115616144\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424606436149\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>4)\u00a0\u00a0\u00a0 29 Gennaio 2022 &#8211; Claudio Gevi<\/p>\n<ul>\n<li>Metodo Feldenkrais per Musicisti: imparare \u00e8 star bene<\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424300752141\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424470624147\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>5)\u00a0\u00a0\u00a0 5 Febbraio 2022 &#8211; Giorgio Pajardi, Chiara Novelli, Elena Mancon<\/p>\n<p>The musician's hand<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424611187148\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424538163150\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>6)\u00a0\u00a0\u00a0 12 Febbraio 2022 &#8211; Orietta Calcinoni<\/p>\n<p>Prevenzione dell\u2019ascolto e della voce negli artisti<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424287239155\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424662725152\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>7)\u00a0\u00a0\u00a0 5 Marzo 2022 &#8211; Fabio Fassone<\/p>\n<p>C.E.B. Cultivating Emotional Balance: emotional intelligence and mindfulness development in the service of artistic and musical practice and performance<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424299299164\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424630066145\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>8)\u00a0\u00a0\u00a0 19 Marzo 2022 &#8211; Fabio Moretti<\/p>\n<p>Ricerca dello spazio percettivo interno ed esterno nell\u2019attivit\u00e0 creativa del musicista<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213423909308152\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424037296151\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>9)\u00a0\u00a0\u00a0 26 Marzo 2022 &#8211; Maria Rosa Converti<\/p>\n<p>Ergonomics and musician's posture<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213423981584158\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424437764155\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p><strong>EVENING COURSES<\/strong><\/p>\n<p>Gyrokinesis\u00ae: espansione, equilibrio, benessere; coscienza del corpo, del movimento, della respirazione e della concentrazione nel musicista \u2013 Laura Catrani<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424275587158\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424715152145\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<p>M.B.S.R. Mindfulness Based Stress Reduction per Musicisti: programma per affrontare e ridurre lo stress con le pratiche di consapevolezza \u2013 Cinzia Barbagelata<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424881562154\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424848106151\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>Metodo Feldenkrais per Musicisti: imparare \u00e8 star bene \u2013 Claudio Gevi<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424816294154\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424331073141\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>Biodanza. La vita fiorisce in musica: integrazione di musica, movimento emozionato e incontro &#8211; Ori Maria Vittoria Jedlowski<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424120247140\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424198332150\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p><strong>SEMINAR<\/strong><\/p>\n<p>Yoga e Musica \u2013 Claudio Conte (ref. Cinzia Barbagelata)<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213432181102338\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213431919815357\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-cvshhv-bc9d1ecf304b2faf1a4aa382aa1c2524'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-11' data-fake-id='#toggle-id-11' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-11' data-slide-speed=\"200\" data-title=\"Attenzione: Nuove date Corso serale Gyrokinesis - Laura Catrani\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Attenzione: Nuove date Corso serale Gyrokinesis - Laura Catrani\" data-aria_expanded=\"Click to collapse: Attenzione: Nuove date Corso serale Gyrokinesis - Laura Catrani\">Attention: New dates Evening Gyrokinesis Course - Laura Catrani<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-11' aria-labelledby='toggle-toggle-id-11' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>Si comunica che il corso serale &#8220;<em>Gyrokinesis\u00ae: espansione, equilibrio, benessere; coscienza del corpo, del movimento, della respirazione e della concentrazione nel musicista<\/em>&#8220;, tenuto dalla Prof.ssa Laura Catrani all&#8217;interno del ciclo d\u2019incontri &#8220;Far Musica e Star Bene&#8221;, \u00e8 stato integrato con altri 5 incontri, per un totale di 10 ore. Agli studenti interni verr\u00e0 riconosciuto 1 credito formativo.<\/p>\n<p>Below are the new dates:<\/p>\n<ul>\n<li>&#8211; 11 aprile 2022 &#8211; ore 20.00-22.00 &#8211; sala coro<\/li>\n<li>&#8211; 02 maggio 2022 &#8211; ore 20.00-22.00 &#8211; sala coro<\/li>\n<li>&#8211; 09 maggio 2022 &#8211; ore 20.00-22.00 &#8211; sala coro<\/li>\n<li>&#8211; 16 maggio 2022 &#8211; ore 20.00-22.00 &#8211; sala coro<\/li>\n<li>&#8211; 23 maggio 2022 &#8211; ore 20.00-22.00 &#8211; sala coro<\/li>\n<\/ul>\n<p>Per le iscrizioni \u00e8 necessario compilare i seguenti form:<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/220931830816353\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/p>\n<p><a href=\"https:\/\/form.jotform.com\/220931509482355\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/p>\n<p>Termine delle iscrizioni: Domenica 10 Aprile 2022 &#8211; ore 23.59.<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-agvubn-09480afeb4edfa93b6c201f5ddac7f96\">\n.av-layout-tab.av-agvubn-09480afeb4edfa93b6c201f5ddac7f96{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-6' class='av-layout-tab av-agvubn-09480afeb4edfa93b6c201f5ddac7f96 av-animation-delay-container  avia-builder-el-56  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"6\" data-tab-section-id=\"edizione-2020-2021\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-8wfy6b-6a31eff9113933772416e8c983663a74\">\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-8wfy6b-6a31eff9113933772416e8c983663a74 av-elegant-toggle  avia-builder-el-57  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-6y9l3n-6b877340a6a1bec920afd1d24247ebce'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-12' data-fake-id='#toggle-id-12' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-12' data-slide-speed=\"200\" data-title=\"Programma Far Musica e Star Bene 2020-2021\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Programma Far Musica e Star Bene 2020-2021\" data-aria_expanded=\"Click to collapse: Programma Far Musica e Star Bene 2020-2021\">Far Musica e Star Bene Programme 2020-2021<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-12' aria-labelledby='toggle-toggle-id-12' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>In the brochure dedicated to the 2020-2021 project, you will find all the information you need to participate in meetings, courses and seminars, whether you are participating as an internal Conservatoire student or as an external learner.<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-59h88j-a9403d6412c8bd592123834e0dc1df21\">\n.av-layout-tab.av-59h88j-a9403d6412c8bd592123834e0dc1df21{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-7' class='av-layout-tab av-59h88j-a9403d6412c8bd592123834e0dc1df21 av-animation-delay-container  avia-builder-el-58  el_after_av_tab_sub_section  avia-builder-el-last' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"7\" data-tab-section-id=\"edizione-2019-2020\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-gllb7-972a7fad9afb727425b5d3b0421b8e16\">\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-gllb7-972a7fad9afb727425b5d3b0421b8e16 av-elegant-toggle  avia-builder-el-59  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-2o7glv-a1a76d1202fc742b7adeaa9fdeffa6d2'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-13' data-fake-id='#toggle-id-13' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-13' data-slide-speed=\"200\" data-title=\"Programma Far Musica e Star Bene 2019-2020\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Programma Far Musica e Star Bene 2019-2020\" data-aria_expanded=\"Click to collapse: Programma Far Musica e Star Bene 2019-2020\">Far Musica e Star Bene programme 2019-2020<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-13' aria-labelledby='toggle-toggle-id-13' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>In the brochure dedicated to the 2019-2020 project, you will find all the information on how to participate in meetings, courses and seminars.<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1251","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Laboratori - Conservatorio Milano<\/title>\n<meta name=\"description\" content=\"Offerta didattica dedicata ai Laboratori\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" 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