{"id":1362,"date":"2025-11-13T14:12:26","date_gmt":"2025-11-13T14:12:26","guid":{"rendered":"https:\/\/www.consmi.it\/?page_id=1362"},"modified":"2026-04-01T11:06:46","modified_gmt":"2026-04-01T10:06:46","slug":"quaderni-del-conservatorio","status":"publish","type":"page","link":"https:\/\/www.consmi.it\/en\/quaderni-del-conservatorio\/","title":{"rendered":"Conservatory Notebooks"},"content":{"rendered":"<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhlwf2r7-d684abbca4f8c7de9ce1f011d7a541ea\">\n.avia-section.av-mhlwf2r7-d684abbca4f8c7de9ce1f011d7a541ea{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/10\/Portico-con-artisti_consmi-scaled-1.jpg);\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-mhlwf2r7-d684abbca4f8c7de9ce1f011d7a541ea main_color avia-section-default avia-no-border-styling  avia-builder-el-0  el_before_av_section  avia-builder-el-first  avia-full-stretch avia-bg-style-scroll av-minimum-height av-minimum-height-50 av-height-50  container_wrap fullsize'  data-section-bg-repeat='stretch' data-av_minimum_height_pc='50' data-av_min_height_opt='50'><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1362'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7\">\n#top .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7{\npadding-bottom:10px;\ncolor:#ffffff;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-subheading{\nfont-size:15px;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-wrap:before{\nborder-color:#ffffff;\n}\nbody .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag .heading-wrap:after{\nborder-color:#ffffff;\n}\n\n@media only screen and (min-width: 990px){ \n#top #wrap_all .av-special-heading.av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 .av-special-heading-tag{\nfont-size:60px;\n}\n}\n<\/style>\n<div  class='av-special-heading av-mhlxu31z-bac3ce266d27a1341175e4a0bd204ab7 av-special-heading-h1 custom-color-heading blockquote classic-quote classic-quote-left  avia-builder-el-1  avia-builder-el-no-sibling'><h1 class='av-special-heading-tag'  itemprop=\"headline\"  >Conservatory Notebooks<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-fyze4-aba8f9dd46f2742df6caf6edbc7de0b4\">\n.avia-section.av-fyze4-aba8f9dd46f2742df6caf6edbc7de0b4 .av-section-color-overlay{\nopacity:0.3;\nbackground-color:#ffffff;\n}\n<\/style>\n<div id='av_section_2'  class='avia-section av-fyze4-aba8f9dd46f2742df6caf6edbc7de0b4 main_color avia-section-default avia-no-border-styling  avia-builder-el-2  el_after_av_section  avia-builder-el-last  avia-bg-style-scroll av-section-color-overlay-active container_wrap fullsize'  ><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-1362'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-a6vvo-6028006db92b4db1e79815912b44deba av_one_full  avia-builder-el-3  avia-builder-el-no-sibling  first flex_column_div'     ><section  class='av_textblock_section av-mhlxw45c-35fc41f96e1013f7cc0eaf4bf9f59219'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The tradition of <strong>Conservatory Notebooks<\/strong>, always dedicated to musicology in the strictest sense, is enriched by at least one annual volume on broad-spectrum research, including interpretative, organological, and compositional aspects, with contributions from students, conservatory faculty, and external collaborators. The volumes contain, in addition to writings and essays of various kinds, interviews and information on current musical and cultural events in general.<\/p>\n<p>The titles published to date are as follows:<\/p>\n<h3>New series:<\/h3>\n<div>\n<p align=\"JUSTIFY\"><b>2025<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>Bonifazio Asioli. Composer and teacher in early nineteenth-century Milan<\/em><i>, <\/i>edited by Mariateresa Dellaborra and Davide Mingozzi, Pisa, ETS (in press)<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>2024<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>Infinite Worlds. Luigi Nono and the Years of \u00abLaboratorio musica\u00bb (1979-1982)<\/em><i>,<\/i> edited by Livio Aragona, Pisa, ETS (forthcoming)<\/p>\n<\/li>\n<li>\n<p align=\"JUSTIFY\"><em>Librarian, musicologist, composer. Federico Mompellio and his experience of music<\/em><i>, <\/i>edited by Marta Crippa, Mariateresa Dellaborra, Pisa, ETS<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>2023<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>The Chr\u00f3nos Shipyards. Writings of the Imaginary. Text, Time, Sound, Memory<\/em><i>, <\/i>edited by<i> <\/i>Alessandro Melchiorre, Pisa, ETS<\/p>\n<\/li>\n<li>\n<p align=\"JUSTIFY\"><em>Francesco Pollini and the Milanese musical world of the early 19th century<\/em><i>, <\/i>edited by Claudio Bacciagaluppi, Gabriele Manca, Leonardo Miucci, Claudio Toscani, Pisa, ETS<\/p>\n<\/li>\n<\/ul>\n<p><strong>2022<\/strong><\/p>\n<\/div>\n<ul>\n<li><em>Science and art of the voice<\/em>.<em>\u00a0The evolution and current state of an interdisciplinary dialogue in the texts of the Conservatory library,<\/em>\u00a0edited by Orietta Calcinoni, Edoardo Cazzaniga, Pisa, ETS, 2022<\/li>\n<\/ul>\n<p><strong>2021<\/strong><\/p>\n<ul>\n<li><em>The instability of the question. The question in artistic practice: five years of research Milan, Florence<\/em>, Gent, edited by Gabriele Manca, Pisa, ETS<\/li>\n<\/ul>\n<p><strong>2018<\/strong><\/p>\n<ul>\n<li>Giulia Ferraro, Ivana Valotti, Claudia Ferrari,\u00a0<em>The Faces of Music: Allegory, Spirit, Reality,\u00a0<\/em>Pisa, ETS<\/li>\n<\/ul>\n<div>\n<p><strong>2017<\/strong><\/p>\n<\/div>\n<ul>\n<li><em>Instrument making \u2013 Composition, sound invention and new lutherie<\/em>, edited by Gabriele Manca, Luigi Manfrin, Pisa, ETS<\/li>\n<\/ul>\n<p><strong>2016<\/strong><\/p>\n<div>\n<ul>\n<li><em>Andreina and Giuseppina Paganini pupils and concert artists<\/em>, edited by Pinuccia Carrer, Pisa, ETS<\/li>\n<\/ul>\n<\/div>\n<p><strong>2015<\/strong><\/p>\n<ul>\n<li>Giovanni Acciai, Enrico Gatti, Konrad Tavella,\u00a0<em>Rules for good playing and singing. Diminutions and mensuralism between the 16th and 19th centuries,<\/em> Pisa, ETS<\/li>\n<li>Giulia Accornero, Ljuba Bergamelli, Edoardo Segato, Valentina Valente,\u00a0<em>Live Sound \u2013 History, Composition, Performance,\u00a0<\/em>Pisa, ETS<\/li>\n<\/ul>\n<p><strong>2014<\/strong><\/p>\n<div>\n<ul>\n<li>Angelica Buompastore, Dictated by nature more than by study.\u00a0<em>Cesare Castelbarco noble music amateur in 19th-century Milan<\/em>, Pisa, ETS<\/li>\n<li>Daniela Bedogn\u00e9, Requiem Mass\u00a0<em>by Carlotta Ferrari from Lodi,\u00a0<\/em>Pisa, ETS<\/li>\n<li>Elisabetta Andreani, Ausilia Maria Grasso, Alessandro Laraspata, Andrea Trecate,\u00a0<em>Between the 19th and 20th centuries:\u00a0<\/em>receptio, mythos<em>, logic and creation,\u00a0<\/em>Pisa, ETS<\/li>\n<\/ul>\n<h3 align=\"JUSTIFY\"><b>First series:<\/b><\/h3>\n<p align=\"JUSTIFY\"><b>2006<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\">Alfonso Alberti,\u00a0<em>Niccol\u00f2 Castiglioni<\/em>, Lucca, Libreria Musicale Italiana<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>2004<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>Theatrical ball, romantic opera, recovery of the ancient: three contributions to the history of music in Italy<\/em>, edited by Maria Grazia Sit\u00e0, Lucca, Libreria Musicale Italiana<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>2002<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\">Francesca Bascialli,\u00a0<em>Comic opera and op\u00e9ra comique at the Archducal Theatre of Monza<\/em>, 1778-1795, Lucca, Libreria Musicale Italiana<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>2000<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>Musical Milan 1861-1897<\/em>, edited by Bianca Maria Antolini, Lucca, Libreria Musicale Italiana<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>1998<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>On improvisation<\/em>, edited by Claudio Toscani, Lucca, Libreria Musicale Italiana<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>1997<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>19th-century Italian instrumental music<\/em>, edited by Guido Salvetti, Lucca, Libreria Musicale Italiana<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>1995<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>Around Mozart's Ascanio in Alba: a theatrical celebration in Milan<\/em>, edited by Guido Salvetti, Lucca, Libreria Musicale Italiana<\/p>\n<\/li>\n<\/ul>\n<p align=\"JUSTIFY\"><b>1993<\/b><\/p>\n<ul>\n<li>\n<p align=\"JUSTIFY\"><em>Aspects of Italian opera between the eighteenth and nineteenth centuries: Mayr and Zingarelli<\/em><i>,<\/i>\u00a0edited by Guido Salvetti, Lucca, Libreria Musicale Italiana<\/p>\n<\/li>\n<\/ul>\n<\/div>\n<\/div><\/section><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1362","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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