THEATRE OF THE VOICE curated by Laura Catrani and Gabriele Manca
A.A. 2021/22
The Theatre of Irony: Copi, The Seated Woman
Five soliloquies
Fabbrica del Vapore, Sala Donatoni, 9 June 2022
Carmen Fizzarotti, Regardez-moi
Vincenzo Parisi, What is sex?
Daniele Bonacina, Pourquoi pas?
Francesco Mariotti, And still no reply!
Andrea Mattera, Le rire
A.Y. 2020/21
Words by Artaud – The Voice and Space
Five soliloquies, in collaboration with the Italian Cultural Institute of Tel Aviv
Online-only fruition
Simone Cardini (1986), Just let yourself be (2020) for voice and trio
Irina Ghivier, soprano
Andrea Mattera (1995), If the question is raised… (2020) for voice and trio
Elsa Biscari, soprano
Luca Ricci (1992), The infinitesimal within (2020) for voices and trio
Sahba K. Amiri, Roberta Fanari, sopranos
Daria Scia (1986), En Plein (2020) for voices and trio
Irina Ghivièr, Sahba K. Amiri, sopranos
Mateo Servián Sforza (1991), [Sigma] (2020) for voice and trio
Roberta Fanari, soprano
Trio SEV
A.A. 2018/19
Voice and body
Four soliloquies
Santeria Tuscany, 6 November 2019
Dario Buccino, Performing composer
Simone Cardini, The inaccessible navel of the edges
Federico Perotti, Sortie
Luca Ricci, Above which beats the sound
Raffaele Marsicano, The Golem Clinic
Rachel Beja, Penumbra
A.A. 2017/18
An interdisciplinary study on the singing actor's vocalisation and theatrical writing for voice
Gerolamo Theatre, 27 October 2018
Daria Scia, No God Train Somewhere
Pietro Dossena, A fragmented deity
Rachel Beja, The monthly auction
Omar Gabriel Delnevo, There is a flower that bloometh
Maria Vincenza Cabizza, Yes (I’m smiling)
WARM Workshop on Artistic Research in Music
A pre-PhD training pathway developed by the Conservatorio di Firenze and the Conservatorio di Milano, in collaboration with the Orpheus Instituut of Ghent (Belgium), which offers conservatory students and faculty, and young musicians the opportunity to develop their own Artistic Research project. The programme includes supervision by an Orpheus Instituut researcher, guidance from two tutor professors from the Conservatories, and the contribution of a project group.
This initiative, the first of its kind in Italy, aims to provide students with skills and tools for methodologically organised independent reflection on their artistic practice. It forms part of the preparation and training activities for doctoral research in music within the Third University Cycle (pending implementation in Italy), also equipping participating students with the necessary competencies to evaluate the possibility of an effective application to academies, conservatoires, universities, or international research institutions.
2023
29 March–1 April, Milan, Conservatory, “G. Verdi”
3-6 May 2023, Florence, Conservatory “L. Cherubini”
12-15 July 2023, Milan, Conservatory, “G. Verdi”
6-9 September 2023, Ghent, Orpheus Instituut
8-11 November 2023, Florence, “L. Cherubini” Conservatory”
2022
27-29 January, Florence, “L. Cherubini” Conservatory”
3-5 March, Milan, “G. Verdi” Conservatory”
21-23 April, Florence, “L. Cherubini” Conservatory”
26-28 May, Ghent, Orpheus Instituut
7-9 July, Milan, “G. Verdi” Conservatory”
8-10 September, Florence, “L. Cherubini” Conservatory”
13-15 October, Milan, “G. Verdi” Conservatory”
2019
6-8 February, Milan, “G. Verdi” Conservatory”
9-14 March, Ghent, Orpheus Instituut
22-24 April, Florence, “L. Cherubini” Conservatory”
21–23 May, Florence, “L. Cherubini” Conservatoire”
29 June-4 July, Ghent, Orpheus Instituut
17-19 September, Milan, “G. Verdi” Conservatory”
2018
25-27 January, Florence, “L. Cherubini” Conservatory, Villa Favard
8-10 March, Milan, “G. Verdi” Conservatory”
19-21 April, Ghent, Orpheus Instituut
24-26 May, Florence, “L. Cherubini” Conservatory, Villa Favard
28–30 June, Milan, “G. Verdi” Conservatory”
13-15 September, Milan, “G. Verdi” Conservatory”
Research meetings
12 September 2018 – Laura Catrani
5 March 2018 – Giovanni Bertelli
29 January 2018 – Daniela Fantechi
15 January 2018 – Raffaele Marsicano
18 December 2017 – Massimiliano Zanoni
6 November 2017 – Paolo Galli