{"id":1251,"date":"2025-11-13T10:38:20","date_gmt":"2025-11-13T10:38:20","guid":{"rendered":"https:\/\/www.consmi.it\/?page_id=1251"},"modified":"2026-03-25T09:08:57","modified_gmt":"2026-03-25T08:08:57","slug":"laboratori","status":"publish","type":"page","link":"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/","title":{"rendered":"Workshops"},"content":{"rendered":"<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhlwf2r7-276b0c4de25be12492b633eeeed0abb2\">\n.avia-section.av-mhlwf2r7-276b0c4de25be12492b633eeeed0abb2 .av-parallax .av-parallax-inner{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratori.jpg);\nbackground-position:50% 0%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-mhlwf2r7-276b0c4de25be12492b633eeeed0abb2 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  el_before_av_submenu  avia-builder-el-first  avia-full-stretch av-parallax-section avia-bg-style-parallax av-minimum-height av-minimum-height-50 av-height-50  container_wrap fullsize'  data-section-bg-repeat='stretch' data-av_minimum_height_pc='50' data-av_min_height_opt='50'><div class='av-parallax' data-avia-parallax-ratio='0.3' ><div class='av-parallax-inner main_color avia-full-stretch'><\/div><\/div><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1251'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7\">\n#top .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7{\npadding-bottom:10px;\ncolor:#ffffff;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-subheading{\nfont-size:15px;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-wrap:before{\nborder-color:#ffffff;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-wrap:after{\nborder-color:#ffffff;\n}\n\n@media only screen and (min-width: 990px){ \n#top #wrap_all .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag{\nfont-size:60px;\n}\n}\n<\/style>\n<div  class='av-special-heading av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 av-special-heading-h1 custom-color-heading blockquote classic-quote classic-quote-left  avia-builder-el-1  avia-builder-el-no-sibling'><h1 class='av-special-heading-tag'  itemprop=\"headline\"  >Workshops<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><div class='clear'><\/div><div id='sub_menu1'  class='av-submenu-container av-mm0fr9z4-9aebd7970cf4348cde7b2337d8f578af alternate_color  avia-builder-el-2  el_after_av_section  el_before_av_section  av-sticky-submenu submenu-not-first container_wrap fullsize' style='z-index:301' ><div class='container av-menu-mobile-disabled av-submenu-pos-center'><ul id='av-custom-submenu-1' class='av-subnav-menu' role='menu'>\n<li class='menu-item av-mm0fqhd4-01156d07ad9f20d410db3e9e697ddaa6 menu-item-top-level menu-item-top-level-1' role='menuitem'><a href='https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/#calendarioLab'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Workshop calendar<\/span><\/a><\/li>\n<li class='menu-item av-mm0fr01j-3d88912896795a7daae38e88a97cd2a2 menu-item-top-level menu-item-top-level-2' role='menuitem'><a href='https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/#fareMusica'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Making Music and Feeling Good<\/span><\/a><\/li>\n<\/ul><\/div><\/div><div class='sticky_placeholder'><\/div>\n<div id='av_section_2'  class='avia-section av-mhos3r38-3c1fb6df133ef820cbca55a803a73358 main_color avia-section-default avia-no-border-styling  avia-builder-el-3  el_after_av_submenu  el_before_av_section  avia-bg-style-scroll av-minimum-height av-minimum-height-25 av-height-25  container_wrap fullsize'   data-av_minimum_height_pc='25' data-av_min_height_opt='25'><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1251'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-q6fuu-1d5b3a6a0626481c97eb739ff751981b av_one_full  avia-builder-el-4  avia-builder-el-no-sibling  first flex_column_div'     ><p><section  class='av_textblock_section av-mhn53tv9-a6e6bb0e143814a5e0b97ae8fedef4df'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The workshops carry out training projects aimed at research and production in the fields of interpretation, composition, musicology, teaching, musical theatre and new technologies; they represent a great opportunity to explore and refine areas of study typically not covered in regular educational courses.<\/p>\n<p>The duration and running of the workshops vary. Many workshops conclude with a final concert demonstrating the work carried out.<\/p>\n<p>The workshops are aimed at internal students and musicians not enrolled at the Conservatory, who can register via the dedicated form on the Conservatory's website.<\/p>\n<p>The following fixed rates apply to outsiders:<\/p>\n<p>\u2022 \u20ac30.00 for administrative and admission fees;<br \/>\n\u2022 \u20ac120.00 for Laboratories up to 39 hours;<br \/>\n\u2022 \u20ac170.00 per laboratory from 40 hours onwards.<\/p>\n<p>Upon registration, external candidates must attach the receipt for the payment of \u20ac30.00.<\/p>\n<p>The laboratory payment receipt must be presented to the responsible lecturer before the start of the activity.<\/p>\n<p>The payment of the fee of \u00a330.00 for administrative charges must be made via the PagoPA application available at the following link: <a href=\"https:\/\/pagopaesterni.consmi.it\/masterclass\/Dirittidisegreteria\" target=\"_blank\" rel=\"noopener\">https:\/\/pagopaesterni.consmi.it\/masterclass\/Dirittidisegreteria<\/a>.<br \/>\nBelow are the instructions for making the payment:<\/p>\n<ul>\n<li>Log in with SPIF or CF<\/li>\n<li>Choose Masterclass category<\/li>\n<li>Choose the \"Secretarial Fees\" activity<\/li>\n<\/ul>\n<p>Payment of the registration fee will be requested at a later date, once participation as a Full Member has been confirmed.<\/p>\n<p>For the issuing of the certificate of attendance and for the accreditation of credits, the presence of both full-time and part-time students is mandatory for the entire duration of each workshop.<\/p>\n<p>For further information:\u00a0<a href=\"mailto:produzione@consmilano.it\">produzione@consmilano.it<\/a>.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333\">\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  id=\"calendarioLab\"  class='togglecontainer av-mhxapk5o-79d54bfd5ebb92c25c5ef74c910d4333 av-elegant-toggle  avia-builder-el-6  el_after_av_textblock  avia-builder-el-last  toggle_close_all' >\n<section class='av_toggle_section av-mhxapavs-56414ebbae68448dde89c0068ef74b4d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-1' data-fake-id='#toggle-id-1' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-1' data-slide-speed=\"200\" data-title=\"Calendario Laboratori programmati per l\u2019A.A. 2025\/2026\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Calendario Laboratori programmati per l\u2019A.A. 2025\/2026\" data-aria_expanded=\"Click to collapse: Calendario Laboratori programmati per l\u2019A.A. 2025\/2026\">Workshop Schedule planned for the 2025\/2026 Academic Year<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-1' aria-labelledby='toggle-toggle-id-1' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><h2 class=\"card-title text-secondary font-600 font-30\">Laboratory: \u201cThe Chamber Music of G. Kurtag\u201d (curated by Mariagrazia BELLOCCHIO)<\/h2>\n<div  class='avia-icon-list-container av-1532c8z-a3fb837ead304235bc54df19a467a749  avia-builder-el-7  el_before_av_iconlist  avia-builder-el-first'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-1532c8z-a3fb837ead304235bc54df19a467a749 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-musica-da-camera-di-Gyorgy-Kurtag.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-129x803-adb6f41b300d4e572d8ffd2ba24bb4fe avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-1' aria-describedby='av-svg-desc-1' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-1'>Download<\/title>\n<desc id='av-svg-desc-1'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-musica-da-camera-di-Gyorgy-Kurtag.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-musica-da-camera-di-Gyorgy-Kurtag.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>365 kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratory \u201cRepertoire of Music for Biodanza\u201d (curated by Maria Vittoria JEDLOWSKI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-6621f3e4c7671cdeb57396d025f9cae5  avia-builder-el-8  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-6621f3e4c7671cdeb57396d025f9cae5 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Repertorio-di-musiche-per-biodanza.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-bd70ef8bd4a2772f868e849a8bd1f1ce avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-2' aria-describedby='av-svg-desc-2' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-2'>Download<\/title>\n<desc id='av-svg-desc-2'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Repertorio-di-musiche-per-biodanza.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Repertorio-di-musiche-per-biodanza.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">366 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Contemporary Sound Practices Workshop: Extended Techniques, Electronics and Improvisation (curated by Vanja CONTU and Federico PIANCIOLA)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-40-c62debd56049610ab2d333306be1de9c  avia-builder-el-9  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-40-c62debd56049610ab2d333306be1de9c avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Pratiche-sonore-contemporanee.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-39-3eabae50d393b4d8937c1615190fe64e avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-3' aria-describedby='av-svg-desc-3' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-3'>Download<\/title>\n<desc id='av-svg-desc-3'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Pratiche-sonore-contemporanee.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Pratiche-sonore-contemporanee.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">343 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop on jazz praxis and improvisation dedicated to great jazz performers and composers (curated by Attilio ZANCHI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-38-b0eaf9a37dd7d394e82d881a49fb7122  avia-builder-el-10  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-38-b0eaf9a37dd7d394e82d881a49fb7122 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-prassi-ed-improvvisazione-jazz.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-37-61f0a7705f53e21ab368023a5720a4ed avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-4' aria-describedby='av-svg-desc-4' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-4'>Download<\/title>\n<desc id='av-svg-desc-4'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-prassi-ed-improvvisazione-jazz.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-prassi-ed-improvvisazione-jazz.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">156 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Contemporary Music Workshop (curated by Mauro BONIFACIO and Andrea REBAUDENGO)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-36-bb40674bf3e7a102ebc8b65f1f8db956  avia-builder-el-11  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-36-bb40674bf3e7a102ebc8b65f1f8db956 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Musica-contemporanea.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-35-4d10e2b06c2031384fa8da4f98d00190 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-5' aria-describedby='av-svg-desc-5' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-5'>Download<\/title>\n<desc id='av-svg-desc-5'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Musica-contemporanea.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Musica-contemporanea.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">626 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop \u201cLanguages and Techniques of Spontaneous Improvisation in Afrocentric Music \u2013 From Tradition to Performance\u201d (edited by Lorenzo GASPERONI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-34-7c03b2542e8861523b338478867bfe27  avia-builder-el-12  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-34-7c03b2542e8861523b338478867bfe27 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Linguaggi-e-tecniche.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-33-4b64b52092eb679002cc98221c9656d6 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-6' aria-describedby='av-svg-desc-6' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-6'>Download<\/title>\n<desc id='av-svg-desc-6'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Linguaggi-e-tecniche.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Linguaggi-e-tecniche.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">517 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Orchestral Pianist Laboratory (edited by Andrea REBAUDENGO)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-32-cda1bd92ba93258ecf62ed57c9079f65  avia-builder-el-13  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-32-cda1bd92ba93258ecf62ed57c9079f65 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-pianista-dorchestra.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-31-30fa42577e92c66ddbdd152f511d0cee avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-7' aria-describedby='av-svg-desc-7' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-7'>Download<\/title>\n<desc id='av-svg-desc-7'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-pianista-dorchestra.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-pianista-dorchestra.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">523 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop \u201cThe Feminine Universe: Anna Bon, a Venetian Composer of the 18th Century\u201d (edited by Chiara Tiboni and Lucia Rizzello)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-30-c9a2f4d20563996f5d8329c45811c7ee  avia-builder-el-14  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-30-c9a2f4d20563996f5d8329c45811c7ee avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/LUnivers-feminin-Anna-Bon-una-compositrice-veneziana.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-29-f6d38c1e5296a631badea23ad7c38f68 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-8' aria-describedby='av-svg-desc-8' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-8'>Download<\/title>\n<desc id='av-svg-desc-8'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/LUnivers-feminin-Anna-Bon-una-compositrice-veneziana.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/LUnivers-feminin-Anna-Bon-una-compositrice-veneziana.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">446 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop of Traditional Indian Music Dance (by Nuria SALA)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-28-4d1bf37bc0d27c28e4cfa9342c71bba0  avia-builder-el-15  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-28-4d1bf37bc0d27c28e4cfa9342c71bba0 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Danza-delle-musiche-tradizionali-dellIndia.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-27-fa4a2eb9a34b4874186b2ba351ac0808 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-9' aria-describedby='av-svg-desc-9' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-9'>Download<\/title>\n<desc id='av-svg-desc-9'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Danza-delle-musiche-tradizionali-dellIndia.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-di-Danza-delle-musiche-tradizionali-dellIndia.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">365 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop \u201cOther ways of making music: from project to audience, the trades of music production\u201d (curated by Alberto TRIOLA)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-26-013a25e90e084bccafa53b1ad8b5e658  avia-builder-el-16  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-26-013a25e90e084bccafa53b1ad8b5e658 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Altri-modi-di-fare-musica.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-25-d43030926c3da460fd4772cb8ffb9963 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-10' aria-describedby='av-svg-desc-10' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-10'>Download<\/title>\n<desc id='av-svg-desc-10'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Altri-modi-di-fare-musica.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Altri-modi-di-fare-musica.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">457 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop \u201cRaga &amp; Tala - An Encounter with Indian Classical Music (curated by Nicol\u00f2 MELOCCHI)\"<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-24-74603413978db0aa81742eb4f5553194  avia-builder-el-17  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-24-74603413978db0aa81742eb4f5553194 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raga-e-Tala-Incontro-con-la-Musica-Classica-Indiana.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-23-2482f6fa1b427bf80d1080fae57492d5 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-11' aria-describedby='av-svg-desc-11' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-11'>Download<\/title>\n<desc id='av-svg-desc-11'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raga-e-Tala-Incontro-con-la-Musica-Classica-Indiana.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Raga-e-Tala-Incontro-con-la-Musica-Classica-Indiana.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">343 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop \u201cHarmony between Sound, Emotion and Movement: An Exploratory Journey for Musicians\u201d (curated by Stefania BELOTTI and Fabio MORETTI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-22-c009b8655507e2e56ce8e907c6e5fcca  avia-builder-el-18  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-22-c009b8655507e2e56ce8e907c6e5fcca avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Armonia-tra-suono-emozione-e-movimento.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-21-2e12ad46aa5a75c5e2a31a22ad70c1dd avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-12' aria-describedby='av-svg-desc-12' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-12'>Download<\/title>\n<desc id='av-svg-desc-12'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Armonia-tra-suono-emozione-e-movimento.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Armonia-tra-suono-emozione-e-movimento.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">536 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratory \u201cFarrenc and Arrieu, Female Figures in French Music\u201d (edited by Silvano SCANZIANI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-20-144b861cabbd0cb99f29d810eea17913  avia-builder-el-19  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-20-144b861cabbd0cb99f29d810eea17913 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Farrenc-e-Arrieu.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-19-315caeadb47b9597a70299e07ecdef67 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-13' aria-describedby='av-svg-desc-13' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-13'>Download<\/title>\n<desc id='av-svg-desc-13'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Farrenc-e-Arrieu.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Farrenc-e-Arrieu.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">371 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">\u201cErodiade\u201d Laboratory (curated by Marco PACE)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-18-a8bbd40342f43387912b57695ecaf219  avia-builder-el-20  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-18-a8bbd40342f43387912b57695ecaf219 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Erodiade.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-17-9f816c0789d5e4dd3b8cd7a73cb96faa avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-14' aria-describedby='av-svg-desc-14' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-14'>Download<\/title>\n<desc id='av-svg-desc-14'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Erodiade.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Erodiade.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">526 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratory \u201cCarissimi: Jephte and Jonas\u201d (curated by Francesca TORELLI)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-16-27962671c553325860522d6030e42ec6  avia-builder-el-21  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-16-27962671c553325860522d6030e42ec6 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Carissimi-Jephte-e-Jonas.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-15-c3f1cdbccb9754d710b398ee8e405ee1 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-15' aria-describedby='av-svg-desc-15' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-15'>Download<\/title>\n<desc id='av-svg-desc-15'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Carissimi-Jephte-e-Jonas.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Carissimi-Jephte-e-Jonas.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">460 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop \u201cLet's all get to work!\u201d (curated by Laura Cosso, Sonia Grandis &amp; Maria Paola Viano)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-14-3aa17e1f876e0011a41be8be55de5b18  avia-builder-el-22  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-14-3aa17e1f876e0011a41be8be55de5b18 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-13-4a3004e5602c26df2581aad1448d7479 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-16' aria-describedby='av-svg-desc-16' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-16'>Download<\/title>\n<desc id='av-svg-desc-16'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">639 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratory \u201cIf I Had Not Looked at You. Instrumental and Vocal Music from the Spanish Golden Age\u201d (curated by Noelia Reverte Reche and Priska Comploi)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-12-95006889cb8d80ef816f8c28a98a7621  avia-builder-el-23  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-12-95006889cb8d80ef816f8c28a98a7621 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Si-no-os-hubiera-mirado.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-11-3f1f4e52a2d531aea770450d12f28754 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-17' aria-describedby='av-svg-desc-17' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-17'>Download<\/title>\n<desc id='av-svg-desc-17'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Si-no-os-hubiera-mirado.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Si-no-os-hubiera-mirado.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">507 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Orchestral Workshop for Winds (edited by Sandro Satanassi &amp; Felice Dall\u2019Era)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-10-328c5e3df77b2e5058f1b84312267b66  avia-builder-el-24  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-10-328c5e3df77b2e5058f1b84312267b66 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-orchestrale-per-fiati.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-9-74fbce33494e81f748347695264e6378 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-18' aria-describedby='av-svg-desc-18' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-18'>Download<\/title>\n<desc id='av-svg-desc-18'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-orchestrale-per-fiati.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Laboratorio-orchestrale-per-fiati.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">370 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Workshop \u201cEveryone at work! \u2013 The Telephone\u201d (curated by Laura Cosso, Sonia Grandis &amp; Maria Paola Viano)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-8-78e226b199454cccd7265999dbe2a47e  avia-builder-el-25  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-8-78e226b199454cccd7265999dbe2a47e avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera-Il-telefono.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-7-edd11e4e62fbdd23f654b1b78ec0015b avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-19' aria-describedby='av-svg-desc-19' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-19'>Download<\/title>\n<desc id='av-svg-desc-19'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera-Il-telefono.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Tutti-allopera-Il-telefono.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">533 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">\u201cReady to Work\u201d Laboratory (curated by Fabio Sartorelli)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-6-8902155c39182aa81e9a22ac33ef45e4  avia-builder-el-26  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-6-8902155c39182aa81e9a22ac33ef45e4 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Presto-allopera-file-per-comunicazione.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-5-e2cbfd8c5f8a535e87d2f4d5f21c1cc5 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-20' aria-describedby='av-svg-desc-20' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-20'>Download<\/title>\n<desc id='av-svg-desc-20'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Presto-allopera-file-per-comunicazione.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Presto-allopera-file-per-comunicazione.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">541 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Laboratory \u201cMother Africa - Africa is the mother of all music\u201d (curated by Alberto Serrapiglio &amp; Federico Calcagno)<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-4-7ccb75fd84b8ec49cf91e9261f8146f4  avia-builder-el-27  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-4-7ccb75fd84b8ec49cf91e9261f8146f4 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-madre-Africa-LAfrica-e-la-madre-di-tutte-le-musiche.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-3-f899637216a662d9a2e2abca06405ae1 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-21' aria-describedby='av-svg-desc-21' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-21'>Download<\/title>\n<desc id='av-svg-desc-21'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-madre-Africa-LAfrica-e-la-madre-di-tutte-le-musiche.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/La-madre-Africa-LAfrica-e-la-madre-di-tutte-le-musiche.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">539 KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-mhxapavs-43-dfb0f84aa64e9fb8a567ea39e3ea6879'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-2' data-fake-id='#toggle-id-2' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-2' data-slide-speed=\"200\" data-title=\"Calendario Laboratori programmati per l\u2019A.A. 2024\/2025\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Calendario Laboratori programmati per l\u2019A.A. 2024\/2025\" data-aria_expanded=\"Click to collapse: Calendario Laboratori programmati per l\u2019A.A. 2024\/2025\">Schedule of Workshops planned for the 2024\/2025 Academic Year<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-2' aria-labelledby='toggle-toggle-id-2' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><h2 class=\"card-title text-secondary font-600 font-30\">Jazz Practice and Improvisation Workshop (Tutor Attilio ZANCHI)<\/h2>\n<div  class='avia-icon-list-container av-1532c8z-42-36783662f4bd4bdc5cfdce45e8af284e  avia-builder-el-28  el_after_av_iconlist  el_before_av_iconlist'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-1532c8z-42-36783662f4bd4bdc5cfdce45e8af284e avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LABORATORIO-DI-PRASSI-ED-IMPROVVISAZIONE-JAZZ_-M\u00b0-Attilio-Zanchi.pdf' title='Workshop Description and Enrolment Form'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-129x803-41-3ddcec9a3e1c31b9e5c6795aada08ab4 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-22' aria-describedby='av-svg-desc-22' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-22'>Download<\/title>\n<desc id='av-svg-desc-22'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LABORATORIO-DI-PRASSI-ED-IMPROVVISAZIONE-JAZZ_-M&deg;-Attilio-Zanchi.pdf&#039; title=&#039;Laboratory Description and Methods of Operation&#039;iscrizione&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Description and Enrolment Form&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LABORATORIO-DI-PRASSI-ED-IMPROVVISAZIONE-JAZZ_-M\u00b0-Attilio-Zanchi.pdf' title='Workshop Description and Enrolment Form' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Description and Enrolment Form<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>35.2 kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<h2 class=\"card-title text-secondary font-600 font-30\">Active laboratory A.A. 2024\/2025<\/h2>\n<div  class='avia-icon-list-container av-11h54mb-2-fa50edecfea690fd1a01927f425e9355  avia-builder-el-29  el_after_av_iconlist  avia-builder-el-last'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-11h54mb-2-fa50edecfea690fd1a01927f425e9355 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Alessandro-Scarlatti-o-della-Molteplicita_Enrico-Baiano-1.pdf' title='Alessandro Scarlatti or of Multiplicity - Enrico Baiano'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-10ckngj-1-ac1ed1c19c2c49e40bb7878342457911 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-23' aria-describedby='av-svg-desc-23' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-23'>Download<\/title>\n<desc id='av-svg-desc-23'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Alessandro-Scarlatti-o-della-Molteplicita_Enrico-Baiano-1.pdf&#039; title=&#039;Alessandro Scarlatti or of Multiplicity - Enrico Baiano&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Alessandro Scarlatti or of Multiplicity - Enrico Baiano&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Alessandro-Scarlatti-o-della-Molteplicita_Enrico-Baiano-1.pdf' title='Alessandro Scarlatti or of Multiplicity - Enrico Baiano' target=\"_blank\"  rel=\"noopener noreferrer\">Alessandro Scarlatti or of Multiplicity - Enrico Baiano<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">164.7KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Berio-e-Maderna-a-confronto_Silvano-Scanziani-1.pdf' title='Berio and Maderna compared - Silvano Scanziani'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-xp5amb-528092d431c853a518a6b39608416921 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-24' aria-describedby='av-svg-desc-24' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-24'>Download<\/title>\n<desc id='av-svg-desc-24'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Berio-e-Maderna-a-confronto_Silvano-Scanziani-1.pdf&#039; title=&#039;Berio and Maderna compared - Silvano Scanziani&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Berio and Maderna compared - Silvano Scanziani&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Berio-e-Maderna-a-confronto_Silvano-Scanziani-1.pdf' title='Berio and Maderna compared - Silvano Scanziani' target=\"_blank\"  rel=\"noopener noreferrer\">Berio and Maderna compared - Silvano Scanziani<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">77.8KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Cantare-e-suonare.-modernamente-antico_coordinato-da-Lucia-Rizzello-1.pdf' title='Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-wpxi6r-9e666d7d78a0e5b316b24e2e52d69f78 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-25' aria-describedby='av-svg-desc-25' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-25'>Download<\/title>\n<desc id='av-svg-desc-25'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Cantare-e-suonare.-modernamente-antico_coordinato-da-Lucia-Rizzello-1.pdf&#039; title=&#039;Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Cantare-e-suonare.-modernamente-antico_coordinato-da-Lucia-Rizzello-1.pdf' title='Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello' target=\"_blank\"  rel=\"noopener noreferrer\">Singing and Playing... Modernly Ancient - Coordinated by Lucia Rizzello<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">281.3KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Come-nasce-un-festival_Alberto-Triola_ok-1.pdf' title='How a festival is born - Alberto Triola'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-uo1tqb-bcc9f2d8f7c08988a6806a9ed27872be avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-26' aria-describedby='av-svg-desc-26' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-26'>Download<\/title>\n<desc id='av-svg-desc-26'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Come-nasce-un-festival_Alberto-Triola_ok-1.pdf&#039; title=&#039;How a festival is born - Alberto Triola&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;How a festival is born - Alberto Triola&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Come-nasce-un-festival_Alberto-Triola_ok-1.pdf' title='How a festival is born - Alberto Triola' target=\"_blank\"  rel=\"noopener noreferrer\">How a festival is born - Alberto Triola<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">163.6KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Danza-delle-Musiche-Tradizionali_Nuria-Sala-1.pdf' title='Dance of Traditional Music - Nuria Sala'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-temg9v-39209e46b366c764c1bf3194354885ce avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-27' aria-describedby='av-svg-desc-27' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-27'>Download<\/title>\n<desc id='av-svg-desc-27'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Danza-delle-Musiche-Tradizionali_Nuria-Sala-1.pdf&#039; title=&#039;Dance of Traditional Music - Nuria Sala&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Dance of Traditional Music - Nuria Sala&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Danza-delle-Musiche-Tradizionali_Nuria-Sala-1.pdf' title='Dance of Traditional Music - Nuria Sala' target=\"_blank\"  rel=\"noopener noreferrer\">Dance of Traditional Music - Nuria Sala<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">657.2KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Dietrich-Buxtehude-Oratorio_Membra-Jesu-Nostri_Anna-Fontana_Noelia-Reverte-Reche-1.pdf' title='Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-rggawz-a3cb3e7319c280ae90bdf7d92bbc8a43 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-28' aria-describedby='av-svg-desc-28' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-28'>Download<\/title>\n<desc id='av-svg-desc-28'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Dietrich-Buxtehude-Oratorio_Membra-Jesu-Nostri_Anna-Fontana_Noelia-Reverte-Reche-1.pdf&#039; title=&#039;Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Dietrich-Buxtehude-Oratorio_Membra-Jesu-Nostri_Anna-Fontana_Noelia-Reverte-Reche-1.pdf' title='Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche' target=\"_blank\"  rel=\"noopener noreferrer\">Dietrich Buxtehude Oratorio - Membra Jesu Nostri - Anna Fontana - Noelia Reverte Reche<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">124.1KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Incontro-con-la-musica-classica-indiana_Nicolo-Melocchi_AGGIORNATO-1.pdf' title='Encountering Indian classical music - Nicol\u00f2 Melocchi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-2ltq6r-07f3a44d5e23e048e7cb729294f36c6d avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-29' aria-describedby='av-svg-desc-29' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-29'>Download<\/title>\n<desc id='av-svg-desc-29'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Incontro-con-la-musica-classica-indiana_Nicolo-Melocchi_AGGIORNATO-1.pdf&#039; title=&#039;Encountering Indian classical music - Nicol&ograve; Melocchi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Encountering Indian classical music - Nicol&ograve; Melocchi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Incontro-con-la-musica-classica-indiana_Nicolo-Melocchi_AGGIORNATO-1.pdf' title='Encountering Indian classical music - Nicol\u00f2 Melocchi' target=\"_blank\"  rel=\"noopener noreferrer\">Encountering Indian classical music - Nicol\u00f2 Melocchi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">150.3KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio_Cantare-e-suonare.-modernamente-antico_-v2-1.pdf' title='Workshop Singing and Playing... Modernly Ancient v2'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-o6q9gz-d0c937b86cca8b7049f6e71393572dae avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-30' aria-describedby='av-svg-desc-30' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-30'>Download<\/title>\n<desc id='av-svg-desc-30'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio_Cantare-e-suonare.-modernamente-antico_-v2-1.pdf&#039; title=&#039;Workshop Singing and Playing... Modernly Ancient v2&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop Singing and Playing... Modernly Ancient v2&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio_Cantare-e-suonare.-modernamente-antico_-v2-1.pdf' title='Workshop Singing and Playing... Modernly Ancient v2' target=\"_blank\"  rel=\"noopener noreferrer\">Workshop Singing and Playing... Modernly Ancient v2<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">281.3KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/La-Tradizione-musicale-medio-orientale-incontra-le-molteplicita-artistiche-contemporanee-1.pdf' title='Middle Eastern musical tradition meets contemporary artistic diversity'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-m29cj7-e040ab7d3d16c0b469516f417fd0ef0d avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-31' aria-describedby='av-svg-desc-31' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-31'>Download<\/title>\n<desc id='av-svg-desc-31'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/La-Tradizione-musicale-medio-orientale-incontra-le-molteplicita-artistiche-contemporanee-1.pdf&#039; title=&#039;Middle Eastern musical tradition meets contemporary artistic diversity&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Middle Eastern musical tradition meets contemporary artistic diversity&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/La-Tradizione-musicale-medio-orientale-incontra-le-molteplicita-artistiche-contemporanee-1.pdf' title='Middle Eastern musical tradition meets contemporary artistic diversity' target=\"_blank\"  rel=\"noopener noreferrer\">Middle Eastern musical tradition meets contemporary artistic diversity<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">210.6KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LMC_Musica-contemporanea_Andrea-Rebaudengo_Mauro-Bonifacio-1.pdf' title='LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-k0j0z7-18d53247dae36f08d785cfb7ca085c96 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-32' aria-describedby='av-svg-desc-32' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-32'>Download<\/title>\n<desc id='av-svg-desc-32'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LMC_Musica-contemporanea_Andrea-Rebaudengo_Mauro-Bonifacio-1.pdf&#039; title=&#039;LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/LMC_Musica-contemporanea_Andrea-Rebaudengo_Mauro-Bonifacio-1.pdf' title='LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio' target=\"_blank\"  rel=\"noopener noreferrer\">LMC Contemporary Music -Andrea Rebaudengo - Mauro Bonifacio<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">105.6KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/MusicaCorpoEmozioniRelazioniMusicoterapia_Stefania-Belotti_Fabio-Moretti-1.pdf' title='Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-1wil9f-99d271ebded22dd7f4cc8ca0b6fa62c8 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-33' aria-describedby='av-svg-desc-33' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-33'>Download<\/title>\n<desc id='av-svg-desc-33'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/MusicaCorpoEmozioniRelazioniMusicoterapia_Stefania-Belotti_Fabio-Moretti-1.pdf&#039; title=&#039;Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/MusicaCorpoEmozioniRelazioniMusicoterapia_Stefania-Belotti_Fabio-Moretti-1.pdf' title='Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti' target=\"_blank\"  rel=\"noopener noreferrer\">Music Body Emotions Relationships Music Therapy - Stefania Belotti - Fabio Moretti<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">115.5KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Palestrina_Dellaborra_Ramella_Bellorini_Cazzaniga_Mazzella-1.pdf' title='Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-htc5sz-de4ecbc00e66aafc98338f9208748711 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-34' aria-describedby='av-svg-desc-34' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-34'>Download<\/title>\n<desc id='av-svg-desc-34'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Palestrina_Dellaborra_Ramella_Bellorini_Cazzaniga_Mazzella-1.pdf&#039; title=&#039;Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Palestrina_Dellaborra_Ramella_Bellorini_Cazzaniga_Mazzella-1.pdf' title='Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella' target=\"_blank\"  rel=\"noopener noreferrer\">Palestrina - Dellaborra - Ramella - Bellorini - Cazzaniga - Mazzella<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">443.7KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Popular-music_Cultura-orale-improvvisazione-e-arrangiamenti_Daniela-Ippolito-1.pdf' title='Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-f9j4bn-c9919ae04de050e988f8439da6f8f776 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-35' aria-describedby='av-svg-desc-35' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-35'>Download<\/title>\n<desc id='av-svg-desc-35'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Popular-music_Cultura-orale-improvvisazione-e-arrangiamenti_Daniela-Ippolito-1.pdf&#039; title=&#039;Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Popular-music_Cultura-orale-improvvisazione-e-arrangiamenti_Daniela-Ippolito-1.pdf' title='Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito' target=\"_blank\"  rel=\"noopener noreferrer\">Popular music - Oral culture, improvisation and arrangements - Daniela Ippolito<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">37.1KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Prassi-e-improvvisazione_Attilio-Zanchi-1.pdf' title='Praxis and improvisation - Attilio Zanchi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-dizynn-39a766d7ae5651049211c2b36959b16a avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-36' aria-describedby='av-svg-desc-36' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-36'>Download<\/title>\n<desc id='av-svg-desc-36'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Prassi-e-improvvisazione_Attilio-Zanchi-1.pdf&#039; title=&#039;Praxis and improvisation - Attilio Zanchi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Praxis and improvisation - Attilio Zanchi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Prassi-e-improvvisazione_Attilio-Zanchi-1.pdf' title='Praxis and improvisation - Attilio Zanchi' target=\"_blank\"  rel=\"noopener noreferrer\">Praxis and improvisation - Attilio Zanchi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">35.2KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Projection-Mapping-e-Sound-Design_Andrea-Vigani_Fabio-Volpi-1.pdf' title='Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-c4g9eb-12e159644fc48199ae6c02a27f69035f avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-37' aria-describedby='av-svg-desc-37' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-37'>Download<\/title>\n<desc id='av-svg-desc-37'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Projection-Mapping-e-Sound-Design_Andrea-Vigani_Fabio-Volpi-1.pdf&#039; title=&#039;Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Projection-Mapping-e-Sound-Design_Andrea-Vigani_Fabio-Volpi-1.pdf' title='Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi' target=\"_blank\"  rel=\"noopener noreferrer\">Projection-Mapping and Sound Design - Andrea Vigani - Fabio Volpi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">42.4KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Repertorio-di-musiche-per-biodanza_Maria-Vittoria-Jedlowski-1.pdf' title='Repertoire of music for biodance - Maria Vittoria Jedlowski'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-a99phv-cc117d3cec4945713a472585119435fd avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-38' aria-describedby='av-svg-desc-38' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-38'>Download<\/title>\n<desc id='av-svg-desc-38'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Repertorio-di-musiche-per-biodanza_Maria-Vittoria-Jedlowski-1.pdf&#039; title=&#039;Repertoire of music for biodance - Maria Vittoria Jedlowski&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Repertoire of music for biodance - Maria Vittoria Jedlowski&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Repertorio-di-musiche-per-biodanza_Maria-Vittoria-Jedlowski-1.pdf' title='Repertoire of music for biodance - Maria Vittoria Jedlowski' target=\"_blank\"  rel=\"noopener noreferrer\">Repertoire of music for biodance - Maria Vittoria Jedlowski<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">118.6KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Tutti-allOpera_Le-nozze-di-Figaro-1.pdf' title=''  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-zlbib-8a23488f15845f72664185339b51e9a1 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-39' aria-describedby='av-svg-desc-39' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-39'>Download<\/title>\n<desc id='av-svg-desc-39'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: \"><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">163.4KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/300-anni-Alessandro-Scarlatti-Giardino-di-rose_Gemma-Bertagnolli-e-Attilio-Cremonesi-1.pdf' title='Workshop 300 years Alessandro Scarlatti - Rose Garden - Prof. Gemma Bertagnolli &amp; M\u00b0 Attilio Cremonesi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-70v90j-e14d4beb6508c8bae2b7c9cbb0f51f77 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-40' aria-describedby='av-svg-desc-40' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-40'>Download<\/title>\n<desc id='av-svg-desc-40'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/300-anni-Alessandro-Scarlatti-Giardino-di-rose_Gemma-Bertagnolli-e-Attilio-Cremonesi-1.pdf&#039; title=&#039;Workshop 300 years Alessandro Scarlatti - Rose Garden - Prof. Gemma Bertagnolli &amp;amp; M&deg; Attilio Cremonesi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Workshop 300 years Alessandro Scarlatti - Rose Garden - Prof. Gemma Bertagnolli &amp;amp; M&deg; Attilio Cremonesi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/300-anni-Alessandro-Scarlatti-Giardino-di-rose_Gemma-Bertagnolli-e-Attilio-Cremonesi-1.pdf' title='Workshop 300 years Alessandro Scarlatti - Rose Garden - Prof. Gemma Bertagnolli &amp; M\u00b0 Attilio Cremonesi' target=\"_blank\"  rel=\"noopener noreferrer\">Laboratory 300 years Alessandro Scarlatti \u2013 Rose Garden \u2013 Prof. Gemma Bertagnolli &amp; M\u00b0 Attilio Cremonesi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">457.8KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/J.P.-Rameau-Pieces-en-concert-per-archi_Renata-Spotti-1.pdf' title='J.P. Rameau - Pi\u00e8ces en concert for strings - Renata Spotti'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-kxevn-0d28f11e2d8bf48a6ec92ca5d4eab264 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-41' aria-describedby='av-svg-desc-41' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-41'>Download<\/title>\n<desc id='av-svg-desc-41'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/J.P.-Rameau-Pieces-en-concert-per-archi_Renata-Spotti-1.pdf&#039; title=&#039;J.P. Rameau - Pi&egrave;ces en concert for strings - Renata Spotti&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;J.P. Rameau - Pi&egrave;ces en concert for strings - Renata Spotti&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/J.P.-Rameau-Pieces-en-concert-per-archi_Renata-Spotti-1.pdf' title='J.P. Rameau - Pi\u00e8ces en concert for strings - Renata Spotti' target=\"_blank\"  rel=\"noopener noreferrer\">J.P. Rameau - Pi\u00e8ces en concert for strings - Renata Spotti<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">340.4KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio-orchestrale-per-fiati_Sandro-Satanassi-1.pdf' title='Wind orchestra workshop - Sandro Satanassi'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-4m4lw3-6a0f7c5e7003fafc3312c1c5d85f6975 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-42' aria-describedby='av-svg-desc-42' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-42'>Download<\/title>\n<desc id='av-svg-desc-42'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio-orchestrale-per-fiati_Sandro-Satanassi-1.pdf&#039; title=&#039;Wind orchestra workshop - Sandro Satanassi&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Wind orchestra workshop - Sandro Satanassi&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Laboratorio-orchestrale-per-fiati_Sandro-Satanassi-1.pdf' title='Wind orchestra workshop - Sandro Satanassi' target=\"_blank\"  rel=\"noopener noreferrer\">Wind orchestra workshop - Sandro Satanassi<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">369.0KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Arpa-jazz_Marcella-Carboni-1.pdf' title='Jazz harp - Marcella Carboni'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-3ad00z-12a18684e64355c23b141f8938d827d3 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-43' aria-describedby='av-svg-desc-43' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-43'>Download<\/title>\n<desc id='av-svg-desc-43'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Arpa-jazz_Marcella-Carboni-1.pdf&#039; title=&#039;Jazz harp - Marcella Carboni&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Jazz harp - Marcella Carboni&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Arpa-jazz_Marcella-Carboni-1.pdf' title='Jazz harp - Marcella Carboni' target=\"_blank\"  rel=\"noopener noreferrer\">Jazz harp - Marcella Carboni<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block mt-2 font-16 text-muted\">345.7KB<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-mhxapavs-1-adb22c84f0dc8bd1aacbd63e864db9e3'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-3' data-fake-id='#toggle-id-3' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-3' data-slide-speed=\"200\" data-title=\"Calendario Laboratori programmati per l\u2019A.A. 2022\/2023\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Calendario Laboratori programmati per l\u2019A.A. 2022\/2023\" data-aria_expanded=\"Click to collapse: Calendario Laboratori programmati per l\u2019A.A. 2022\/2023\">Workshop Calendar scheduled for the Academic Year 2022\/2023<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-3' aria-labelledby='toggle-toggle-id-3' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><h2>REPERTORY WORKSHOP OF MUSIC FOR BIODANCE<\/h2>\n<p>Contact teacher: Maria Vittoria Jedlowski: <a href=\"mailto:mariavittoria.jedlowski@consmilano.it\">mariavittoria.jedlowski@consmilano.it<\/a><\/p>\n<p><strong>Tuesday 15th<\/strong> November 2022, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 22nd<\/strong> November, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 29th<\/strong> November, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Tuesday the 13th<\/strong> December, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 20th<\/strong> December, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 10<\/strong> January 2023, <strong>Choir Room<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Thursday the 12th<\/strong> January 2023, <strong>Choir Room<\/strong> 4-7 p.m.<br \/>\n<strong>Tuesday 17<\/strong> January, <strong>Choir Room<\/strong> 8 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 24th<\/strong> January, <strong>Puccini Hall<\/strong> 7 p.m. - 10 p.m.<\/p>\n<p>The biodanza music repertoire workshop involves the preparation of a musical repertoire suitable to support biodance sessions or similar practices.<br \/>\nIn the course of the workshop, a practical in-depth study of the motor, physiological and emotional states stimulated by music is proposed, as well as a practical study of one's own motor and emotional attitude when playing.<br \/>\nParticular attention is paid to the type of relationship that is established whilst playing with oneself, with fellow performers, and with the audience, with the aim of understanding, enriching, and facilitating these relationships. Furthermore, an attitude is encouraged that is more focused on the meaning of one's playing, in relation to the audience, than on the performance itself. This is done with the aim of softening technical stress in favour of responsibility towards the social value of music.<br \/>\nThe laboratory students will develop a repertoire of existing music, composed during the laboratory or improvised, which can be related to specific movements and emotional states proposed in biodanza sessions.<br \/>\nThis is the preparation of a repertoire of music that is to Biodanza what incidental music is to a stage play and its actors.<br \/>\nAn experiential method is used that involves not only the composition, research, performance and interpretation of the musical repertoire, but also the practice of movement suggested and inspired by the music.<br \/>\nThe Biodanza Music Repertory laboratory is open across all instrumental courses of any discipline, including classical, ancient, pop, rock, jazz, as well as singing and teaching, to students of the Triennio and Biennio of any year, and to external students, within the percentage permitted by the Conservatory. The transversal nature of this laboratory fosters the integration and collaboration of students with different musical style competencies, as was evident from the highly successful collaborative outcome during the current academic year 2021-22.<\/p>\n<p><strong>Jotform registration form<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223033285385354\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223033881893360\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline<\/strong>Monday 14 November 11.59pm<\/p>\n<h2>STOCKHAUSEN: PIANO PIECES<\/h2>\n<p>Contact teacher: Giuseppe Leanza: <a href=\"mailto:giusepe.leanza@consmilano.it\">giusepe.leanza@consmilano.it<\/a><\/p>\n<p><strong>Wednesday 16<\/strong> November 2022, <strong>Library Conference Room<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Wednesday 30th<\/strong> November, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Wednesday 14th<\/strong> December, <strong>Room 215<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Wednesday 21st<\/strong> December, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Wednesday 11<\/strong> January 2023, <strong>Library Conference Room<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Wednesday 25<\/strong> January, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Wednesday 08<\/strong> February, <strong>Library Conference Room<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Wednesday 01<\/strong> March, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Wednesday 08<\/strong> March, <strong>Room 211<\/strong> 2.00 p.m. - 4.00 p.m.<br \/>\n<strong>Friday the 10th<\/strong> March, <strong>Puccini Hall<\/strong> 2.30 p.m.<br \/>\n<strong>Concert: Friday 10<\/strong> March, <strong>Puccini Hall<\/strong> 8.30 p.m.<\/p>\n<p>The workshop is aimed at piano students, both internal and external to the Giuseppe Verdi Conservatory in Milan, and is intended for the concert performance of Karlheinz Stockhausen's Klavierst\u00fccke, which will be agreed upon with the registered students. As it is unlikely that the duration will cover an entire concert, the performances will be included in concerts featuring other repertoire, preferably modern or contemporary.<br \/>\nThe workshop will involve introductory meetings and analysis of pieces, as well as practical lessons aimed at performance. At the end of the lessons, the tutor will select the students who will participate in the concert. The workshop is also open to composition students as auditors.<br \/>\nAn aptitude audition is scheduled for Wednesday 30 November. It will consist of the performance of two excerpts by Karlheinz Stockhausen, which the lecturer will indicate a fortnight in advance.<\/p>\n<p><strong>Jotform registration form<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223033421459348\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223033953840352\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline<\/strong>Monday 14 November 11.59pm<\/p>\n<h2>Improvisation Techniques<\/h2>\n<p>Attilio Zanchi<br \/>\nContact teacher: Tino Tracanna: <a href=\"mailto:tino.tracanna@consmilano.it\">tino.tracanna@consmilano.it<\/a><\/p>\n<p><strong>Saturday 19th<\/strong> November 2022, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 26th<\/strong> November, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 10<\/strong> December, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 14<\/strong> January 2023, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 28<\/strong> January, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 11<\/strong> February, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 04<\/strong> March, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 18th<\/strong> March, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Saturday 25<\/strong> March, <strong>Choir Room<\/strong> 9 a.m. - 11 a.m. (Pop) \/\/ 11 a.m. - 1 p.m. (Jazz)<br \/>\n<strong>Concert<\/strong>Saturday 01 April, Choir Room 9.00-11.00 am (Pop) \/\/ 11.00-13.00 am (Jazz)<\/p>\n<p>The workshop is aimed at learning and developing improvisational skills. In addition to the theoretical part, practical exercises will be carried out. The course will be based on the topics covered in various methods written by the author Attilio Zanchi: Teoria ed Armonia moderna, Inside the standards, Simmetrie musicali and Studi Vocali. The main topics addressed will relate to the relationship between chords and their related scales, and the development of melodic lines taking into account harmonic connections and the use of chromaticism in phrasing. Pieces from jazz and pop repertoires will be played, including study of themes, guided listening, exercises with linked scales, and solos by musicians chosen from the most representative of these musical styles.<\/p>\n<p><strong>Jotform registration form<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223034653629355\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223034503273344\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline<\/strong>Monday 14 November 11.59pm<\/p>\n<h2>THE BOLD MADRIGAL: GESUALDO DA VENOSA VS CLAUDIO MONTEVERDI<\/h2>\n<p>Mirko Cristiano Guadagnini<br \/>\nContact teacher: Daniela Uccello: <a href=\"mailto:daniela.uccello@consmilano.it\">daniela.uccello@consmilano.it<\/a><br \/>\n<strong>WORKSHOP CANCELLED<\/strong><\/p>\n<p><strong>Sunday 27th<\/strong> November 2022, <strong>Choir Room<\/strong> 2:00 PM - 8:00 PM \u2013 <strong>MEETING CANCELLED<\/strong><br \/>\n<strong>Sunday 18th<\/strong> December, <strong>Choir Room<\/strong> 2-8 p.m.<br \/>\n<strong>Sunday 22nd<\/strong> January 2023, <strong>Choir Room<\/strong> 2-8 p.m.<br \/>\n<strong>Sunday 05<\/strong> February, <strong>Choir Room<\/strong> 2-8 p.m.<br \/>\n<strong>Sunday 05<\/strong> March, <strong>Room 106<\/strong> 2-8 p.m.<br \/>\n<strong>Sunday 19th<\/strong> March, <strong>Room 106<\/strong> 2-8 p.m.<br \/>\n<strong>Saturday 01<\/strong> April, <strong>Room 106<\/strong> 7 p.m. - 10 p.m.<br \/>\n<strong>Sunday 02<\/strong> April, place and time to be defined<\/p>\n<p>The workshop aims to explore a cappella madrigal singing with basso continuo, using real voice parts. The study will focus on the madrigals of Gesualdo Da Venosa and Claudio Monteverdi and, in addition to examining the compositional differences and points of contact between these two great representatives of the most daring Italian madrigalism in terms of composition, innovation and sonority, it will delve into the technique of Baroque madrigal singing, style, the interplay between text and music in madrigalism, and expressiveness. It will also stimulate the student's ability to develop soloistic musicality within a real-part ensemble and encourage musical creativity in the Baroque style to construct the characteristic expressiveness of Gesualdo's and Monteverdi's madrigals.<br \/>\nThe presentation of this workshop renews what was already proposed and carried out in the academic year 2021-22 with the workshop 'A cappella Madrigalism in Claudio Monteverdi', which attracted 22 participants from within the Conservatory and 2 from outside. It was highly successful in terms of study and learning for the participating students, culminating in a final concert with over 100 people in attendance. The aim is to renew the offering and cater to both existing and new students who wish to delve deeper into this repertoire and these themes.<br \/>\nThe selection of madrigals by Gesualdo Da Venosa will be made from numerous collections, while the study on Claudio Monteverdi's madrigals will focus on a selection from the Fifth Book of Madrigals (1605), where the introduction of basso continuo begins, heralding the world's first Baroque opera, Orfeo (1607). An interesting historical-musical analysis will be presented on the evolution between prima and seconda pratica, and the transition from polyphony to the gradual inclusion of soloistic passages within the 5-voice composition, which precedes accompanied monody with basso continuo.<br \/>\nThe meetings will involve a collective study of madrigals, followed by division into vocal quintets for their technical, musical, and expressive refinement.<br \/>\nFor the success of the workshop, it will be appropriate and desirable to ensure an adequate balance in the presence of female and male voices of all registers, therefore sopranos, mezzosopranos, altos-countertenors, tenors, baritones, basses.<br \/>\nThe singers who distinguish themselves, at the sole discretion of Maestro Mirko Guadagnini, may join professionals and participate in baroque concerts organised by Associazione Lieder\u00ecadi in Milan, at the Church of San Maurizio al Monastero Maggiore and the Church of Sant\u2019Antonio Abate throughout the year.<\/p>\n<p><strong>Jotform registration form<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223034476236352\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223034445308348\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline<\/strong>Wednesday 14 December 11:59 PM<\/p>\n<h2>DEAR FRIENDS: ORATORIO JUDICIUM EXTREMUM<\/h2>\n<p>Contact teacher: Francesca Torelli: <a href=\"mailto:francesca.torelli@consmilano.it\">francesca.torelli@consmilano.it<\/a><\/p>\n<p><strong>Thursday 01<\/strong>\u00a0December 2022,\u00a0<strong>Room 106<\/strong>\u00a016:00-18:00 \u2013 MEETING CANCELLED<br \/>\n<strong>Thursday 15<\/strong>\u00a0December,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 22<\/strong>\u00a0December,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday the 12th<\/strong>\u00a0January 2023,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 19<\/strong>\u00a0January,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 26<\/strong>\u00a0January,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 02<\/strong>\u00a0February,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 9th<\/strong>\u00a0February,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 02<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 9th<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 16<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 23<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday 30<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a04-6 p.m.<br \/>\n<strong>Thursday the 13th<\/strong>\u00a0April,\u00a0<strong>Puccini Hall<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Thursday 27<\/strong>\u00a0April,\u00a0<strong>Puccini Hall<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Thursday 04<\/strong>\u00a0May,\u00a0<strong>Puccini Hall<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Thursday 11<\/strong>\u00a0May,\u00a0<strong>Puccini Hall<\/strong>\u00a010 a.m. - 1 p.m.<\/p>\n<p>The laboratory is open to students from the baroque singing, chamber vocal music, baroque violin, and basso continuo classes for organ, harpsichord, lute, baroque bassoon, and viola da gamba.<br \/>\nThe oratorio\u00a0<em>Judicium extremum<\/em>\u00a0for soloists, choir, 2 violins and basso continuo, it is one of the most successful in Giacomo Carissimi's output and includes solo vocal parts and choral parts that can be performed as real parts or with doublings, depending on the number of participants in the workshop.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong>In-house musicians:\u00a0<a href=\"https:\/\/form.jotform.com\/223034188733354\">https:\/\/form.jotform.com\/223034188733354<br \/>\n<\/a>Outside musicians:\u00a0<a href=\"https:\/\/form.jotform.com\/223034610987355\">https:\/\/form.jotform.com\/223034610987355<br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Wednesday 30<\/strong>\u00a0November 11.59 p.m.<\/p>\n<h2>EXTENDED SOUND DESIGN<\/h2>\n<p><strong>Davide Gagliardi and Andrea Vigani<br \/>\n<\/strong>Contact teacher: Andrea Vigani: <a href=\"mailto:andrea.vigani@consmilano.it\">andrea.vigani@consmilano.it<\/a><\/p>\n<p><strong>Friday 02<\/strong>\u00a0December 2022,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 16th<\/strong>\u00a0December,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 27<\/strong>\u00a0January 2023,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 03<\/strong>\u00a0February,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 10<\/strong>\u00a0February,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 03<\/strong>\u00a0March,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 10<\/strong>\u00a0March,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 24th<\/strong>\u00a0March,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 31st<\/strong>\u00a0March,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 14<\/strong>\u00a0April,\u00a0<strong>Classroom 130<\/strong>\u00a010 a.m. - 2 p.m.<\/p>\n<p>This workshop aims to be an interdisciplinary space where participants can explore the possible interactions between sound and musical computation through interaction design techniques. Specifically, this will involve studying the relational ergonomics between gesture and sound. Interactions can occur through physical interfaces, such as sensors, joysticks, tablets, smartphones, and computer keyboards, as well as through video tracking techniques of human movements. This will transform the use of everyday objects into sonic interfaces aimed at discovering new musical expressions.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223034128419349\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223034128419349\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223034980529357\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223034980529357\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Thursday 24<\/strong>\u00a0November 11.59 p.m.<\/p>\n<h2>MUSIC FOR ANIMATION AND VIDEO GAMES<\/h2>\n<p><strong>Olivier Deriviere, Vasco Hexel, Chiara Magni, Ludwin Norman, Diego Pugliese<br \/>\n<\/strong>Contact teacher: Paolo Tortiglione: <a href=\"mailto:paolo.tortiglione@consmilano.it\">paolo.tortiglione@consmilano.it<\/a><\/p>\n<p><strong>Friday 16th<\/strong>\u00a0December,\u00a0<strong>Classroom 103<\/strong>\u00a08.45 a.m. - 1.45 p.m.<br \/>\n<strong>Friday 27<\/strong>\u00a0January 2023,\u00a0<strong>Library Conference Room<\/strong>\u00a09 a.m. - 2 p.m.<br \/>\n<strong>Friday, 3rd<\/strong>\u00a0March,\u00a0<strong>Classroom 103<\/strong>\u00a08.45 a.m. - 1.45 p.m.<br \/>\n<strong>Friday 24th<\/strong>\u00a0March 2023,\u00a0<strong>Puccini Hall<\/strong>\u00a08.45 a.m. - 1.45 p.m.<br \/>\n<strong>Friday 14<\/strong>\u00a0April,\u00a0<strong>Library Conference Room<\/strong>\u00a09 a.m. - 2 p.m.<br \/>\n<strong>Friday 21st<\/strong>\u00a0April 2023,\u00a0<strong>Classroom 103<\/strong>\u00a08.45 a.m. - 1.45 p.m.<\/p>\n<p>Following the success of the workshop in 2017, 2018, 2019, 2020, and 2021\/22, the most recent edition of which saw over 61 registrants and an average of over 45 attendees per session, a new session is proposed for the year 2022\/23 on a related and complementary theme.<br \/>\nThe workshop comprises 6 lessons of 5 hours each in which the methodologies of writing for animation scenes and VideoGames (CD-DVD-Videogames-Console) will be explained. Composition techniques with Virtual Orchestra and dedicated electronic instruments will be illustrated<br \/>\nThe main purpose is to write music for film scenes, video games, TV programmes, television and radio jingles, CD-DVDs, etc.<br \/>\nThe workshop begins with the study of important considerations for composition for visual media, including, for example, music-dialogue balance, the psychology of music for images (what is the best music for the type of images?), how to influence the viewer's emotional response, and how to create music that evokes specific eras and styles. The course also covers music for video games, how to work with dedicated and specialised software (libraries, virtual orchestras, and cinematic instruments).<br \/>\nThe different genres of music for multimedia products will then be reviewed, for example, themes and sounds relating to romance, sadness, pursuit, horror, magic, fantasy, heroic, action, and adventure genres. The workshop then analyses each genre and sound in terms of harmony and counterpoint, tempo, scene rhythm, aspects related to directing and screenwriting, stimulating the student to create a series of templates that they can then use in their future profession.<br \/>\nWe will analyse material from the greatest authors of the genre and each meeting will also feature an external expert working in the sector.<br \/>\nA certified English level equivalent to B2 is required for admission. For those who do not possess this documentation, an English proficiency test for admission to the Laboratory will be held on December 10th, 2022, at 10:00 AM in Classroom 103.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223254481710349\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223254481710349\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223253725696362\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223253725696362\"><br \/>\n<\/a><strong>Closing date for applications: Thursday 8th\u00a0<\/strong>December, 11:59 PM<\/p>\n<p>_______________________________________<\/p>\n<h2>CONTEMPORARY MUSIC (LMC)<\/h2>\n<p>Contact teacher: Mauro Bonifacio: <a href=\"mailto:mauro.bonifacio@consmilano.it\">mauro.bonifacio@consmilano.it<\/a><\/p>\n<p><strong>Friday 16th<\/strong>\u00a0December 2022,\u00a0<strong>Library Conference Room<\/strong>\u00a011 a.m. - 1.30 p.m.<br \/>\n<strong>Friday 27<\/strong>\u00a0January 2023,\u00a0<strong>Choir Room<\/strong>\u00a011 a.m. - 1.30 p.m.<br \/>\n<strong>Wednesday 01<\/strong>\u00a0March,\u00a0<strong>Puccini Hall<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Thursday 02\u00a0<\/strong>March,\u00a0<strong>Puccini Hall<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Friday 03<\/strong>\u00a0March,\u00a0<strong>Puccini Hall<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Saturday 04<\/strong>\u00a0March,\u00a0<strong>Puccini Hall<\/strong>\u00a010.30 a.m. - 1.30 p.m.<\/p>\n<p>The Contemporary Music Laboratory is an educational project dedicated to instrumental students, chamber vocal music, singing students from the Triennio, Biennio and Master's courses, and orchestra conducting students from the Triennio only. This year's programme includes the study of two scores:\u00a0<em>O King<\/em>\u00a0for mezzo soprano and five instruments (flute, clarinet, violin, cello and piano) by Luciano Berio and\u00a0<em>Drift I<\/em>\u00a0for 6 instruments (flute, clarinet, violin, cello, vibraphone and piano) by Pierre Boulez. Registration is restricted to the voice and instruments listed above. Based on registrations received, no more than two ensembles of a similar standard will be formed, so the number of participating students will be limited; 20 hours of attendance are required.<\/p>\n<p><strong>Objectives<br \/>\n<\/strong>Acquisition and in-depth development of specific technical, analytical, and interpretive skills concerning mid-20th century and contemporary ensemble music. Each teaching module within the contemporary music workshop is aimed at forming one or more student ensembles capable of tackling the study of significant recent and contemporary repertoire. Students and groups who particularly distinguish themselves during the workshop may be nominated for future projects within m2c, the Institute of Modern and Contemporary Music.<\/p>\n<p><strong>Contents<br \/>\n<\/strong>Study and performance of important recent and contemporary scores. Acquisition of specific technical-instrumental knowledge, rehearsal sessions and in-depth analysis of the programmed scores.<\/p>\n<p><strong>Articulation<br \/>\n<\/strong>Theoretical part: 5 hours<br \/>\nCollective theoretical lessons, held by the lecturer responsible for the project. In-depth study of the main performing techniques used in recent and contemporary literature. In-depth technical-analytical study of the scores covered in the practical part.<br \/>\nPractical part: 15 hours<br \/>\nTrial sessions with student ensembles. The practical part involves working on the rehearsal of the programmed pieces together with the project manager teacher and the Bachelor's students in orchestral conducting.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223034756724355\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223034756724355\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223034909158356\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223034909158356\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Monday 12\u00a0<\/strong>December 23.59<\/p>\n<h2><strong>FROM ANTONIO VALENTE TO DOMENICO CIMAROSA:<br \/>\n<\/strong><strong>TWO HUNDRED YEARS OF THE NEAPOLITAN SCHOOL<\/strong><\/h2>\n<p><strong>Chiara Tiboni\u00a0<\/strong>e<strong>\u00a0Enrico Baiano<br \/>\n<\/strong>Contact teacher: Chiara Tiboni: <a href=\"mailto:chiara.tiboni@consmilano.it\">chiara.tiboni@consmilano.it<\/a><\/p>\n<p><strong>Thursday 15<\/strong>\u00a0December 2022,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Saturday 14<\/strong>\u00a0January 2023,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Friday 27<\/strong>\u00a0January,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Thursday 9th<\/strong>\u00a0February,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Friday 28th<\/strong>\u00a0April,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Saturday 29<\/strong>\u00a0April,\u00a0<strong>Classroom 101<\/strong>\u00a09 a.m. - 2 p.m.<br \/>\n<strong>Friday 26th<\/strong>\u00a0May,\u00a0<strong>Classroom 101<\/strong>\u00a02-7 p.m.<br \/>\n<strong>Saturday 27th<\/strong>\u00a0May,\u00a0<strong>Classroom 101<\/strong>\u00a09 a.m. - 2 p.m.<br \/>\n<strong>Concert<\/strong>:\u00a0<strong>Sunday 28<\/strong>\u00a0May,\u00a0<strong>Foyer Verdi Hall<\/strong>\u00a04 p.m.<\/p>\n<p>Towards the end of the 16th century, a compositional and instrumental school developed in Naples that stood out on the European scene for its originality. At the turn of the 16th and 17th century, the salient features were the remarkable technical level, equalled only by the coeval Elizabethan school, the artificial counterpoint, the search for new chromatic and harmonic horizons, a new way of \u00abmaking the keyboard sing\u00bb, derived from the style of the Second Procrustean period. At the end of the 17th century, these elements were joined by the influence of opera, which inspired new ways of thinking about instrumental writing and interpretation. Domenico Scarlatti contaminates this complex heritage with Iberian musical folklore and the result is a language that is once again unique in Europe. In Europe, meanwhile, Italian opera, which owes much to Neapolitan opera buffa, goes wild. Its influence is also pervasive in instrumental music, which cites its stylistic features and attitudes; many sonatas by Domenico Scarlatti, Domenico Cimarosa, Giovanni Paisiello, Pietro Domenico Paradisi, and, for example, Franz Joseph Haydn and Wolfgang Amadeus Mozart, looking outside Naples and Italy, are clear transpositions of arias or theatrical scenes. The theme of the seminar, which is deliberately broad, will give each participant the opportunity to focus on one or more moments of these miraculous two centuries, with the aim of reconstructing as complete a picture as possible.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223051837589363\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223051837589363\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223051795716358\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223051795716358\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Tuesday the 13th\u00a0<\/strong>December 23.59<\/p>\n<h2><strong>FIRST RUDIMENTS OF INSTRUMENTAL IMPROVISATION<\/strong><\/h2>\n<p>Contact teacher: Fabio Moretti: <a href=\"mailto:fabio.moretti@consmilano.it\">fabio.moretti@consmilano.it<\/a><\/p>\n<p><strong>Tuesday 10<\/strong>\u00a0January 2023,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 17<\/strong>\u00a0January,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 24th<\/strong>\u00a0January,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 31<\/strong>\u00a0January,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 07<\/strong>\u00a0February,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 07<\/strong>\u00a0March,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 14th<\/strong>\u00a0March,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 21st<\/strong>\u00a0March,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Tuesday 28<\/strong>\u00a0March,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<br \/>\n<strong>Marted\u00ec 04<\/strong>\u00a0April,\u00a0<strong>Classroom 201<\/strong>\u00a08 p.m. - 10 p.m.<\/p>\n<p>Depending on the characteristics and abilities of the enrolled students, this workshop can offer a very diverse educational path. For students who already hold an instrument diploma, I will present a bibliography on improvisation technique and harmony suitable for the purpose.<br \/>\nFor those with no prior skills in rhythmic reading, sight-singing, and tonal harmony, they will be integrated into the educational path according to their abilities.<br \/>\nPiano, study instruments, and simple percussion instruments will be used in the improvisation. Hand claps and walking in time will also be employed.<br \/>\nFamous classical pieces will be played, during which each student will be encouraged to make spontaneous contributions with simple percussion to accompany the listening and create a small new version of the piece.<br \/>\nGroup rhythmic improvisations with percussion instruments alone will often be performed during the workshop<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223052849117354\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052849117354\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052027061340\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052027061340\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Thursday 15<\/strong>\u00a0December 23.59<\/p>\n<h2><strong>THE WOODWINDS OF KURT WEILL<\/strong><\/h2>\n<p>Contact teacher: Silvano Scanziani: <a href=\"mailto:silvano.scanziani@consmilano.it\">silvano.scanziani@consmilano.it<\/a><\/p>\n<p><strong>Saturday 14<\/strong>\u00a0January 2023,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 28<\/strong>\u00a0January,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 4\u00a0<\/strong>February,\u00a0<strong>Room 106\u00a0<\/strong>3-6 p.m.<br \/>\n<strong>Saturday 11\u00a0<\/strong>February,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 04<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 18th<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 01<\/strong>\u00a0April,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 15<\/strong>\u00a0April,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 22nd<\/strong>\u00a0April,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 29<\/strong>\u00a0April,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Saturday 06<\/strong>\u00a0May,\u00a0<strong>Room 106<\/strong>\u00a03-6 p.m.<br \/>\n<strong>Concert<\/strong>:\u00a0<strong>Tuesday 9th<\/strong>\u00a0May,\u00a0<strong>Puccini Hall<\/strong>\u00a08.30 p.m.<\/p>\n<p>The workshop is aimed at students of wind instruments, violin, percussion, piano, guitar and double bass from the Undergraduate and Postgraduate degree courses, and the Master's degree. It involves the study and performance of 2 important compositions by Kurt Weill for ensembles made up predominantly of wind instruments, namely:\u00a0<em>Kleine Dreigroschenmusik<\/em>, suite from the opera\u00a0<em>Threepenny<\/em>\u00a0(composer's wind ensemble version) and the\u00a0<em>Concert for Violin and Winds<\/em>\u00a0op. 12.<br \/>\nThe solo violin part will be chosen by audition; the other parts will be assigned by simple registration for the workshop.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223052135865352\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052135865352\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052784813355\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052784813355\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Thursday 15<\/strong>\u00a0December 23.59<\/p>\n<h2><strong>THE UNMEASURED PRELUDE: INTERPRETATION AND IN-DEPTH ANALYSIS<\/strong><\/h2>\n<p><strong>Carlo Giuseppe Maria Ramella, Mariateresa Dellaborra, Chiara Tiboni<br \/>\n<\/strong>Contact teacher: Carlo Giuseppe Maria Ramella: <a href=\"mailto:carlo.ramella@consmilano.it\">carlo.ramella@consmilano.it<\/a><\/p>\n<p><strong>Wednesday 1<\/strong>\u00a0February,\u00a0<strong>Room 106<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Wednesday 8<\/strong>\u00a0February,\u00a0<strong>Room 106<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Wednesday 8<\/strong>\u00a0March,\u00a0<strong>Classroom 104<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Wednesday the 22nd<\/strong>\u00a0March,\u00a0<strong>Room 106<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Wednesday 19<\/strong>\u00a0April,\u00a0<strong>Classroom 104<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Wednesday 3<\/strong>\u00a0May,\u00a0<strong>Classroom 104<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Wednesday 7<\/strong>\u00a0June,\u00a0<strong>Classroom 104<\/strong>\u00a010 a.m. - 1 p.m.<\/p>\n<p>Louis Couperin was likely inspired in his preludes by the arpeggiated playing style of the German harpsichordist Froberger. Froberger studied in Rome with Girolamo Frescobaldi from 1637 to 1641, and later travelled to Paris, where it seems probable that Froberger and Couperin met, although no direct evidence has survived. Despite Frescobaldi's valuable preface to his works \u2013 advice that Froberger presumably demonstrated to his French colleagues \u2013 the rigidity of German-Italian notation, with its vertical written chords, defined bar lines, and proportional note values, must not have had much effect on a musician of such great imagination and variety as Louis Couperin. He surely found the notation of chords, in particular, too restrictive to reflect his myriad inventive arpeggios. Couperin sought a system of notation that would provide precise information but also liberate the performer's imagination.<br \/>\nThe unmeasured prelude is therefore a composition whose ambivalent essence, while leaving the performer greater autonomy than other forms, does not eliminate a structuring of the harmonic, phrasal, and rhetorical aspects which can be made evident by analysis and should transpire from the harpsichordist's live interpretation.<br \/>\nThe workshop will be structured into three parts:<\/p>\n<ol>\n<li><strong>In-depth historical-musicological study<\/strong>Of this particular aspect of Baroque instrumental music, with attention to the history of harpsichord practice and the modification of musical taste in the French environment of the second half of the 17th century.<\/li>\n<li><strong>Semiological study of musical sources<\/strong>The notation; semibreves; ties and their different uses; lines; the notation of printed preludes. The analysis of the tonal and harmonic context and the melodic and structural particularities of this type of composition.<\/li>\n<li><strong>In-depth study of problems related to performance practice<\/strong>Executive study of some preludes transcribed by students during lessons. The work, in concert with the Harpsichord Professor, will aim to highlight the interpretative needs of each individual page in the sense of historically informed performance practice.<\/li>\n<\/ol>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223343697498370\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223343032004336\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><br \/>\n<strong>Entry deadline: Sunday 15<\/strong>\u00a0January 11.59 p.m.<\/p>\n<h2><strong>WRITING CONSERVATORY THESES AND DISSERTATIONS<\/strong><\/h2>\n<p><strong>Oreste Bossini, Marta Crippa, Mariateresa Dellaborra,<br \/>\nGianni Fidanza, Angelo Foletto, Antonino Geraci, Sandra Martani<br \/>\n<\/strong>Contact teacher: Gianni Fidanza: <a href=\"mailto:gianni.fidanza@consmilano.it\">gianni.fidanza@consmilano.it<\/a><strong><br \/>\n<\/strong><\/p>\n<p><strong>Thursday 02<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a010 a.m.-12 noon \/\/ 1 p.m.-3 p.m.<br \/>\n<strong>Friday 03<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Monday 06<\/strong>\u00a0March,\u00a0<strong>Library Conference Room<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Wednesday 08<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a09.30 a.m. - 1.30 p.m.<br \/>\n<strong>Thursday 9th<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a010 a.m. - 1 p.m. \/\/ 2 p.m. - 4 p.m.<br \/>\n<strong>Monday 13<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a011 a.m. - 1 p.m.<br \/>\n<strong>Wednesday 15<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a02.00 p.m. - 4.00 p.m.<br \/>\n<strong>Thursday 16<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a011 a.m. - 1 p.m. \/\/\u00a0<strong>Library Conference Room<\/strong>\u00a02.00 p.m. - 4.00 p.m.<br \/>\n<strong>Tuesday 21st<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a011 a.m. - 1 p.m.<br \/>\n<strong>Thursday 23<\/strong>\u00a0March,\u00a0<strong>Library Meeting Room<\/strong>\u00a011 a.m. - 1 p.m. \/\/ 2 p.m. - 4 p.m.<\/p>\n<p>Since the Italian conservatoire reform came into effect in 1999 \u2013 which made the artistic and musical training system parallel to the university system \u2013 students are required to draft a paper for the exam of certain subjects and a dissertation for the final examination of each cycle (which is usually accompanied, on the occasion of the defence, by a musical performance).<br \/>\nThe undergraduate thesis represents the moment when a student is asked, for the first time during their academic career, to demonstrate their ability to argue a topic, contextualise, compare, and analyse the musicological sources and literature consulted \u2013 whilst simultaneously compiling a bibliography for the chosen subject \u2013 and to present the results of their research.<br \/>\nThe workshop\u00a0<em>Writing theses and dissertations in the Conservatory<\/em>\u00a0aims to provide students with the necessary skills to be able to tackle a research project, to be able to document effectively, to be able to structure a dissertation by arguing a topic.<br \/>\nThe workshop will also include a section dedicated to presenting our Conservatory's library, the services it offers, and the bibliographic tools available for research (including online resources and directories). Bibliographic research is, in fact, an essential step for any project involving the drafting of a scientific text, and Conservatory students must be able to define the subject and parameters of bibliographic research, identify catalogues and directories to consult (bibliographic information tools), evaluate the results, and consult bibliographic resources by adopting a critical approach towards the authoritativeness of the sources.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223262386476361\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223262386476361\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223262436935357\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223262436935357\"><br \/>\n<\/a><strong>Closing date for registration: Wednesday 1\u00a0<\/strong>February 11.59 p.m.<\/p>\n<h2><strong>FROM GESTURE TO SONG: THE DIALOGUE BETWEEN MASTER AND CHOIR<\/strong><\/h2>\n<p>Contact teacher: Maria Elena Mazzella: <a href=\"mailto:mariaelena.mazzella@consmilano.it\">mariaelena.mazzella@consmilano.it<\/a><\/p>\n<p><strong>Tuesday 07<\/strong>\u00a0March 2023,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 14th<\/strong>\u00a0March,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 21st<\/strong>\u00a0March,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 28<\/strong>\u00a0March,\u00a0<strong>Choir Room\u00a0<\/strong>2-6 p.m.<br \/>\n<strong>Marted\u00ec 04<\/strong>\u00a0April,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 18th<\/strong>\u00a0April,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 09<\/strong>\u00a0May,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 16th<\/strong>\u00a0May,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 23rd<\/strong>\u00a0May,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 30<\/strong>\u00a0May,\u00a0<strong>Choir Room<\/strong>\u00a02-6 p.m.<br \/>\n<strong>Tuesday 06<\/strong>\u00a0June,\u00a0<strong>Choir Room<\/strong>\u00a06-8 p.m.<\/p>\n<p>The workshop aims to establish a vocal group capable of studying pieces from different genres and periods. The ensemble formed will be rehearsed and conducted by the student choir directors, who will tackle the pieces programmed for their exams. During the workshop sessions, there will be lessons in choir rehearsal and conducting, as per the study plan.<br \/>\nThe aim is to familiarise students with the choral experience from the perspective of the conductor leading the group. In addition to the usual guidance regarding conducting technique, score study and analysis, choir members' vocal training, and rehearsal practice, particular attention will be paid to choral repertoire for opera theatre and sacred productions for choir and orchestra or instrumental accompaniment.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223052176101340\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052176101340\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052813943352\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052813943352\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Wednesday 1\u00a0<\/strong>February 11.59 p.m.<\/p>\n<h2><strong>AMERICAN PIANOS \u2013 CONTEMPORARY AMERICAN PIANO MUSIC<\/strong><\/h2>\n<p><strong>Emanuele Arciuli<\/strong>\u00a0e\u00a0<strong>Andrea Rebaudengo<br \/>\n<\/strong>Contact teacher: Andrea Rebaudengo: <a href=\"mailto:andrea.rebaudengo@consmilano.it\">andrea.rebaudengo@consmilano.it<\/a><\/p>\n<p><strong>Exam: Thursday 20th<\/strong>\u00a0April 2023,\u00a0<strong>Room 212<\/strong>\u00a02 p.m.<br \/>\n<strong>Friday 21st<\/strong>\u00a0April,\u00a0<strong>Room 212<\/strong>\u00a02-7.30 p.m.<br \/>\n<strong>Friday 05<\/strong>\u00a0May,\u00a0<strong>Room 211<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Friday 16th<\/strong>\u00a0June,\u00a0<strong>Room 211<\/strong>\u00a010 a.m. - 2 p.m.<br \/>\n<strong>Friday 08<\/strong>\u00a0September,\u00a0<strong>Room 211<\/strong>\u00a02-7.30 p.m.<br \/>\n<strong>Friday 22nd<\/strong>\u00a0September,\u00a0<strong>Room 211<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Concert rehearsals: Monday 16<\/strong>\u00a0October,\u00a0<strong>Puccini Hall<\/strong>\u00a02-8 p.m.<br \/>\n<strong>Concert<\/strong>:\u00a0<strong>Tuesday 17<\/strong>\u00a0October,\u00a0<strong>Puccini Hall<\/strong>\u00a08.30 p.m.<\/p>\n<p>The United States witnessed a flourishing of piano music of the highest calibre in the second half of the 20th century. This instrument, with its infinite flexibility, is the perfect voice for a new continent emerging onto the musical scene in a forceful manner. Europe, initially curious, then wary, has in recent decades had to acknowledge this wave of American piano music, whose ability to permeate various styles has proven to be a success. It ranges from composers considered more academic to those more innovative, from those most closely linked to new American languages, such as jazz and rock, to the inventors of new paths.<br \/>\nThe piano benefited from a breath of fresh air that also renewed the repertoire and the appreciation of piano sound.<br \/>\nFor several years, Emanuele Arciuli and Andrea Rebaudengo have made the American repertoire a cornerstone of their activities, both as soloists and in their piano duo, without neglecting chamber and ensemble music.<br \/>\nThis laboratory therefore offers students an in-depth fresco of this world, which is sometimes little explored in the academic courses of conservatories, and it does so both with individual lessons and with listening guides and thematic meetings that can help young people discover the repertoire and pieces that are most in line with their interests.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223053127109345\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223053127109345\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052987834363\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052987834363\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Wednesday 15<\/strong>\u00a0March 23.59<\/p>\n<h2><strong>MINDFULNESS &amp; MUSIC LAB<\/strong><\/h2>\n<p>Contact teacher: Cinzia Barbagelata: <a href=\"mailto:cinzia.barbagelata@consmilano.it\">cinzia.barbagelata@consmilano.it<\/a><\/p>\n<p><strong>Saturday 06<\/strong>\u00a0May 2023,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 10:30 AM-1:30 PM,\u00a0<em>Attention and concentration<\/em><br \/>\n<strong>Saturday13<\/strong>\u00a0May,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 10:30 AM-1:30 PM,\u00a0<em>Judgement and fear<\/em><br \/>\n<strong>Saturday 20<\/strong>\u00a0May,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 10:30 AM-1:30 PM,\u00a0<em>Physicality and freedom<\/em><br \/>\n<strong>Saturday 27th<\/strong>\u00a0May,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 10:30 AM-1:30 PM,\u00a0<em>Emotions and performance anxiety<\/em><br \/>\n<strong>Saturday 16<\/strong>\u00a0September,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 10:30 AM-1:30 PM,\u00a0<em>Breathing and inner calm<\/em><br \/>\n<strong>Saturday 23rd<\/strong>\u00a0September,\u00a0<strong>Choir Room\u00a0<\/strong>\u2013 2.00 PM\u20135.00 PM,\u00a0<em>Presence and wisdom<\/em><\/p>\n<p>Mindfulness is a meditative practice of conscious attention with ancient spiritual roots, which has become widespread in the Western world thanks to the MBSR protocol, a scientific programme for stress reduction based on mindfulness, created in 1979 by physician Jon Kabat-Zinn. The beneficial effects of mindfulness, which are liberating and provide existential support, are at the centre of scientific interest and research in clinical, social, educational, work-related and personal care fields.<br \/>\n<strong>Mindfulness &amp; Music Lab<\/strong>\u00a0offers a place to deepen the practice of mindfulness and, with \u201cnon-judgmental awareness \u2013 of the present moment \u2013 cultivated through paying attention,\u201d to address many important recurring aspects of making music, such as performance anxiety, barriers to free and spontaneous connection with one's musical instrument of expression, physical tensions, fears, etc. The work is aimed at achieving mindful attention, mental presence, physical and proprioceptive sensitivity, emotional stability, postural quality, relaxation, improvement of breathing quality, and concentration.<br \/>\nThe workshop is primarily aimed at musicians who are familiar with mindfulness practices, but it is also open to those who wish to approach mindfulness for the first time.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223052782305349\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052782305349\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223052357038350\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223052357038350\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Wednesday 15<\/strong>\u00a0March 2023 11.59 p.m.<\/p>\n<h2><strong>MUSIC\/BODY\/EMOTIONS\/RELATIONSHIPS\/MUSIC THERAPY<\/strong><\/h2>\n<p><strong>Stefania Belotti, Fabio Moretti<br \/>\n<\/strong>Contact teacher: Stefania Belotti: <a href=\"mailto:stefania.belotti@consmilano.it\">stefania.belotti@consmilano.it<\/a><\/p>\n<p><strong>Saturday 23rd<\/strong>\u00a0September 2023,\u00a0<strong>Choir Room<\/strong>\u00a08.30 a.m. - 1.30 p.m.<br \/>\n<strong>Saturday 30<\/strong>\u00a0September,\u00a0<strong>Choir Room<\/strong>\u00a08.30 a.m. - 1.30 p.m.<br \/>\n<strong>Saturday 07<\/strong>\u00a0October,\u00a0<strong>Choir Room<\/strong>\u00a08.30 a.m. - 1.30 p.m.<br \/>\n<strong>Saturday 14<\/strong>\u00a0October,\u00a0<strong>Choir Room<\/strong>\u00a08.30 a.m. - 1.30 p.m.<\/p>\n<p>The workshop aims to provide basic knowledge that allows for the exploration of internal and external reality, using music and the quality of relationships that develop through it, as a primary element of communication.<br \/>\nDuring the course, the student will have the opportunity to understand and experience a different interpretation of musical parameters. They will acquire basic elements of some techniques used in music therapy, integrating the in-depth knowledge gained from their Conservatory studies with a path where sound and music become fundamental agents of change. Activities will be proposed ranging from exploring instruments, to improvisation, to analysing the musical relationship between participants. Specific activities will also be proposed relating to body awareness, emotional, affective and relational aspects, and the potential enhancement of sensory and perceptual abilities of each individual.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223053017219345\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/223053017219345\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/223053044978357\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/223053044978357\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Saturday 02<\/strong>\u00a0September 2023 11.59 p.m.<\/p>\n<h2><strong>COMPOSER COLLECTIVE<\/strong><\/h2>\n<p><strong>Fabrizio Cosimo Bianco, Giuseppe Rinaldi<br \/>\n<\/strong>Contact teacher: Fabrizio Cosimo Bianco: <a href=\"mailto:fabrizio.bianco@consmilano.it\">fabrizio.bianco@consmilano.it<\/a><\/p>\n<h2><strong>FROM PAPER TO DIGITAL <\/strong><\/h2>\n<p><strong>Marta Crippa, Laura Nicora<br \/>\n<\/strong>Contact teacher: Gianni Fidanza: <a href=\"mailto:gianni.fidanza@consmilano.it\">gianni.fidanza@consmilano.it<br \/>\n<\/a><a href=\"mailto:gianni.fidanza@consmilano.it\"><br \/>\n<\/a><strong>Wednesday 4 October<\/strong>\u00a02023,\u00a0<strong>Library Conference Room<\/strong>\u00a010 a.m. - 12 noon \/\/ 2 p.m. - 4 p.m.<br \/>\n<strong>Thursday 5 October<\/strong>\u00a02023,\u00a0<strong>Library Meeting Room<\/strong>\u00a010 a.m. - 12 noon \/\/ 2 p.m. - 4 p.m.<br \/>\n<strong>Friday 6 October<\/strong>\u00a02023,\u00a0<strong>Library Meeting Room<\/strong>\u00a010 a.m. - 1 p.m.<br \/>\n<strong>Monday 9 October<\/strong>\u00a02023,\u00a0<strong>Library Conference Room<\/strong>\u00a010 a.m. - 12 noon<br \/>\n<strong>Thursday 12 October<\/strong>\u00a02023,\u00a0<strong>Library Meeting Room\u00a0<\/strong>\u00a010 a.m. - 12 noon<br \/>\n<strong>Monday 16 October<\/strong>\u00a02023,\u00a0<strong>Library Conference Room\u00a0<\/strong>10 a.m. - 12 noon<br \/>\n<strong>Thursday 19 October<\/strong>\u00a02023, Library Conference Room 10 a.m. - 1 p.m.<br \/>\n<strong>Thursday 26 October<\/strong>\u00a02023, Library Meeting Room<\/p>\n<p>Among the many initiatives promoted by the Conservatory, there is a lack of a project proposal involving students in the enhancement of the musical sources conserved in our Library. The \u201cFrom Paper to Digital\u201d laboratory aims to bring together two needs: on the one hand, the necessity of making students (future musicians, researchers, teachers, critics, artistic directors...) aware of the immense heritage of the Conservatory Library, and on the other, making the still hidden treasures owned accessible. The objective of the laboratory is to acquire (also through library exercises) tools, methods, and criteria for searching and identifying a musical source that meets one's own needs for study, research, or artistic production, which will then have to be transcribed using music notation software.<br \/>\nThe workshop will include an introduction to bibliographic tools and methods for music and musicological research (including online resources and repertoires), followed by a presentation of the Conservatoire Library's holdings, and the fonds and collections in which its manuscript and printed music sources are gathered. This will be followed by an exposition of the criteria that can lead each participant to identify a musical source appropriate to his or her personal and professional career and possible research to contextualise the source. Each student will then be asked to transcribe a score, a set of parts or a score with music writing software, contextualising the source in a brief introductory note. The section devoted to digital publishing will specifically provide participants with the critical-technical analysis skills indispensable for the correct digital transcription of a musical composition, and some of the most suitable graphic hypotheses for users with reading-writing disorders will be studied. Once the most suitable software, also open source, has been identified, participants will be able to learn the basic functions of computerised writing (from solo instruments to more complex ensembles). An in-depth seminar is also planned focusing on the critical analysis of the elements for recognising an autograph and for dating a manuscript without chronological indications.<\/p>\n<p><strong>Jotform registration form<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/231293615349358\" target=\"_blank\" rel=\"noopener\">In-house musicians<\/a><a href=\"https:\/\/form.jotform.com\/231293615349358\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/231293190883359\" target=\"_blank\" rel=\"noopener\">External musicians<\/a><a href=\"https:\/\/form.jotform.com\/231293190883359\"><br \/>\n<\/a><strong>Entry deadline<\/strong>:\u00a0<strong>Thursday 28 September<\/strong>\u00a02023 11.59 p.m.<\/p>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-mhxapavs-1-1-4cdf373bc47566aae5add6c7656f7f38'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-4' data-fake-id='#toggle-id-4' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-4' data-slide-speed=\"200\" data-title=\"Calendario Laboratori programmati per l\u2019A.A. 2021\/2022\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Calendario Laboratori programmati per l\u2019A.A. 2021\/2022\" data-aria_expanded=\"Click to collapse: Calendario Laboratori programmati per l\u2019A.A. 2021\/2022\">Workshops Schedule for the Academic Year 2021\/2022<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-4' aria-labelledby='toggle-toggle-id-4' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><h2><strong>LIVE MUSIC WORKSHOP IN BIODANCE<\/strong><\/h2>\n<p><strong>Workshop contact person: Maria Vittoria Jedlowski: <\/strong><a href=\"mailto:mariavittoria.jedlowski@consmilano.it\" target=\"_blank\" rel=\"noopener\">mariavittoria.jedlowski@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Choir Room, 7-10 p.m.<br \/>\n<\/strong>NOVEMBER: 9, 16, 23, 30<br \/>\nDECEMBER: 14, 21<br \/>\nJANUARY: 11<\/p>\n<p>The Live Music Laboratory in Biodanza is open across all instrumental courses of any discipline (classical, early music, pop, rock, jazz, including singing), for students on Triennio and Biennio courses. It involves in-depth practical study of the emotional and physiological states stimulated by music, applied to Biodanza sessions, with the preparation of suitable music.<br \/>\nThe laboratory students will develop a repertoire of music (which already exists, or is composed during the laboratory, or is improvised) in relation to specific movements and emotional states proposed in Biodanza sessions.<br \/>\nAn experiential method will be employed which includes, in addition to repertoire composition and research, and its performance and interpretation, the practice of movement suggested and inspired by the music, respecting the physiological and emotional curve of a Biodanza session.<br \/>\nHints of semantics and psychology of music applied to Biodanza are included.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927170528154\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927170528154\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927732796165\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Registration deadline 16 November 2021 at 14.00 hrs.<\/strong><\/p>\n<h2><strong>The Rhythm Lotus Workshop: The World of Tala\u201c<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Riccardo Luppi: <a href=\"mailto:riccardo.luppi@consmilano.it\">riccardo.luppi@consmilano.it<\/a><\/p>\n<p><strong>Calendar:<br \/>\n<\/strong><strong>10 A.M. - 2 P.M.<\/strong><\/p>\n<p>NOVEMBER: 12 (Puccini Hall), 19 (Choir Room), 26 (Puccini Hall)<br \/>\nDECEMBER: 10 and 17 (Puccini Hall)<br \/>\nJANUARY: 21 (Room 112)<\/p>\n<p>Led by Federico Sanesi, the Workshop aims to equip students with a greater awareness and sensitivity to the multiple structural and expressive functions of Rhythm \u2013 Tala, in order to help them develop greater mastery of it as applied to their own instrument. The oldest rhythmic system, known as \u201cSaptatala,\u201d which belongs to the Carnatic music of Southern India, will also be studied. In addition, the languages of some important percussion instruments such as the Tabla, Pakhawaj, and Mridangam will be explored. The course proposes to introduce rhythmic practice methodologies that are already present in many European and American Conservatories. These techniques are also used in the field of contemporary composition and are increasingly commonly applied by musicians of Jazz and Early Music!<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212926773323155\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212926773323155\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212926773863164\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries 10 November 2021 11.59 p.m.<\/strong><\/p>\n<h2><strong>WORKSHOP ON MUSIC IMPROVISATION TECHNIQUES<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Attilio Zanchi: <a href=\"mailto:attilio.zanchi@consmilano.it\">attilio.zanchi@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Choir Room<br \/>\n<\/strong><\/p>\n<p>NOVEMBER: 27 \u2013 8:30 AM - 10:30 AM (Pop), 11:00 AM - 1:00 PM (Jazz)<br \/>\nDECEMBER: 04 \u2013 14:00-16:00 (Pop), 16:00-18:00 (Jazz)<br \/>\nJANUARY: 15, 22, 29 \u2013 TIMES 8:30-10:30 (Pop), 11:00-13:00 (Jazz)<br \/>\nFEBRUARY: 12th \u2013 8:30 am-10:30 am (Pop), 11:00 am-1:00 pm (Jazz)<br \/>\nMARCH: 05, 19, 26 \u2013 TIMES 8.30-10.30 (Pop), 11.00-13.00 (Jazz)<br \/>\nAPRIL: 02 \u2013 8:30-10:30 AM (Pop), 11:00 AM-1:00 PM (Jazz)<\/p>\n<p>The workshop is aimed at learning and developing improvisational skills. In addition to the theoretical part, practical exercises will be carried out. The course will be based on the topics covered in two methods written by the author: \u201cTeoria ed Armonia moderna\u201d and \u201cInside the standards\u201d.<br \/>\nThe main topics addressed will be the relationship between chords and related scales.<br \/>\nA study of the main modes used in today's music.<br \/>\nThe construction of melodic lines that take harmonic connections into account. The use of chromaticism in phrasing.<br \/>\nFunctional analysis relating to repertoire pieces belonging to Jazz and Pop with study of themes, guided listening, exercises with linked scales and analysis of solos by musicians chosen from the most representative of these genres. Finally, chromatic harmony and non-functional harmony will be covered.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927709075159\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927709075159\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927474968169\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries 25 November 2021 23.59 hrs.<\/strong><\/p>\n<h2><strong>LABORATORY OF ALGORITHMIC SYSTEMS FOR COMPUTER-ASSISTED COMPOSITION, IMPROVISATION AND ARRANGEMENT<\/strong><\/h2>\n<p><strong>Laboratory contact: Andrea Vigani \u2013\u00a0<\/strong><a href=\"mailto:andrea.vigani@consmilano.it\">andrea.vigani@consmilano.it<\/a><\/p>\n<p><strong>Calendar:\u00a0<\/strong>From 14.30 to 16.00 in Room 113<br \/>\nDECEMBER: 3 (room 112), 17 (Puccini Hall)<br \/>\nJANUARY: 28 (classroom 113 and classroom 111)<br \/>\nFEBRUARY: 11 (Puccini Hall)<br \/>\nMARCH: 4 (Room 113 and Room 111), 18 (Puccini Hall), 25 (Library Conference Room)<br \/>\nAPRIL: 1 (Puccini Hall), 8 (Puccini Hall), 29 (Library Conference Room)<br \/>\nMAY: 13 (Classroom 113 and Classroom 111), 27 (Library Conference Room)<br \/>\nJUNE: 10 (Library Conference Room)<\/p>\n<p>Within this workshop, techniques dedicated to the algorithmic management of musical systems will be addressed using computer music and various dedicated software. After initial introductory sessions on algorithmic programming, which will be the same for everyone, students will focus on personal projects, differentiating between areas, genres, and themes. This workshop is an interdepartmental project that brings together various aspects of artistic creation and production in the field of new musical languages and technologies, and is aimed at students from the classes of Traditional, Jazz, and Pop-Rock Composition, Electronic Music, and Jazz and Pop-Rock instrumental and vocal classes.<\/p>\n<p>The main fields of application will be:<br \/>\n\u2022 Assisted composition (AC)<br \/>\nSystems and techniques for the generation and processing of musical elements, forms, and structures belonging to different genres and musical languages through algorithms created with SuperCollider software and the subsequent automatic realisation of scores with music notation software (LilyPond, Finale, Sibelius, or others). Reflections on how algorithmic thinking can influence the aesthetics of different genres and languages (Art or Classical Music, Pop, Jazz, Electronic, etc.).<br \/>\n\u2022 Computer-Assisted Improvisation (CAI).<br \/>\nSystems and techniques for the real-time algorithmic generation and processing of rhythmic\/melodic\/timbral structures optimised for musical improvisation contexts. In this case too, algorithms will be programmed in SuperCollider, and the musical results of the computer's operations will be sent to internal or external virtual instruments (Logic, Reaktor, Ableton Live, GarageBand or other) which will execute them in real time, allowing for interaction between real and virtual performers.<br \/>\n\u2022 Assisted Arrangement (CAO).<br \/>\nSystems and programming techniques in SuperCollider of algorithms dedicated to the generation and control of rhythmic\/melodic patterns (drum machines, loopers, arpeggiators, etc.) to be used in the realisation of MIDI arrangements through software dedicated to jazz or pop music production.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927070598160\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927070598160\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927047249157\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>AUGMENTED ARCH ANATOMY LABORATORY<\/strong><\/h2>\n<p><strong>Laboratory contact: Andrea Vigani \u2013\u00a0<\/strong><a href=\"mailto:andrea.vigani@consmilano.it\">andrea.vigani@consmilano.it<\/a><\/p>\n<p><strong>Calendar:\u00a0<\/strong>From 4.00 PM to 7.00 PM in Rooms 129 \u2013 130 \u2013 131<br \/>\nDECEMBER: 3, 17<br \/>\nJANUARY: 28<br \/>\nFEBRUARY: 11<br \/>\nMARCH: 4, 18, 25<br \/>\nAPRIL: 1, 8, 29<br \/>\nMAY: 13, 27<br \/>\nJUNE: 10<\/p>\n<p>Aimed at electronic music and sound technician, composition, string instrument and jazz classes in particular, the workshop will be a container within which the various musical and expressive possibilities offered by the interaction between string instruments and electroacoustic\/informatic instrumentation will be explored. Within this container, sounds of undoubted instrumental origin will be transformed into abstract morphologies, real instrumentalists will dialogue with virtual alter egos, instruments and their cases, companions of many students' daily existence, will be augmented by electronics in their technical and expressive possibilities, or they will take on the value of simple physical objects generating unexpected sounds. The different musical languages familiar to our listening will follow the same fate as the sounds produced and reproduced. At the end of this journey, perhaps a small anatomical atlas of augmented strings and the languages that can be traced back to them will remain.<br \/>\nThe topics addressed by the various working groups will cover:<br \/>\n1) Composition of a piece for instrument and Live Electronics<br \/>\n2) Improvisation for a string player and an electronic instrumentalist (duo)<br \/>\n3) Laptop ensemble<br \/>\n4) Sound sculpture or interactive installation<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927289074161\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927289074161\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927681773163\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>WORKSHOP ON THE 5-VOICE MADRIGALISM OF CLAUDIO MONTEVERDI<\/strong><\/h2>\n<p><strong>Laboratory representative: Daniela Uccello \u2013\u00a0<\/strong><a href=\"mailto:daniela.uccello@consmilano.it\"><strong>daniela.uccello@consmilano.it<\/strong><\/a><\/p>\n<p><strong>Calendar: Room 107<br \/>\n<\/strong>Saturday 11th December 10.00\/13.00 \u2013 14.00\/17.00<br \/>\nSunday 16 January 14.00-20.00<br \/>\nSunday 13 February 14.00-20.00<br \/>\nSunday 20 March 14.00-20.00<br \/>\nSunday 10 April 14.00-20.00<br \/>\nSunday 8 May 14.00-20.00<br \/>\nFriday 13 May 19.00\/22.00<br \/>\nSaturday 14 May Concert<\/p>\n<p>The workshop, led by baroque tenor Mirko Guadagnini, aims to deepen the study of a cappella and real part madrigal polyphony. The study will focus particularly on Claudio Monteverdi's madrigals contained in collections where basso continuo is not yet included (from Books I to V) and will explore baroque madrigal singing technique, style, the relationship between text and music in madrigalism, and expressiveness. It will also stimulate the student's ability to develop soloistic musicality within a real part ensemble, and will foster baroque-style musical creativity in constructing the characteristic expressiveness of Monteverdi's madrigals.<br \/>\nThe study of C. Monteverdi's madrigals, extracted from the first five books, will also be accompanied by a historical-musical analysis of the evolution between the prima and seconda practica, and by a \u201cchoral\u201d polyphony tracing the slow and gradual transformation towards the soloistic presence within the 5-voice composition: the antechamber of what would later become the first form of melodrama with Monteverdi's \u201cfavola in musica\u201d l'Orfeo (1607).<br \/>\nA preliminary introductory meeting is scheduled with Maestro Guadagnini.<br \/>\nTo allow for adequate preparation of the repertoire, the need for a suitable number of voices divided among the different registers of soprano, mezzo-soprano, alto, countertenor, tenor, baritone, and bass will also be taken into account.<br \/>\nThe most deserving may also be selected for the concert activities of Maestro Guadagnini and his Intende Voci Ensemble.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/213051256866153\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/213051256866153\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/213050672724147\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 11.59 p.m.<\/strong><\/p>\n<h2><strong>LMC CONTEMPORARY MUSIC WORKSHOP<\/strong><\/h2>\n<p><strong>Laboratory representative: Mauro Bonifacio<\/strong> mauro.bonifacio@consmilano.it<\/p>\n<p><strong>Calendar<\/strong><\/p>\n<p><strong>Theoretical part:\u00a0<\/strong>15 and 29 JANUARY, from 10 a.m. to 1 p.m. in Room 105.<br \/>\n<em>Collective theoretical lectures on the physical-mechanical characteristics of instruments and the main performing techniques used in recent and contemporary literature.<br \/>\n<\/em><strong>Practical part:<br \/>\n<\/strong>1 and 2 MARCH, from 9 a.m. to 12.30 p.m. in the Puccini Hall<br \/>\n4 and 5 MARCH, from 14.00 to 17.30 in the Puccini Hall<br \/>\n<em>Rehearsal sessions with ensembles, rehearsal of programmed pieces with the responsible project tutor and with conducting students.<\/em><\/p>\n<p>The Contemporary Music Laboratory is an educational project dedicated to students of Instrumental, Chamber Vocal Music and Singing, and Conducting. The aim of the laboratory is to acquire and deepen specific technical, analytical, and interpretative skills concerning ensemble music of the latter half of the twentieth century and contemporary music. Each educational module of the LMC is designed to train one or more student ensembles of instrumentalists and singers capable of tackling the study of an important repertoire of recent and contemporary music. Registration for the laboratory includes participation in rehearsals, seminars, educational activities, and research related to m2c programming.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927165275157\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927165275157\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927698585172\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>\u201cVideo Game and Animation Music Composition\u201d Laboratory\u201d<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Paolo Tortiglione: <a href=\"mailto:paolo.tortiglione@consmilano.it\">paolo.tortiglione@consmilano.it<\/a><\/p>\n<p><strong>Schedule: 2 p.m. to 7 p.m., in Room 104<br \/>\n<\/strong>JANUARY: 15, 29<br \/>\nFEBRUARY: 5<br \/>\nMARCH: 5, 19<br \/>\nAPRIL: 2<\/p>\n<p>The workshop begins with the study of important considerations for visual media composition, including for example music-dialogue balance, the psychology of music for visuals (what music is best for the type of images?), how to influence the viewer's emotional response, and how to create music that evokes specific eras and styles. The course will also cover music for video games and how to work with dedicated and specialised software, libraries, the virtual orchestra, and cinematic instruments.<br \/>\nThe main purpose of the workshop is to write music for film scenes, video games, TV shows, television and radio jingles, CDs, DVDs, etc., in 15-day slots. The workshop will cover various genres of music for multimedia products, such as themes and sounds related to romance, sadness, chase scenes, horror, magic, fantasy, heroic, action, and adventure. The workshop will then analyse each genre and sound in terms of harmony and counterpoint, tempo, scene rhythm, aspects related to directing and screenwriting, encouraging the student to create a series of\u00a0<em>template<\/em>\u00a0which he can then use in his future profession.<br \/>\nWe will analyse material from the greatest authors of the genre through 6 lab sessions, each of which will also include an external expert working in the field.<br \/>\nThe main aim of the workshop will be to provide a comprehensive overview of the compositional styles used in the audio-visual industry related to images, and to offer the opportunity to create a portfolio of pieces for film scenes, short films, video games, and multimedia that can be used as a demo for future work. Lessons are planned in collaboration with the Experimental Centre for Cinematography in Milan, with which we have an active agreement, with the Animation School of Turin, and with some representatives from the multimedia product industries.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212926919976171\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212926919976171\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927453158157\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>Children's Coral and Vocal Laboratory\u201c<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Edoardo Cazzaniga: <a href=\"mailto:alessandro.bombonati@consmilano.it\">edoardo.cazzaniga@consmilano.it<\/a><\/p>\n<p><strong>Schedule: 2 p.m. to 6 p.m. in Room 105<\/strong><\/p>\n<p>JANUARY: 15, 22<br \/>\nFEBRUARY: 5, 12<br \/>\nMARCH: 5, 26<br \/>\nAPRIL: 9, 23<br \/>\nMAY: 7, 21<\/p>\n<p>The Laboratory proposes the analysis of significant pieces from the children's choral repertoire and their performance in collaboration with the Conservatory's Children's Choir. The Laboratory is primarily intended for Bachelor's, Master's, and advanced students, but also for students interested in the topics covered. The Laboratory is interdisciplinary as it includes in-depth study of vocalisation, piano accompaniment practice, and analysis, both from a compositional and conducting perspective of the children's choir repertoire, particularly that which is tackled during the work sessions with the Choir.<br \/>\nThe Workshop includes three areas of work entrusted to three different lecturers from different areas of expertise:<br \/>\n\u2013 Analysis of the repertoire from a compositional viewpoint, by Massimiliano Viel;<br \/>\n\u2013 The practice of accompaniment, edited by Giuliano Bellorini;<br \/>\n\u2013 Analysis of the repertoire from an execution, child vocalisation, direction and choral practice point of view: edited by Edoardo Cazzaniga;<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212926945990166\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212926945990166\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212926831198160\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORY \u201cFROM PAPER TO DIGITAL: RESEARCH AND TRANSCRIPTION OF MUSICAL SOURCES FROM THE MILAN CONSERVATORY LIBRARY\u201d<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Gianni Fidanza \u2013 <a href=\"mailto:gianni.fidanza@consmilano.it\">gianni.fidanza@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Library Conference Room<\/strong><\/p>\n<p>1 March from 10 a.m. to 1 p.m. | Presentation and Transcription of music sources<br \/>\n8 and 15 March from 9 a.m. to 10.30 a.m. | Transcription of music sources<br \/>\n16 March from 10 a.m. to 1 p.m. | Music sources and research tools<br \/>\n22 March from 9.00 a.m. to 10.30 a.m. | Transcription of musicil sources<br \/>\n29 March from 10 a.m. to 1 p.m. | Research exercises<br \/>\n5 April from 9.00 to 10.30 | Transcription of music sources<br \/>\n6 April from 10 a.m. to 1 p.m. | Seminar\u00a0<em>Research and identification of musical sources<br \/>\n<\/em>13 April from 10 a.m. to 1 p.m. | Music sources and research tools<br \/>\n26 and 27 April from 10 a.m. to 1 p.m. | Research exercises<br \/>\n11 May from 10 a.m. to 1 p.m. | Presentation of final papers<\/p>\n<p>The workshop \u201cFrom Paper to Digital\u201d aims to be a meeting point for two demands: on the one hand, the necessity of making students (future musicians, researchers, teachers, critics, artistic directors...) aware of the Conservatory Library's immense heritage, and on the other, making its still-hidden treasures accessible.<br \/>\nThe aim of the workshop is to acquire (also through library exercises) tools, methods and criteria for searching for and identifying a musical source that meets one's own needs, for study, research, or artistic production, which will then be transcribed using music notation software.<br \/>\nSchematically, the laboratory is structured as follows:<br \/>\n1. Historical and Bibliographical Research in Music and Musicology, edited by Gianni Fidanza<br \/>\n2. Moving around the library: criteria and tools for identifying a music source, by Marta Crippa<br \/>\n3. Transcription of the chosen source with music writing software, by Emilio Piffaretti<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927163068155\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a>:\u00a0<a href=\"https:\/\/form.jotform.com\/212927163068155\">https:\/\/form.jotform.com\/212927163068155<br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927579754168\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a>:\u00a0<a href=\"https:\/\/form.jotform.com\/212927579754168\">https:\/\/form.jotform.com\/212927579754168<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORY \u201cTHIRD STREAM\u201d<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Francesco D\u2019Auria:<strong>\u00a0<\/strong><a href=\"mailto:francesco.dauria@consmilano.it\">francesco.dauria@consmilano.it<\/a><\/p>\n<p><strong>Calendar: 10 a.m. - 1 p.m.<br \/>\n<\/strong>7 MAY 2022 \u2013 Sala Puccini<br \/>\n14 May 2022 \u2013 Choir Room<br \/>\n25 MAY 2022 \u2013 Choir Room<br \/>\n28 MAY 2022 \u2013 Choir Room<br \/>\n04 JUNE 2022 \u2013 Chorus Room<br \/>\n11 JUNE 2022 \u2013 Choir Hall<\/p>\n<p>Officially coined in 1957 but already experimented with for some time by the two souls of the movement, Gunther Schuller and John Lewis, the\u00a0<em>Third Stream<\/em>\u00a0attempt to weave together the writing and performance techniques of jazz and academic music (especially contemporary), in the belief that the formal developments of African American music had reached a stage of maturity that allowed a fruitful encounter between the genres. All of this, however, while avoiding reawakening the suspicions that had already opposed, thirty years earlier, the so-called \u201csymphonic jazz\u201d: the fear that the white intelligentsia would appropriate, by \u201cnormalising\u201d them, the most authentic black cultural forms. The merit of Third Stream has been to create a common territory for performers from the two schools and to fuse the two different orders of musical studies.<br \/>\nOpen to all instrumentalists from both Jazz and Classical music schools, the workshop aims to explore that musical borderland between jazz and 20th-century classical music, which, since its beginnings in the 1950s-60s, continues to be frequented by many European musicians, both jazz and non-jazz, composers and soloists with whom Mario Arcari has also collaborated in Italy and abroad: from R. Ottaviano's Six Mobiles to G. Mazzon's Gruppo Contemporaneo in the 80s, to Katia Lab\u00e8que's Band (with Viktoria Mullova and Giovanni Sollima) via Franz Koglmann's Pipetett (and soloists of the calibre of Steve Lacy, Paul Bley, Ran Blake), Butch Morris's Conduction, and the Parma Jazz Frontiere Orchestra directed by R. Bonati, or for the Holland Festival in projects by Guus Janssen and Gerry Hemingway (with cellist Ernst Reijseger and bassoonist Michael Rabinowitz) as well as in the ensemble directed by Paolo Silvestri for Girotto\/Biondini.<br \/>\nThe laboratory programme is structured as follows:<br \/>\n\u2013 a historical-critical section dedicated to the listening and analysis of the historical and musical context of the most significant works of the major exponents of \u201cThird Stream\u201d;<br \/>\n\u2013 a laboratory session led by Mario Arcari, involving the study and performance (in the form of a concert or final recital) of scores best suited to addressing the performance practice and improvisation (whether \u201cfree\u201d or based on sketches) of this repertoire;<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212927714816158\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212927714816158\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212927687885173\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>Laboratory \u201cFrom Gesture to Song: Dialogue between Maestro and Choir\u201d<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Maria Elena Mazzarella: <a href=\"mailto:mariaelena.mazzarella@consmilano.it\">mariaelena.mazzarella@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Classroom 202 from 2:00 PM to 6:00 PM<\/strong><br \/>\nMARCH: 11, 18, 25<br \/>\nAPRIL: 1.8<br \/>\nMAY: 6, 13, 20, 27<br \/>\nJUNE: 3<br \/>\nFinal Essay: 10 JUNE<\/p>\n<p>Vocal coaching and conducting a choir are complex activities that require possessing<br \/>\nmultiple skills and require the use of different communication codes, in order to make<br \/>\nI am explaining the musical content of a score, reinterpreted through the performer's thought. The recipients<br \/>\nOf this particular mode of transmission, the choristers are the first, who respond to the<br \/>\nteacher's directions with their singing, giving listeners the full sense of the<br \/>\nmessage received, sign become sound, music sprung from a harmony of voices. To penetrate into<br \/>\nthis extraordinary dialogue, discover the infinite expressive nuances with which it can be enriched<br \/>\nevery single gesture and cultivating one's musical sensitivity along with an ever-increasing<br \/>\nvocal refinement in corresponding to it, are the aims of this Workshop.<\/p>\n<p>First and foremost, the aim is to establish an ensemble capable of reading, studying, and performing pieces taken<br \/>\nfrom the a cappella choral repertoire, from antiquity to the present day. Such an experience will provide ample<br \/>\nopportunities to question the close relationship between the director's requests and the<br \/>\nthe needs of singers, focusing attention on gestural techniques and the most effective strategies<br \/>\nsucceeded in obtaining the desired results. Learning to overcome the inherent difficulties in expressing oneself and in<br \/>\nmutual understanding will allow for full unity of purpose, which will be realised in<br \/>\na joyful and satisfying performance. To this end, some important<br \/>\nthemes useful for learning the difficult art of negotiation, such as the analysis of<br \/>\nscore, interpretation choices, rehearsal management, general training of choristers.<\/p>\n<p>The student choir conductors will have the opportunity to conduct and direct the group, experiencing the<br \/>\nknowledge acquired. Additionally, each individual singer may, if they wish, be introduced to the practice<br \/>\nof choral conducting, trying their hand at leading previously prepared pieces. The repertoire<br \/>\nwill be chosen taking into account the staff that will be formed, and the vocal skills of the registered members<br \/>\nand the training needs of choir conductors. The Workshop is open to everyone. It is planned<br \/>\nthe performance of the studied pieces in the form of a concluding essay.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/220232211607338\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/220232778939364\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>CLOSING DATE FOR ENTRIES: 6 FEBRUARY 2022 \u2013 11.59 PM<\/strong><\/p>\n<h2><strong>MUSIC THERAPY WORKSHOP<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Stefania Belotti: <a href=\"mailto:stefania.belotti@consmilano.it\">stefania.belotti@consmilano.it<\/a><\/p>\n<p><strong>Schedule: Choir Room, 8 a.m. to 1.30 p.m.<br \/>\n<\/strong>SEPTEMBER 2022: 24<br \/>\nOCTOBER 2022: 1, 8, 15<\/p>\n<p>The workshop aims to provide foundational knowledge for exploring reality, both internal and external, using music, and valuing the quality of relationships that develop through it as a primary element of communication. Throughout the course, students will have the opportunity to learn and experiment with a different interpretation of musical parameters. They will acquire the basic elements of some techniques used in music therapy, integrating the in-depth knowledge gained in their Conservatory studies with a pathway where sound and music become fundamental agents of change. Activities will be proposed ranging from exploring instrumental repertoires to improvisation, and analysing the musical relationship between participants. Specific activities will also be proposed relating to body awareness, the emotional-affective-relational aspect, and the potential sensory-perceptual enhancement of each individual.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/212926865042155\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/212926865042155\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/212926855224156\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Deadline for entries: 30 November 2021 at 11.59 p.m.<\/strong><\/p>\n<h2><strong>\u201cSongwriting and Record Production \u2013 Composer Collective\u201d Laboratory\u201d<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Fabrizio Bianco:<strong>\u00a0<\/strong><a href=\"mailto:fabrizio.bianco@consmilano.it\">fabrizio.bianco@consmilano.it<\/a><\/p>\n<div>CALENDAR<br \/>\nOCTOBER 2022: 17, 18, 24, 25 \u2013 9:00 AM \u2013 5:00 PM \u2013 Room 128<\/div>\n<div>NOVEMBER 2022: 4th (date to be confirmed) \u2013 9:30 AM - 5:30 PM \u2013 External recording studio.<\/div>\n<div>Creation of original songs through the stages of composition, pre-production, recording, and post-production. Meetings and listening sessions with audio industry experts, including Enrico Ruggeri, are planned.<\/div>\n<p>The workshop is open to a maximum of 15 participants, who must submit, by 31st December 2021, two original compositions and an original arrangement of a song by Pino Daniele.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/213122278593355\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/213122278593355\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/213122827186353\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Entry deadline: 30 November 2021 11.59 p.m.<\/strong><\/p>\n<h2><strong>LABORATORY \u201cTHE VOICE EVERYWHERE\u201d \u2013 FOR A CREATIVE USE OF THE VOICE WITHIN THE URBAN SPACE<\/strong><\/h2>\n<p><strong>Workshop contact person:\u00a0<\/strong>Sonia Grandis:<strong>\u00a0<\/strong><a href=\"mailto:sonia.grandis@consmilano.it\">sonia.grandis@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Open spaces in the city, 09.00-19.00<br \/>\n<\/strong>APRIL: 9, 10.<\/p>\n<p>\u201cThe voice everywhere\u201d is the natural development of the workshop \u201cThe voice at a distance\u201d (A.A. 2020\/2021), a workshop that, despite being born in the most difficult period of our recent history (and of recent teaching, especially distance learning, especially in the AFAM sector), still managed to offer participants a series of useful tools to avoid remaining (artistically) isolated.<br \/>\nIndeed, after learning 1) to use domestic space creatively, 2) to identify recording devices best suited to one's financial means (microphones, sound cards, etc.), 3) to use everything available (and not available) (smartphones, etc.), and 4) to record in home-studio, becoming familiar with one of the most widely used industry-standard software programmes in the world like Reaper, not only was a collective work produced entirely by the students, with each person taking care of their own part from their own home, but an important collaboration also arose, such as that with the BBC, which allowed some of the young men and women, under the artistic direction of Stefano Ferrara, to try their hand at an international production.<br \/>\n\u201cTherefore, \u201dLa voce ovunque\u201d aims to broaden the spectrum of possibilities that emerged during this successful workshop, giving the students \u2013 this time in person \u2013 the necessary tools to best exploit and enhance the use of the voice (spoken, acted, played) within the urban space (from outdoor environments like parks, streets, and squares, to indoor environments like halls and all those untreated spaces, which can become the critical point of any improvised recording).<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/213115171173343\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/213115171173343\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/213115171989358\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Entry deadline: 30 November 2021 11.59 p.m.<\/strong><\/p>\n<h2><strong>\u201cLA VOCE\u201d LABORATORY \u2013 AN INTERDISCIPLINARY STUDY ON THE VOCALITY OF THE ACTOR-SINGER AND THEATRICAL WRITING FOR VOICE<\/strong><\/h2>\n<p><strong>Vocal practice workshop\u00a0<\/strong>edited by Laura Catrani<br \/>\n<strong>Theory workshop\u00a0<\/strong>Edited by Francesco Venturi<br \/>\n<strong>Workshop contact person:\u00a0<\/strong>Gabriele Manca:<strong>\u00a0<\/strong><a href=\"mailto:gabriele.manca@consmilano.it\">gabriele.manca@consmilano.it<\/a><\/p>\n<p><strong>Calendar: Choir Room<br \/>\n<\/strong>15 JUNE 2022 \u2013 2.00 PM-6.00 PM<br \/>\n29 JUNE 2022 \u2013 2.00 PM-6.00 PM<br \/>\n13 JULY 2022 \u2013 14:00-18:00<br \/>\n27 JULY 2022 \u2013 10:00-14:00<br \/>\n07 SEPTEMBER2022 \u2013 10:00\u201314:00<br \/>\n21 SEPTEMBER 2022 \u2013 2.00 PM - 6.00 PM<br \/>\n05 OCTOBER 2022 \u2013 14:00-18:00<br \/>\n19 OCTOBER 2022 \u2013 2.00 PM-6.00 PM<br \/>\n26 OCTOBER 2022 \u2013 2.00 PM-6.00 PM<br \/>\n27 OCTOBER 2022 \u2013 CONCERT<\/p>\n<p>The relationship between the two specificities, the actor and the singer, is nowadays increasingly merged into a single art in which the voice moves freely in registers from whispered to declaimed to sung without embarrassment or restriction. It is the composers themselves who require the performer to cross the boundaries of the art of singing, acting and improvisation, whether it is music for solo voice, for voice and electronics or voice and ensemble and orchestra. The aim of the workshop is to establish a vocal ensemble dedicated to experimentation, research and study of the vocal repertoire of the second half of the 20th century and contemporary music. As required, this vocal ensemble may be involved in school and extracurricular educational activities. The workshop didactics, based on listening, reading and discussion, aims at stimulating the horizontal transfer of theoretical-practical resources, developing the critical sense and fostering the broadening of knowledge of the contemporary vocal repertoire, as well as the acquisition of styles and techniques in a variety of languages. Through authoritative examples of writing for voice, conventional and unconventional singing techniques will be analysed, such as, to name but a few, whispering, sustained whispering, sprechgesang, recitative with or without amplification. And the practical study of a selection of scores for voice will lead the students to gain direct experience of contemporary music for voice, giving them the basis to be able to use them, to elaborate a historically informed interpretation of the subject of voice and to integrate them into their own academic and\/or artistic research.<br \/>\nThe seminar is particularly aimed at students of singing and chamber vocal music, but is also open to departments of composition, new technologies, musicology students, and anyone interested in delving deeper into the subject of the voice, including students from outside the Conservatory.<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/213133092487353\" target=\"_blank\" rel=\"noopener\">IN-HOUSE MUSICIANS<\/a><a href=\"https:\/\/form.jotform.com\/213133092487353\"><br \/>\n<\/a><a href=\"https:\/\/form.jotform.com\/213133172294348\" target=\"_blank\" rel=\"noopener\">OUTSIDE MUSICIANS<\/a><\/p>\n<p><strong>Entry deadline: 30 November 11.59 p.m.<\/strong><\/p>\n<\/div><\/div><\/div><\/section>\n<\/div><\/p><\/div><\/div><\/div><\/div><!-- close content main div --><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1jbq243-6d0b4b1da181a8bda14b534ccd1b1b65\">\n.avia-section.av-1jbq243-6d0b4b1da181a8bda14b534ccd1b1b65 .av-section-color-overlay{\nopacity:0.3;\nbackground-color:#ffffff;\n}\n<\/style>\n<div id='av_section_3'  class='avia-section av-1jbq243-6d0b4b1da181a8bda14b534ccd1b1b65 main_color avia-section-default avia-no-border-styling  avia-builder-el-30  el_after_av_section  el_before_av_tab_section  avia-bg-style-scroll av-section-color-overlay-active av-minimum-height av-minimum-height-25 av-height-25  container_wrap fullsize'   data-av_minimum_height_pc='25' data-av_min_height_opt='25'><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1251'><div class='entry-content-wrapper clearfix'>\n<div  id=\"fareMusica\"  class='flex_column av-1h46bz7-b623451548ae585b7c62c285f2e2b351 av_one_full  avia-builder-el-31  el_before_av_one_full  avia-builder-el-first  first flex_column_div'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm0fin6i-7b010add6f1491a0be434df578321f8f\">\n#top .av-special-heading.av-mm0fin6i-7b010add6f1491a0be434df578321f8f{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-mm0fin6i-7b010add6f1491a0be434df578321f8f .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mm0fin6i-7b010add6f1491a0be434df578321f8f .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-mm0fin6i-7b010add6f1491a0be434df578321f8f av-special-heading-h2 blockquote modern-quote  avia-builder-el-32  el_before_av_textblock  avia-builder-el-first'><h2 class='av-special-heading-tag'  itemprop=\"headline\"  >Workshop <span class='special_amp'>\u201c<\/span>Ready to get to work.<span class='special_amp'>\u201d<\/span> (edited by Fabio Sartorelli)<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-1g2xo37-7cffde896f4a74f93717522e90d442b1'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Laboratory Description and Registration Method<\/p>\n<\/div><\/section><br \/>\n<div  class='avia-icon-list-container av-mm51hvzu-516904d236c89b93ec6f26fc094810ae  avia-builder-el-34  el_after_av_textblock  avia-builder-el-last'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-mm51hvzu-516904d236c89b93ec6f26fc094810ae avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20.BIS_.pdf' title='Laboratory Information'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mm51hue2-5458c4bc689a3dec99f7dbd0dd7f6b58 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-44' aria-describedby='av-svg-desc-44' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-44'>Download<\/title>\n<desc id='av-svg-desc-44'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20.BIS_.pdf&#039; title=&#039;Laboratory Information&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Laboratory Information&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/20.BIS_.pdf' title='Laboratory Information' target=\"_blank\"  rel=\"noopener noreferrer\">Laboratory Information<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>541 Kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div><\/p><\/div><div  id=\"fareMusica\"  class='flex_column av-b8nhz7-c7326b468226437dbe4f6680b805aadb av_one_full  avia-builder-el-35  el_after_av_one_full  el_before_av_one_full  first flex_column_div  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c\">\n#top .av-special-heading.av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-mm51ierm-7b046e6e9b9f01078253c2acd4d4a52c av-special-heading-h2 blockquote modern-quote  avia-builder-el-36  el_before_av_textblock  avia-builder-el-first'><h2 class='av-special-heading-tag'  itemprop=\"headline\"  >Workshop <span class='special_amp'>\u201c<\/span>Mother Africa \u2013 Africa is the mother of all music<span class='special_amp'>\u201d<\/span> (Edited by Alberto Serrapiglio <span class='special_amp'>&amp;<\/span> Federico Calcagno)<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-8tbf8z-c6cf99f8e999a1ef352b48e6b73d86b4'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Laboratory Description and Registration Method<\/p>\n<\/div><\/section><br \/>\n<div  class='avia-icon-list-container av-mm51iulq-6fd22a1f1a24938315a3a02773d63377  avia-builder-el-38  el_after_av_textblock  avia-builder-el-last'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-mm51iulq-6fd22a1f1a24938315a3a02773d63377 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/21.pdf' title='Laboratory Information'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-mm51itnm-e172b6c702d015d5615db1c025d603f7 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-45' aria-describedby='av-svg-desc-45' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-45'>Download<\/title>\n<desc id='av-svg-desc-45'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/21.pdf&#039; title=&#039;Laboratory Information&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Laboratory Information&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/21.pdf' title='Laboratory Information' target=\"_blank\"  rel=\"noopener noreferrer\">Laboratory Information<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>539 Kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div><\/p><\/div><div  id=\"fareMusica\"  class='flex_column av-5tq6ir-48591cc784ab88fece999e26733d0ec4 av_one_full  avia-builder-el-39  el_after_av_one_full  avia-builder-el-last  first flex_column_div  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4q77o3-e97c343e8e199fc065f3429cc2c0b449\">\n#top .av-special-heading.av-4q77o3-e97c343e8e199fc065f3429cc2c0b449{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-4q77o3-e97c343e8e199fc065f3429cc2c0b449 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-4q77o3-e97c343e8e199fc065f3429cc2c0b449 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-4q77o3-e97c343e8e199fc065f3429cc2c0b449 av-special-heading-h2 blockquote modern-quote  avia-builder-el-40  el_before_av_textblock  avia-builder-el-first'><h2 class='av-special-heading-tag'  itemprop=\"headline\"  >Making Music and Feeling Good<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-226unn-2a527614fd7d87ec4b5148a28eb94890'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><em>Music and Well-being. A healthy body and mind in the service of the musician's artistic expression<\/em> It is the Conservatory's project dedicated to artist well-being: it offers meetings, courses, and seminars, open to Conservatory teachers and students, but also to external attendees.<\/p>\n<\/div><\/section><\/p><\/div>\n<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc\">\n.av-tab-section-outer-container.av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc .av-tab-section-tab-title-container{\nbackground-color:#002657;\n}\n#top .av-tab-section-outer-container.av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc .av-active-tab-title.av-section-tab-title{\ncolor:#ffffff;\n}\n#top .av-tab-section-outer-container.av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc .av-section-tab-title:hover{\ncolor:#ffffff;\n}\n#top .av-tab-section-outer-container.av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc .av-active-tab-title.av-section-tab-title:hover{\ncolor:#ffffff;\n}\n<\/style>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><\/div><div id='av-tab-section-1'  class='av-tab-section-container entry-content-wrapper main_color av-tab-no-transition av-tab-content-auto  av-tab-above-content  avia-builder-el-42  el_after_av_section  avia-builder-el-last  tab-section-not-first container_wrap fullsize'  ><div class='av-tab-section-outer-container av-1f7xuc3-e44a72dc09503d763ffd1a43d38b12dc'><div class='av-tab-section-tab-title-container avia-tab-title-padding-default' role='tablist'><a href='#edizione-2025-2026' data-av-tab-section-title='1' class='av-section-tab-title av-active-tab-title no-scroll av-1dh7tr7-bc453cda8810c1fe63f4e893fb14cd88 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-1'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2025-2026<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2024-2025' data-av-tab-section-title='2' class='av-section-tab-title  av-yyqo4j-143daff3985072075775d80ecad7f7e7 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-2'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2024-2025<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2023-2024' data-av-tab-section-title='3' class='av-section-tab-title  av-qoln8j-4d981e6e4ff26b8a084d0e5fcf5b5823 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-3'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2023-2024<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2022-2023' data-av-tab-section-title='4' class='av-section-tab-title  av-loyyb7-f929bca8799af62164ee4b516900709b av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-4'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2022-2023<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2021-2022' data-av-tab-section-title='5' class='av-section-tab-title  av-hkbfzn-5039ee70e3ccb0028d76503936dcb801 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-5'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2021-2022<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2020-2021' data-av-tab-section-title='6' class='av-section-tab-title  av-agvubn-09480afeb4edfa93b6c201f5ddac7f96 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-6'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2020-2021<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><a href='#edizione-2019-2020' data-av-tab-section-title='7' class='av-section-tab-title  av-59h88j-a9403d6412c8bd592123834e0dc1df21 av-tab-no-icon av-tab-no-image' role='tab' tabindex='0' aria-controls='av-tab-section-1-7'><span class='av-outer-tab-title'><span class='av-inner-tab-title'>Edition<br \/>\n2019-2020<\/span><\/span><span class=\"av-tab-arrow-container\"><span><\/span><\/span><\/a><\/div><div class='avia-slideshow-arrows av-tabsection-arrow' ><a href='#prev' class='prev-slide av_prev_tab_section av-tab-section-slide avia-svg-icon avia-font-svg_entypo-fontello' data-av_svg_icon='left-open-big' data-av_iconset='svg_entypo-fontello' tabindex='-1' title=\"Previous\"><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"15\" height=\"32\" viewbox=\"0 0 15 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-49' aria-describedby='av-svg-desc-49' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-49'>Previous<\/title>\n<desc id='av-svg-desc-49'>Previous<\/desc>\n<path d=\"M14.464 27.84q0.832 0.832 0 1.536-0.832 0.832-1.536 0l-12.544-12.608q-0.768-0.768 0-1.6l12.544-12.608q0.704-0.832 1.536 0 0.832 0.704 0 1.536l-11.456 11.904z\"><\/path>\n<\/svg><span class='avia_hidden_link_text'>Previous<\/span><\/a><a href='#next' class='next-slide av_next_tab_section av-tab-section-slide avia-svg-icon avia-font-svg_entypo-fontello' data-av_svg_icon='right-open-big' data-av_iconset='svg_entypo-fontello' tabindex='-1' title=\"Next\"><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"15\" height=\"32\" viewbox=\"0 0 15 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-50' aria-describedby='av-svg-desc-50' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-50'>Next<\/title>\n<desc id='av-svg-desc-50'>Next<\/desc>\n<path d=\"M0.416 27.84l11.456-11.84-11.456-11.904q-0.832-0.832 0-1.536 0.832-0.832 1.536 0l12.544 12.608q0.768 0.832 0 1.6l-12.544 12.608q-0.704 0.832-1.536 0-0.832-0.704 0-1.536z\"><\/path>\n<\/svg><span class='avia_hidden_link_text'>Next<\/span><\/a><\/div><div class='av-tab-section-inner-container avia-section-default' style='width:700vw; left:0%;'><span class=\"av_prev_tab_section av_tab_navigation\"><\/span><span class=\"av_next_tab_section av_tab_navigation\"><\/span>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1dh7tr7-bc453cda8810c1fe63f4e893fb14cd88\">\n.av-layout-tab.av-1dh7tr7-bc453cda8810c1fe63f4e893fb14cd88{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-1' class='av-layout-tab av-1dh7tr7-bc453cda8810c1fe63f4e893fb14cd88 av-animation-delay-container  avia-builder-el-43  el_before_av_tab_sub_section  avia-builder-el-first  av-active-tab-content __av_init_open' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"1\" data-tab-section-id=\"edizione-2025-2026\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1biclmb-4d525f262d60148c00794062fd72c116\">\n#top .togglecontainer.av-1biclmb-4d525f262d60148c00794062fd72c116 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-1biclmb-4d525f262d60148c00794062fd72c116 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-1biclmb-4d525f262d60148c00794062fd72c116 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-1biclmb-4d525f262d60148c00794062fd72c116 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-1biclmb-4d525f262d60148c00794062fd72c116 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-1biclmb-4d525f262d60148c00794062fd72c116 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-1biclmb-4d525f262d60148c00794062fd72c116 av-elegant-toggle  avia-builder-el-44  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-18tpipf-8f255d74c2b2f1002161bef02be3b71d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-5' data-fake-id='#toggle-id-5' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-5' data-slide-speed=\"200\" data-title=\"Brochure Far Musica e Star Bene 2025-2026\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Brochure Far Musica e Star Bene 2025-2026\" data-aria_expanded=\"Click to collapse: Brochure Far Musica e Star Bene 2025-2026\">Far Musica e Star Bene brochure 2025-2026<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-5' aria-labelledby='toggle-toggle-id-5' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><div  class='avia-icon-list-container av-185lw4z-0f14ead1b9a55b8add8cd030bab04d61  avia-builder-el-45  el_before_av_iconlist  avia-builder-el-first'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-185lw4z-0f14ead1b9a55b8add8cd030bab04d61 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-25-26-compresso.pdf' title='Brochure 2025-2026'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-16g2yhf-f8a62a9ebb9abce4d315be8053f21882 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-46' aria-describedby='av-svg-desc-46' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-46'>Download<\/title>\n<desc id='av-svg-desc-46'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-25-26-compresso.pdf&#039; title=&#039;Brochure 2025-2026&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Brochure 2025-2026&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-25-26-compresso.pdf' title='Brochure 2025-2026' target=\"_blank\"  rel=\"noopener noreferrer\">Brochure 2025-2026<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>360 kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-13ylpz7-695cb581863df214db6a5a09e764f765'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-6' data-fake-id='#toggle-id-6' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-6' data-slide-speed=\"200\" data-title=\"Link per le iscrizioni\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Link per le iscrizioni\" data-aria_expanded=\"Click to collapse: Link per le iscrizioni\">Subscription links<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-6' aria-labelledby='toggle-toggle-id-6' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><div  class='avia-icon-list-container av-12efwhf-f878717a2493721ed0bdc7695c4074df  avia-builder-el-46  el_after_av_iconlist  avia-builder-el-last'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-12efwhf-f878717a2493721ed0bdc7695c4074df avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Iscrizione-Far-Musica-e-Star-bene-2025_2026.pdf' title='Registration'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-110fho3-aab19a8b221637265b6f9194932055bf avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-47' aria-describedby='av-svg-desc-47' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-47'>Download<\/title>\n<desc id='av-svg-desc-47'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Iscrizione-Far-Musica-e-Star-bene-2025_2026.pdf&#039; title=&#039;Registration&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Registration&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/Iscrizione-Far-Musica-e-Star-bene-2025_2026.pdf' title='Registration' target=\"_blank\"  rel=\"noopener noreferrer\">Registration<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p><span class=\"d-block font-15 text-muted line-height-1\">171 kb<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-yyqo4j-143daff3985072075775d80ecad7f7e7\">\n.av-layout-tab.av-yyqo4j-143daff3985072075775d80ecad7f7e7{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-2' class='av-layout-tab av-yyqo4j-143daff3985072075775d80ecad7f7e7 av-animation-delay-container  avia-builder-el-47  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"2\" data-tab-section-id=\"edizione-2024-2025\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a\">\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-ybdmcj-92adb540c84ec69e646e9d02a8bee64a av-elegant-toggle  avia-builder-el-48  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-36b1eb-fc39c23f10d23759e483fa822a0fd068'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-7' data-fake-id='#toggle-id-7' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-7' data-slide-speed=\"200\" data-title=\"Brochure Far Musica e Star Bene 2024-2025\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Brochure Far Musica e Star Bene 2024-2025\" data-aria_expanded=\"Click to collapse: Brochure Far Musica e Star Bene 2024-2025\">Far Musica e Star Bene 2024-2025 Brochure<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-7' aria-labelledby='toggle-toggle-id-7' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><div  class='avia-icon-list-container av-usld2r-81fc06fc2efcebf58d94413dfdcb9db5  avia-builder-el-49  avia-builder-el-no-sibling'><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-usld2r-81fc06fc2efcebf58d94413dfdcb9db5 avia-iconlist-animate'>\n<li><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-A.A.-24_25_OK.pdf' title='Brochure 2024-2025'  target=\"_blank\"  rel=\"noopener noreferrer\" class='iconlist_icon av-suda9v-db1fe7003db430f38f0dd0efd2027a5c avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='download' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"32\" height=\"32\" viewbox=\"0 0 32 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-48' aria-describedby='av-svg-desc-48' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-48'>Download<\/title>\n<desc id='av-svg-desc-48'>Download<\/desc>\n<path d=\"M30.976 20.864q0.576 0.32 0.864 1.024t0.096 1.28l-0.896 4.928q-0.128 0.64-0.704 1.056t-1.28 0.416h-26.112q-0.704 0-1.28-0.416t-0.704-1.056l-0.896-4.928q-0.32-1.536 1.024-2.304l5.056-3.456h3.136l-5.44 4.16h5.696q0.256 0 0.384 0.256l1.28 3.52h9.6l1.28-3.52q0.256-0.256 0.384-0.256h5.696l-5.44-4.16h3.136zM24.32 10.56l-8.32 7.808-8.32-7.808h5.312v-8.192h6.080v8.192h5.248z\"><\/path>\n<\/svg><\/span><\/a><article class=\"article-icon-entry\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: &lt;a href=&#039;https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-A.A.-24_25_OK.pdf&#039; title=&#039;Brochure 2024-2025&#039; target=&quot;_blank&quot;  rel=&quot;noopener noreferrer&quot;&gt;Brochure 2024-2025&lt;\/a&gt;\"><h4 class='av_iconlist_title iconlist_title'  itemprop=\"headline\" ><a href='https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/PROGR-Far-musica-e-star-bene-A.A.-24_25_OK.pdf' title='Brochure 2024-2025' target=\"_blank\"  rel=\"noopener noreferrer\">Brochure 2024-2025<\/a><\/h4><\/header><div class='iconlist_content'  itemprop=\"text\" ><p>85 kb<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-qoln8j-4d981e6e4ff26b8a084d0e5fcf5b5823\">\n.av-layout-tab.av-qoln8j-4d981e6e4ff26b8a084d0e5fcf5b5823{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-3' class='av-layout-tab av-qoln8j-4d981e6e4ff26b8a084d0e5fcf5b5823 av-animation-delay-container  avia-builder-el-50  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"3\" data-tab-section-id=\"edizione-2023-2024\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2jzhxf-7849667594587a739e544af4345e8edf\">\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-2jzhxf-7849667594587a739e544af4345e8edf p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-2jzhxf-7849667594587a739e544af4345e8edf av-elegant-toggle  avia-builder-el-51  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-nuy3er-9987fea3d864565d0e84ffca49b2c5d1'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-8' data-fake-id='#toggle-id-8' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-8' data-slide-speed=\"200\" data-title=\"Far Musica e Star Bene 2023-2024: calendario\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Far Musica e Star Bene 2023-2024: calendario\" data-aria_expanded=\"Click to collapse: Far Musica e Star Bene 2023-2024: calendario\">Far Musica e Star Bene 2023-2024: calendar<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-8' aria-labelledby='toggle-toggle-id-8' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>The Far Musica and Star Bene 2023\/2024 calendar is available here, which already includes information on how to participate in meetings, courses, and seminars.<\/p>\n<p>The dates of the evening Gyrokinesis course have been changed, as shown below:<br \/>\n<strong>Choir Room, 8-10 p.m.<\/strong><\/p>\n<ul>\n<li>4, 11, 18, 25 March 2024<\/li>\n<li>8, 15, 22, 29 April<\/li>\n<li>6 May<\/li>\n<\/ul>\n<p>Registration deadline also postponed. New date: 25 February 2024 (form closing time 23.59).<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-loyyb7-f929bca8799af62164ee4b516900709b\">\n.av-layout-tab.av-loyyb7-f929bca8799af62164ee4b516900709b{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-4' class='av-layout-tab av-loyyb7-f929bca8799af62164ee4b516900709b av-animation-delay-container  avia-builder-el-52  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"4\" data-tab-section-id=\"edizione-2022-2023\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5\">\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-k8ivmr-883f81a4329b7e8dcd876d58cde371c5 av-elegant-toggle  avia-builder-el-53  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-ivo9g3-6ba37331b1f1fd0a28937b16fc94a987'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-9' data-fake-id='#toggle-id-9' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-9' data-slide-speed=\"200\" data-title=\"Link per le iscrizioni\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Link per le iscrizioni\" data-aria_expanded=\"Click to collapse: Link per le iscrizioni\">Subscription links<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-9' aria-labelledby='toggle-toggle-id-9' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>MAKING MUSIC AND FEELING GOOD A.Y. 2022-2023<\/p>\n<p>9 MEETINGS \u2013 CHOIR ROOM \u2013 SATURDAY 2:00 PM - 5:00 PM<\/p>\n<p><strong>14 January 2023 \u2013 Laura Catrani<\/strong><br \/>\n<strong>Gyrokinesis\u00ae: expansion, balance, well-being; awareness of the body, movement, breathing, and concentration in the musician<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223073710671349\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074154862354\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 12 January 2023 \u2013 11:59 PM<\/p>\n<p><strong>2) 21 January 2023 \u2013 Cinzia Barbagelata<\/strong><br \/>\n<strong>Mindfulness for Musicians: coping and reducing stress with mindfulness practices<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074105143342\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074504766356\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 19 January 2023 \u2013 11:59 PM<\/p>\n<p><strong>28 January 2023 \u2013 Claudio Gevi<\/strong><br \/>\n<strong>The Feldenkrais Method for Musicians: Learning is Feeling Good<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074840860354\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223073901709353\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 26 January 2023 \u2013 11.59 PM<\/p>\n<p><strong>4) 04 February 2023 \u2013 Giorgio Pajardi, Chiara Novelli, Elena Mancon<\/strong><br \/>\n<strong>The musician's hand<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074247134349\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223073910292350\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 02 February 2023 \u2013 11:59 PM<\/p>\n<p><strong>5) 11 February 2023 \u2013 Ori Maria Vittoria Jedlowski<\/strong><br \/>\n<strong>Biodanza. Life blossoms in music: integrating music, emotional movement and encounter<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074728611353\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074926430352\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 09 February 2023 \u2013 11:59 PM<\/p>\n<p><strong>6) 04 March 2023 \u2013 Orietta Calcinoni<\/strong><br \/>\n<strong>Prevention of hearing and voice in artists<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074451201341\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074677756366\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nClosing date for registration: 02 March 2023 \u2013 11:59 PM<\/p>\n<p><strong>18 March 2023 \u2013 Fabio Fassone<\/strong><br \/>\n<strong>C.E.B. Cultivating Emotional Balance: emotional intelligence and mindfulness development in the service of artistic and musical practice and performance<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074742130345\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074744579364\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nClosing date for registration: 16 March 2023 \u2013 11.59 p.m.<\/p>\n<p><strong>25 March 2023 \u2013 Maria Rosa Converti<\/strong><br \/>\n<strong>Ergonomics and musician's posture<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074727734358\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074028297356\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration closes: 23 March 2023 \u2013 11.59 pm<\/p>\n<p><strong>01 April 2023 \u2013 Fabio Moretti<\/strong><br \/>\n<strong>Research into inner and outer perceptual space in the creative activity of musicians<\/strong><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074889766372\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074106716349\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 30th March 2023 \u2013 11:59 PM<\/p>\n<p><strong>EVENING COURSES<\/strong><\/p>\n<p><strong>Gyrokinesis\u00ae: expansion, balance, well-being; awareness of the body, movement, breathing, and concentration in the musician<br \/>\nLaura Catrani<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223074633642352\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074791866365\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 18 January 2023 \u2013 23:59<\/p>\n<p><strong>M.B.S.R. Mindfulness Based Stress Reduction for Musicians: programme for coping with and reducing stress with mindfulness practices<br \/>\nCinzia Barbagelata<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223075018255350\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074687213355\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 19 January 2023 \u2013 11:59 PM<\/p>\n<p><strong>The Feldenkrais Method for Musicians: Learning is Feeling Good<br \/>\nClaudio Gevi<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223074912942355\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074483430350\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nClosing date for entries: 27 January 2023 \u2013 11:59 PM<\/p>\n<p><strong>Biodanza. Life blossoms in music: integrating music, emotional movement and encounter<br \/>\nOri Maria Vittoria Jedlowski<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223074723968363\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074866177363\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 25 February 2023 \u2013 11.59 pm<\/p>\n<p><strong>SEMINARS<\/strong><\/p>\n<p><strong>Yoga and Music \u2013 Claudio Conte (ref. Cinzia Barbagelata)<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223075104856353\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223074385169360\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nRegistration deadline: 20 January 2023 \u2013 11:59 PM<\/p>\n<p><strong>C.E.B. Cultivating Emotional Balance: emotional intelligence and mindfulness development for artistic and musical practice and performance \u2013 Fabio Fassone (ref. Alfonso Chielli)<br \/>\n<\/strong><a href=\"https:\/\/form.jotform.com\/223074457241351\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><br \/>\n<a href=\"https:\/\/form.jotform.com\/223075146579361\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORM<\/a><br \/>\nClosing date for registration: 11 April 2023 \u2013 23:59<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-hkbfzn-5039ee70e3ccb0028d76503936dcb801\">\n.av-layout-tab.av-hkbfzn-5039ee70e3ccb0028d76503936dcb801{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-5' class='av-layout-tab av-hkbfzn-5039ee70e3ccb0028d76503936dcb801 av-animation-delay-container  avia-builder-el-54  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"5\" data-tab-section-id=\"edizione-2021-2022\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-gfbqzn-1e19222153d5fe3f451b5a53aced0464\">\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-gfbqzn-1e19222153d5fe3f451b5a53aced0464 av-elegant-toggle  avia-builder-el-55  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-dkmwkj-d51d6b7e320867f096a019d465b9dcef'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-10' data-fake-id='#toggle-id-10' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-10' data-slide-speed=\"200\" data-title=\"Link per le iscrizioni\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Link per le iscrizioni\" data-aria_expanded=\"Click to collapse: Link per le iscrizioni\">Subscription links<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-10' aria-labelledby='toggle-toggle-id-10' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p align=\"center\"><strong>MAKING MUSIC AND FEELING GOOD A.Y. 2021-2022<\/strong><\/p>\n<p><strong>9 MEETINGS \u2013 CHOIR ROOM \u2013 SATURDAY 2:00 PM - 5:00 PM<\/strong><\/p>\n<p>8 January 2022 \u2013 Laura Catrani<\/p>\n<p>Gyrokinesis\u00ae: expansion, balance, well-being; awareness of the body, movement, breathing, and concentration in the musician<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213423957765162\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424154072143\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>15 January 2022 - Cinzia Barbagelata<\/p>\n<p>Mindfulness for Musicians: coping and reducing stress with mindfulness practices<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424447865158\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213423627917155\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>22 January 2022 \u2013 Ori Maria Vittoria Jedlowski<\/p>\n<p>Biodanza. Life blossoms in music: integrating music, emotional movement and encounter<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424115616144\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424606436149\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>4) 29 January 2022 \u2013 Claudio Gevi<\/p>\n<ul>\n<li>The Feldenkrais Method for Musicians: Learning is Feeling Good<\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424300752141\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424470624147\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>5) 5 February 2022 \u2013 Giorgio Pajardi, Chiara Novelli, Elena Mancon<\/p>\n<p>The musician's hand<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424611187148\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424538163150\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>12 February 2022 \u2013 Orietta Calcinoni<\/p>\n<p>Prevention of hearing and voice in artists<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424287239155\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424662725152\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>7) 5 March 2022 \u2013 Fabio Fassone<\/p>\n<p>C.E.B. Cultivating Emotional Balance: emotional intelligence and mindfulness development in the service of artistic and musical practice and performance<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424299299164\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424630066145\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>8) 19th March 2022 \u2013 Fabio Moretti<\/p>\n<p>Research into inner and outer perceptual space in the creative activity of musicians<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213423909308152\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424037296151\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>26 March 2022 \u2013 Maria Rosa Converti<\/p>\n<p>Ergonomics and musician's posture<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213423981584158\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424437764155\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p><strong>EVENING COURSES<\/strong><\/p>\n<p>Gyrokinesis\u00ae: expansion, balance, well-being; awareness of the body, movement, breathing, and concentration in the musician \u2013 Laura Catrani<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424275587158\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424715152145\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<p>MBSR for Musicians: programme for addressing and reducing stress with mindfulness practices \u2013 Cinzia Barbagelata<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424881562154\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424848106151\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>The Feldenkrais Method for Musicians: Learning is Feeling Well \u2013 Claudio Gevi<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424816294154\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424331073141\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p>Biodanza. Life flourishes in music: integration of music, embodied movement, and encounter \u2013 Ori Maria Vittoria Jedlowski<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213424120247140\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213424198332150\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<p><strong>SEMINAR<\/strong><\/p>\n<p>Yoga and Music \u2013 Claudio Conte (ref. Cinzia Barbagelata)<\/p>\n<ul>\n<li><a href=\"https:\/\/form.jotform.com\/213432181102338\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/li>\n<li><a href=\"https:\/\/form.jotform.com\/213431919815357\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-cvshhv-bc9d1ecf304b2faf1a4aa382aa1c2524'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-11' data-fake-id='#toggle-id-11' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-11' data-slide-speed=\"200\" data-title=\"Attenzione: Nuove date Corso serale Gyrokinesis - Laura Catrani\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Attenzione: Nuove date Corso serale Gyrokinesis - Laura Catrani\" data-aria_expanded=\"Click to collapse: Attenzione: Nuove date Corso serale Gyrokinesis - Laura Catrani\">Attention: New dates Evening Gyrokinesis Course - Laura Catrani<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-11' aria-labelledby='toggle-toggle-id-11' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>Please be advised that the evening course \u201c<em>Gyrokinesis\u00ae: expansion, balance, well-being; awareness of the body, movement, breathing, and concentration in the musician<\/em>\u201c, held by Prof. Laura Catrani as part of the \u201cMaking Music and Feeling Well\u201d series of talks, has been supplemented with 5 further meetings, for a total of 10 hours. Internal students will be awarded 1 academic credit.<\/p>\n<p>Below are the new dates:<\/p>\n<ul>\n<li>\u2013 11 April 2022 \u2013 8:00 PM-10:00 PM \u2013 Choir room<\/li>\n<li>\u2013 2 May 2022 \u2013 8.00 pm-10.00 pm \u2013 choir hall<\/li>\n<li>\u2013 09 May 2022 \u2013 8:00 PM-10:00 PM \u2013 choir room<\/li>\n<li>\u2013 16 May 2022 \u2013 8.00 PM-10.00 PM \u2013 choir room<\/li>\n<li>\u2013 23 May 2022 \u2013 8.00 PM-10.00 PM \u2013 Choir Room<\/li>\n<\/ul>\n<p>For registrations, you must complete the following forms:<\/p>\n<p><a href=\"https:\/\/form.jotform.com\/220931830816353\" target=\"_blank\" rel=\"noopener\">INTERNAL STUDENT FORM<\/a><\/p>\n<p><a href=\"https:\/\/form.jotform.com\/220931509482355\" target=\"_blank\" rel=\"noopener\">EXTERNAL STUDENT FORMS<\/a><\/p>\n<p>Registrations close: Sunday 10 April 2022 \u2013 11:59 PM.<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-agvubn-09480afeb4edfa93b6c201f5ddac7f96\">\n.av-layout-tab.av-agvubn-09480afeb4edfa93b6c201f5ddac7f96{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-6' class='av-layout-tab av-agvubn-09480afeb4edfa93b6c201f5ddac7f96 av-animation-delay-container  avia-builder-el-56  el_after_av_tab_sub_section  el_before_av_tab_sub_section' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"6\" data-tab-section-id=\"edizione-2020-2021\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-8wfy6b-6a31eff9113933772416e8c983663a74\">\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-8wfy6b-6a31eff9113933772416e8c983663a74 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-8wfy6b-6a31eff9113933772416e8c983663a74 av-elegant-toggle  avia-builder-el-57  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-6y9l3n-6b877340a6a1bec920afd1d24247ebce'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-12' data-fake-id='#toggle-id-12' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-12' data-slide-speed=\"200\" data-title=\"Programma Far Musica e Star Bene 2020-2021\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Programma Far Musica e Star Bene 2020-2021\" data-aria_expanded=\"Click to collapse: Programma Far Musica e Star Bene 2020-2021\">Far Musica e Star Bene Programme 2020-2021<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-12' aria-labelledby='toggle-toggle-id-12' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>In the brochure dedicated to the 2020-2021 project, you will find all the information you need to participate in meetings, courses and seminars, whether you are participating as an internal Conservatoire student or as an external learner.<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-59h88j-a9403d6412c8bd592123834e0dc1df21\">\n.av-layout-tab.av-59h88j-a9403d6412c8bd592123834e0dc1df21{\nvertical-align:top;\n}\n<\/style>\n<div id='av-tab-section-1-7' class='av-layout-tab av-59h88j-a9403d6412c8bd592123834e0dc1df21 av-animation-delay-container  avia-builder-el-58  el_after_av_tab_sub_section  avia-builder-el-last' data-av-deeplink-tabs=\"\" data-av-tab-section-content=\"7\" data-tab-section-id=\"edizione-2019-2020\"><div class=\"av-layout-tab-inner\"><div class=\"container\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-gllb7-972a7fad9afb727425b5d3b0421b8e16\">\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler.activeTitle{\ncolor:#002657;\nborder-color:#002657;\n}\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler:not(.activeTitle):hover{\ncolor:#002657;\n}\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler:not(.activeTitle):hover .toggle_icon, #top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler:not(.activeTitle):hover .toggle_icon *{\nborder-color:#002657 !important;\n}\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler .toggle_icon{\ncolor:#969696;\nborder-color:#969696;\n}\n#top .togglecontainer.av-gllb7-972a7fad9afb727425b5d3b0421b8e16 p.toggler .toggle_icon > span{\ncolor:#969696;\nborder-color:#969696;\n}\n<\/style>\n<div  class='togglecontainer av-gllb7-972a7fad9afb727425b5d3b0421b8e16 av-elegant-toggle  avia-builder-el-59  avia-builder-el-no-sibling  toggle_close_all' >\n<section class='av_toggle_section av-2o7glv-a1a76d1202fc742b7adeaa9fdeffa6d2'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-13' data-fake-id='#toggle-id-13' class='toggler  av-title-above'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-13' data-slide-speed=\"200\" data-title=\"Programma Far Musica e Star Bene 2019-2020\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Programma Far Musica e Star Bene 2019-2020\" data-aria_expanded=\"Click to collapse: Programma Far Musica e Star Bene 2019-2020\">Far Musica e Star Bene programme 2019-2020<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-13' aria-labelledby='toggle-toggle-id-13' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color'  itemprop=\"text\" ><p>In the brochure dedicated to the 2019-2020 project, you will find all the information on how to participate in meetings, courses and seminars.<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1251","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Laboratori - Conservatorio Milano<\/title>\n<meta name=\"description\" content=\"Offerta didattica dedicata ai Laboratori\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Laboratori - Conservatorio Milano\" \/>\n<meta property=\"og:description\" content=\"Offerta didattica dedicata ai Laboratori\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/\" \/>\n<meta property=\"og:site_name\" content=\"Conservatorio Milano\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ConservatorioMI\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-25T08:08:57+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ConservatorioMI\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"66 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.consmi.it\\\/offerta-formativa\\\/offerta-didattica\\\/laboratori\\\/\",\"url\":\"https:\\\/\\\/www.consmi.it\\\/offerta-formativa\\\/offerta-didattica\\\/laboratori\\\/\",\"name\":\"Laboratori - Conservatorio Milano\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.consmi.it\\\/#website\"},\"datePublished\":\"2025-11-13T10:38:20+00:00\",\"dateModified\":\"2026-03-25T08:08:57+00:00\",\"description\":\"Offerta didattica dedicata ai Laboratori\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.consmi.it\\\/offerta-formativa\\\/offerta-didattica\\\/laboratori\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.consmi.it\\\/offerta-formativa\\\/offerta-didattica\\\/laboratori\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.consmi.it\\\/offerta-formativa\\\/offerta-didattica\\\/laboratori\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.consmi.it\\\/homepage\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Offerta formativa\",\"item\":\"https:\\\/\\\/www.consmi.it\\\/offerta-formativa\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Offerta didattica\",\"item\":\"https:\\\/\\\/www.consmi.it\\\/offerta-formativa\\\/offerta-didattica\\\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Laboratori\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.consmi.it\\\/#website\",\"url\":\"https:\\\/\\\/www.consmi.it\\\/\",\"name\":\"Conservatorio Milano\",\"description\":\"Conservatorio di Musica Giuseppe Verdi\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.consmi.it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.consmi.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.consmi.it\\\/#organization\",\"name\":\"Conservatorio di Musica \u201cGiuseppe Verdi\u201d\",\"url\":\"https:\\\/\\\/www.consmi.it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.consmi.it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.consmi.it\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/logo-favicon-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.consmi.it\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/logo-favicon-1.jpg\",\"width\":100,\"height\":100,\"caption\":\"Conservatorio di Musica \u201cGiuseppe Verdi\u201d\"},\"image\":{\"@id\":\"https:\\\/\\\/www.consmi.it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ConservatorioMI\\\/\",\"https:\\\/\\\/x.com\\\/ConservatorioMI\",\"https:\\\/\\\/www.instagram.com\\\/conservatorio_milano\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCiRafFpJ4Tak2lMHP-E9agw\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Laboratories - Conservatory Milan","description":"Educational offer dedicated to Workshops","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/","og_locale":"en_GB","og_type":"article","og_title":"Laboratori - Conservatorio Milano","og_description":"Offerta didattica dedicata ai Laboratori","og_url":"https:\/\/www.consmi.it\/en\/offerta-formativa\/offerta-didattica\/laboratori\/","og_site_name":"Conservatorio Milano","article_publisher":"https:\/\/www.facebook.com\/ConservatorioMI\/","article_modified_time":"2026-03-25T08:08:57+00:00","twitter_card":"summary_large_image","twitter_site":"@ConservatorioMI","twitter_misc":{"Estimated reading time":"66 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.consmi.it\/offerta-formativa\/offerta-didattica\/laboratori\/","url":"https:\/\/www.consmi.it\/offerta-formativa\/offerta-didattica\/laboratori\/","name":"Laboratories - Conservatory Milan","isPartOf":{"@id":"https:\/\/www.consmi.it\/#website"},"datePublished":"2025-11-13T10:38:20+00:00","dateModified":"2026-03-25T08:08:57+00:00","description":"Educational offer dedicated to Workshops","breadcrumb":{"@id":"https:\/\/www.consmi.it\/offerta-formativa\/offerta-didattica\/laboratori\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.consmi.it\/offerta-formativa\/offerta-didattica\/laboratori\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.consmi.it\/offerta-formativa\/offerta-didattica\/laboratori\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.consmi.it\/homepage\/"},{"@type":"ListItem","position":2,"name":"Offerta formativa","item":"https:\/\/www.consmi.it\/offerta-formativa\/"},{"@type":"ListItem","position":3,"name":"Offerta didattica","item":"https:\/\/www.consmi.it\/offerta-formativa\/offerta-didattica\/"},{"@type":"ListItem","position":4,"name":"Laboratori"}]},{"@type":"WebSite","@id":"https:\/\/www.consmi.it\/#website","url":"https:\/\/www.consmi.it\/","name":"Milan Conservatory","description":"Giuseppe Verdi Conservatory of Music","publisher":{"@id":"https:\/\/www.consmi.it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.consmi.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.consmi.it\/#organization","name":"Giuseppe Verdi\u201c Conservatory of Music\u201d","url":"https:\/\/www.consmi.it\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.consmi.it\/#\/schema\/logo\/image\/","url":"https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/10\/logo-favicon-1.jpg","contentUrl":"https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/10\/logo-favicon-1.jpg","width":100,"height":100,"caption":"Conservatorio di Musica \u201cGiuseppe Verdi\u201d"},"image":{"@id":"https:\/\/www.consmi.it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ConservatorioMI\/","https:\/\/x.com\/ConservatorioMI","https:\/\/www.instagram.com\/conservatorio_milano\/","https:\/\/www.youtube.com\/channel\/UCiRafFpJ4Tak2lMHP-E9agw"]}]}},"_links":{"self":[{"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/pages\/1251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/comments?post=1251"}],"version-history":[{"count":24,"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/pages\/1251\/revisions"}],"predecessor-version":[{"id":7081,"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/pages\/1251\/revisions\/7081"}],"up":[{"embeddable":true,"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/www.consmi.it\/en\/wp-json\/wp\/v2\/media?parent=1251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}