{"id":679,"date":"2025-11-07T09:31:33","date_gmt":"2025-11-07T09:31:33","guid":{"rendered":"https:\/\/www.consmi.it\/?page_id=679"},"modified":"2026-02-24T11:49:14","modified_gmt":"2026-02-24T10:49:14","slug":"progetti-nazionali-e-internazionali","status":"publish","type":"page","link":"https:\/\/www.consmi.it\/en\/progetti-nazionali-e-internazionali\/","title":{"rendered":"National and International Projects"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mhlwf2r7-d684abbca4f8c7de9ce1f011d7a541ea\">\n.avia-section.av-mhlwf2r7-d684abbca4f8c7de9ce1f011d7a541ea{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/10\/Portico-con-artisti_consmi-scaled-1.jpg);\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-mhlwf2r7-d684abbca4f8c7de9ce1f011d7a541ea main_color avia-section-default avia-no-border-styling  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class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><div id='av_section_2'  class='avia-section av-bou7r-68a0ea420ed14f8650c692cef0117a9a main_color avia-section-default avia-no-border-styling  avia-builder-el-2  el_after_av_section  el_before_av_section  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-679'><div class='entry-content-wrapper clearfix'>\n<div id='av-masonry-1' class='av-masonry av-mlpcscos-d9156a2b84925f4fb6f92de52b2027b1 noHover av-fixed-size av-large-gap av-hover-overlay-active av-masonry-animation-active av-masonry-col-4 av-caption-on-hover-hide av-caption-style-overlay av-masonry-gallery ' data-post_id=\"679\"><div class=\"av-masonry-container isotope av-js-disabled\"><div class='av-masonry-entry isotope-item av-masonry-item-no-image '><\/div><a href=\"https:\/\/www.consmi.it\/progetti-nazionali-e-internazionali\/intermusic\/\"  aria-label=\"image Progetto Intermusic\"  id='av-masonry-1-item-4571' data-av-masonry-item='4571' class='av-masonry-entry isotope-item post-4571 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Progetto Intermusic\" alt=\"Riunione del personale attorno ad un tavolo\"  data-av-masonry-custom-link=\"https:\/\/www.consmi.it\/progetti-nazionali-e-internazionali\/intermusic\/\"  itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/progetto-intermusic-705x305.jpg);\"  title=\"Progetto Intermusic\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Progetto Intermusic<\/h3><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/www.consmi.it\/progetti-nazionali-e-internazionali\/t4t\/\"  aria-label=\"image Progetto T4T\"  id='av-masonry-1-item-1523' data-av-masonry-item='1523' class='av-masonry-entry isotope-item post-1523 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Progetto T4T\" alt=\"Vista delle corde di un pianoforte aperto\"  data-av-masonry-custom-link=\"https:\/\/www.consmi.it\/progetti-nazionali-e-internazionali\/t4t\/\"  itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/christian-lue-pA6o-AHUTWo-unsplash-470x705.jpg);\"  title=\"Progetto T4T\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Progetto T4T<\/h3><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/www.consmi.it\/progetti-nazionali-e-internazionali\/progetto-parts\/\"  aria-label=\"image Progetto P+ARTS\"  id='av-masonry-1-item-1644' data-av-masonry-item='1644' class='av-masonry-entry isotope-item post-1644 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Progetto P+ARTS\" alt=\"Chiostro del Conservatorio\"  data-av-masonry-custom-link=\"https:\/\/www.consmi.it\/progetti-nazionali-e-internazionali\/progetto-parts\/\"  itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/Chiostro-6-705x470.jpg);\"  title=\"Progetto P+ARTS\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Progetto P+ARTS<\/h3><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/www.consmi.it\/progetti-nazionali-e-internazionali\/progetto-pro-ben-health-mode-on\/\"  aria-label=\"image Progetto PRO-BEN \u201cHealth Mode On\u201d\"  id='av-masonry-1-item-4161' data-av-masonry-item='4161' class='av-masonry-entry isotope-item post-4161 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Progetto PRO-BEN \u201cHealth Mode On\u201d\" alt=\"Particolare di un violino\"  data-av-masonry-custom-link=\"https:\/\/www.consmi.it\/progetti-nazionali-e-internazionali\/progetto-pro-ben-health-mode-on\/\"  itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/www.consmi.it\/wp-content\/uploads\/2026\/02\/calendario-seminario-705x470.jpg);\"  title=\"Progetto PRO-BEN \u201cHealth Mode On\u201d\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Progetto PRO-BEN \u201cHealth Mode On\u201d<\/h3><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><\/div><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_3'  class='avia-section av-fyze4-15bca7e7dca7042dae5cc61d0921ab31 main_color avia-section-default avia-no-border-styling  avia-builder-el-4  el_after_av_section  avia-builder-el-last  av-desktop-hide av-medium-hide av-small-hide av-mini-hide avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-679'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-a6vvo-841ed8da42bc72940ddf91424bb8f39f sc-av_one_full av-equal-height-column-flextable'><div  class='flex_column av-a6vvo-841ed8da42bc72940ddf91424bb8f39f av_one_full  avia-builder-el-5  avia-builder-el-no-sibling  first flex_column_table_cell av-equal-height-column av-align-bottom  '     ><section  class='av_textblock_section av-mhlxw45c-35fc41f96e1013f7cc0eaf4bf9f59219 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 style=\"font-weight: 600;\">CONFERENZE e CONVEGNI<\/h2>\n<p style=\"font-weight: 400;\"><strong>International Conference<\/strong><br \/>\nBerio: labirinti in musica \u2013 Berio: labyrinths in music<br \/>\nMilan\/Italy, Conservatory of Music G. Verdi, 21-22 November 2025<br \/>\n<a href=\"https:\/\/www.consmi.it\/wp-content\/uploads\/2025\/11\/2025-novembre_Convegno-Berio_data-scadenza-30-aprile.pdf\">Allegato<\/a><\/p>\n<p style=\"font-weight: 400;\"><strong>6 dicembre 2024<\/strong><br \/>\nINFINITI MONDI. LUIGI NONO E GLI ANNI DI \u00abLABORATORIO MUSICA\u00bb (1979-1982)<br \/>\nGiornata di studi per i 100 anni dalla nascita di Luigi Nono<br \/>\nin collaborazione con Fondazione Archivio Luigi Nono<\/p>\n<p style=\"font-weight: 400;\"><strong>24-25 novembre 2023<\/strong><br \/>\nConvegno internazionale<br \/>\nLIGETI 1923-2023<br \/>\nComposizione come invenzione, fra memoria e sperimentazione<\/p>\n<p style=\"font-weight: 400;\"><strong>27-30 novembre 2021<\/strong><br \/>\nConvegno di studi<em>\u00a0I Cantieri di Chr\u00f3nos. Scritture dell\u2019immaginario. Testo, tempo, suono, memoria<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>2 ottobre 2021<\/strong><br \/>\nConvegno di studi\u00a0<em>Perch\u00e9 i Poeti? H\u00f6lderlin e la musica nel XX e XXI secolo<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>11 dicembre 2020<\/strong><br \/>\nConvegno di studi<em>\u00a0Omaggio a Luciano Chailly a cento anni dalla nascita<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>15 maggio 2020<\/strong><br \/>\nConcerto<em>\u00a0100 anni di Pulcinella!<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>5 giugno 2019<\/strong><br \/>\nConvegno internazionale di studi\u00a0<em>Antonino Votto<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>12 aprile 2018<\/strong><br \/>\nGiornata di studi e concerto monografico dedicati a Flavio Testi<\/p>\n<p style=\"font-weight: 400;\"><strong>13-14 dicembre 2017<\/strong><br \/>\nConvegno di studi Altre seconde cose<em>\u00a0XVII e XX secolo nella recezione di Claudio Monteverdi<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>30 settembre 2017<\/strong><br \/>\nConvegno di Studi\u00a0<em>Toscanini, l&#8217;Italia, il mondo: formazione, carriera, eredit\u00e0 musicale e civile<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>6-7 ottobre 2016<\/strong><br \/>\n<em>La cucina di Prometeo. La sinestesia da Scrjabin alla Visual Music e alla Sound Art<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>30 settembre 2017<\/strong><br \/>\nConvegno di Studi\u00a0<em>Toscanini, l&#8217;Italia, il mondo: formazione, carriera, eredit\u00e0 musicale e civile<\/em><\/p>\n<h4 style=\"font-weight: 600;\">TEATRO DELLA VOCE a cura di Laura Catrani e Gabriele Manca<b><strong><br \/>\n<\/strong><\/b><\/h4>\n<p style=\"font-weight: 400;\"><b><strong>A.A. 2021\/22<br \/>\n<\/strong><\/b><em>Il teatro dell&#8217;ironia: Copi, La donna seduta<br \/>\n<\/em>Cinque soliloqui<br \/>\n<b><strong>Fabbrica del Vapore, Sala Donatoni<\/strong><\/b>, 9 giugno 2022<br \/>\nCarmen Fizzarotti,\u00a0<em>Regardez-moi<br \/>\n<\/em>Vincenzo Parisi,\u00a0<em>C\u2019est quoi le sexe?<br \/>\n<\/em>Daniele Bonacina,\u00a0<em>Pourquoi pas?<br \/>\n<\/em>Francesco Mariotti,\u00a0<em>Et toujours pas de r\u00e9ponse!<br \/>\n<\/em>Andrea Mattera,<em>\u00a0Le rire<\/em><\/p>\n<p style=\"font-weight: 400;\"><b><strong>A.A. 2020\/21<\/strong><\/b><br \/>\n<em>Parole da Artaud &#8211; La voce e lo spazio<br \/>\n<\/em>Cinque soliloqui<em>, in collaborazione con l&#8217;Istituto italiano di cultura di Tel Aviv<br \/>\n<\/em>Fruizione solo online<br \/>\nSimone Cardini (1986),\u00a0<em>Il suffit de se laisser aller a\u0300 e\u0302tre<\/em>\u00a0(2020) per voce e trio<br \/>\nIrina Ghivie\u0301r, soprano<em><br \/>\n<\/em>Andrea Mattera (1995),\u00a0<em>Si pone la questione\u2026<\/em>\u00a0(2020) per voce e trio<br \/>\nElsa Biscari, soprano<em><br \/>\n<\/em>Luca Ricci (1992),\u00a0<em>L\u2019infime dedans<\/em>\u00a0(2020) per voci e trio<br \/>\nSahba K. Amiri, Roberta Fanari, soprani<br \/>\nDaria Scia (1986),\u00a0<em>En Plein<\/em>\u00a0(2020) per voci e trio<br \/>\nIrina Ghivie\u0300r, Sahba K. Amiri, soprani<em><br \/>\n<\/em>Mateo Servia\u0301n Sforza (1991),<em>\u00a0[\u03a3]<\/em>\u00a0(2020) per voce e trio<br \/>\nRoberta Fanari, soprano<br \/>\nTrio SEV<\/p>\n<p style=\"font-weight: 400;\"><b><strong>A.A. 2018\/19<\/strong><\/b><br \/>\n<em>La voce e il corpo<br \/>\n<\/em>Quattro soliloqui<em><br \/>\n<\/em><b><strong>Santeria Toscana<\/strong><\/b>, 6 novembre 2019<br \/>\nDario Buccino<em>,\u00a0<\/em>Compositore performer<em><br \/>\n<\/em>Simone Cardini,\u00a0<em>L\u2019inaccessibile ombelico dei bordi<br \/>\n<\/em>Federico Perotti,\u00a0<em>Sortie<br \/>\n<\/em>Luca Ricci,\u00a0<em>Sopra cui batte il suono<br \/>\n<\/em>Raffaele Marsicano,\u00a0<em>La clinica del Golem<br \/>\n<\/em>Rachel Beja,\u00a0<em>Penombra<\/em><\/p>\n<p style=\"font-weight: 400;\"><b><strong>A.A. 2017\/18<\/strong><\/b><br \/>\n<em>Una ricerca interdisciplinare sulla vocalit\u00e0 del cantante\/attore e la scrittura teatrale per voce<\/em><br \/>\n<b><strong>Teatro Gerolamo<\/strong><\/b>, 27 ottobre 2018<br \/>\nDaria Scia,\u00a0<em>No God Train Somewhere<br \/>\n<\/em>Pietro Dossena,\u00a0<em>A fragmented deity<br \/>\n<\/em>Rachel Beja,\u00a0<em>L\u2019asta mensile<br \/>\n<\/em>Omar Gabriel Delnevo,\u00a0<em>There is a flower that bloometh<br \/>\n<\/em>Maria Vincenza Cabizza,\u00a0<em>S\u00ec (I\u2019m smiling)<\/em><\/p>\n<h4>WARM Workshop on Artistic Research in Music<\/h4>\n<p style=\"font-weight: 400;\">Percorso formativo\u00a0pre-PhD\u00a0realizzato dal Conservatorio di Firenze e il Conservatorio di Milano, in collaborazione con l\u2019Orpheus Instituut di Ghent (Belgio), che offre a studenti e docenti di conservatorio e a giovani musicisti l\u2019occasione di sviluppare un proprio progetto di Ricerca Artistica.\u00a0Il programma prevede la supervisione di un ricercatore dell\u2019Orpheus Instituut, la guida di due tutor docenti dei Conservatori e il contributo di un gruppo di progetto.<\/p>\n<p style=\"font-weight: 400;\">Questa iniziativa, prima in Italia, intende fornire allo studente abilit\u00e0 e strumenti per una riflessione autonoma metodologicamente organizzata sul proprio fare artistico. Essa si inserisce nelle attivit\u00e0 di preparazione e formazione ai dottorati di ricerca in musica all\u2019interno del Terzo Ciclo universitario (in attesa di attuazione in Italia), conferendo agli studenti partecipanti anche le competenze necessarie per valutare l\u2019ipotesi di una efficace candidatura in accademie, conservatori, universit\u00e0 o istituti di ricerca internazionali.<\/p>\n<p style=\"font-weight: 400;\"><strong>2023<\/strong><br \/>\n29 marzo-1 aprile, Milano, Conservatorio, \u201cG. Verdi\u201d<br \/>\n3-6 maggio 2023, Firenze, Conservatorio \u201cL. Cherubini\u201d<br \/>\n12-15 luglio 2023, Milano, Conservatorio, \u201cG. Verdi\u201d<br \/>\n6-9 settembre 2023, Ghent, Orpheus Instituut<br \/>\n8-11 novembre 2023, Firenze, Conservatorio \u201cL. Cherubini\u201d<\/p>\n<p style=\"font-weight: 400;\"><strong>2022<\/strong><br \/>\n27-29 gennaio, Firenze, Conservatorio \u201cL. Cherubini\u201d<br \/>\n3-5 marzo, Milano, Conservatorio \u201cG. Verdi\u201d<br \/>\n21-23 aprile, Firenze, Conservatorio \u201cL. Cherubini\u201d<br \/>\n26-28 maggio, Ghent, Orpheus Instituut<br \/>\n7-9 luglio, Milano, Conservatorio \u201cG. Verdi\u201d<br \/>\n8-10 settembre, Firenze, Conservatorio \u201cL. Cherubini\u201d<br \/>\n13-15 ottobre, Milano, Conservatorio \u201cG. Verdi\u201d<\/p>\n<p style=\"font-weight: 400;\"><strong>2019<\/strong><br \/>\n6-8 febbraio, Milano, Conservatorio \u201cG. Verdi\u201d<br \/>\n9-14 marzo, Ghent, Orpheus Instituut<br \/>\n22-24 aprile, Firenze, Conservatorio \u201cL. Cherubini\u201d<br \/>\n21-23, maggio, Firenze, Conservatorio \u201cL. Cherubini\u201d<br \/>\n29 giugno-4 luglio, Ghent, Orpheus Instituut<br \/>\n17-19 settembre, Milano, Conservatorio \u201cG. Verdi\u201d<\/p>\n<p style=\"font-weight: 400;\"><strong>2018<\/strong><br \/>\n25-27 gennaio, Firenze, Conservatorio \u201cL. Cherubini\u201d, Villa Favard<br \/>\n8-10 marzo, Milano, Conservatorio \u201cG. Verdi\u201d<br \/>\n19-21 aprile, Ghent, Orpheus Instituut<br \/>\n24-26 maggio, Firenze, Conservatorio \u201cL. Cherubini\u201d, Villa Favard<br \/>\n28-30 giugno, Milano, Conservatorio \u201cG. Verdi\u201d<br \/>\n13-15 settembre, Milano, Conservatorio &#8220;G. Verdi&#8221;<\/p>\n<h4>Incontri di ricerca<\/h4>\n<p style=\"font-weight: 400;\">12 settembre 2018 &#8211; Laura Catrani<br \/>\n5 marzo 2018 &#8211; Giovanni Bertelli<br \/>\n29 gennaio 2018 &#8211; Daniela Fantechi<br \/>\n15 gennaio 2018 &#8211; Raffaele Marsicano<br \/>\n18 dicembre 2017 &#8211; Massimiliano Zanoni<br \/>\n6 novembre 2017 &#8211; Paolo Galli<\/p>\n<\/div><\/section><\/div><\/div><!--close column table wrapper. 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